In summer 1883, General William Tecumseh Sherman took Colonel Richard Irving Dodge, his former aide-de-camp, with him on a 10,000-mile inspection tour across the northern tier of territories, on to the Pacific Northwest, south through California, and east through the Southwest to Denver. Dodge had no idea his journals would ever become public, so he wrote openly about his companions and their interactions, terrain and natural wonders, conditions of military posts, life in civilian communities, and what the future seemed to hold for the region and its changing population.

Mark Twain among the Indians and Other Indigenous Peoples is the first book-length study of the writer’s evolving views regarding the aboriginal inhabitants of North America and the Southern Hemisphere, and his deeply conflicted representations of them in fiction, newspaper sketches, and speeches. Using a wide range of archival materials—including previously unexamined marginalia in books from Clemens’s personal library—Driscoll charts the development of the writer’s ethnocentric attitudes about Indians and savagery in relation to the various geographic and social milieus of communities he inhabited at key periods in his life, from antebellum Hannibal, Missouri, and the Sierra Nevada mining camps of the 1860s to the progressive urban enclave of Hartford’s Nook Farm. The book also examines the impact of Clemens’s 1895–96 world lecture tour, when he traveled to Australia and New Zealand and learned firsthand about the dispossession and mistreatment of native peoples under British colonial rule. This groundbreaking work of cultural studies offers fresh readings of canonical texts such as The Adventures of Tom Sawyer, A Connecticut Yankee in King Arthur’s Court, Roughing It, and Following the Equator, as well as a number of Twain’s shorter works.

Sunday Times' Best History Books of 2017 Winner of the Gilder Lehrman Prize for Military History Winner of the 2017 Caroline Bancroft History Prize Shortlisted for the Military History Magazine Book of the Year Award NOMINATED FOR THE 2017 PEN HESSELL-TILTMAN 'Extraordinary... Cozzens has stripped the myth from these stories, but he is such a superb writer that what remains is exquisite' The Times In a sweeping narrative, Peter Cozzens tells the gripping story of the wars that destroyed native ways of life as the American nation continued its expansion onto tribal lands after the Civil War, setting off a conflict that would last nearly three decades. By using original research and first-hand sources from both sides, Cozzens illuminates the encroachment experienced by the tribes and the tribal conflicts over whether to fight or make peace, and explores the squalid lives of soldiers posted to the frontier and the ethical quandaries faced by generals who often sympathized with their native enemies. Bringing together a cast of fascinating characters, including Custer, Sherman, Grant and a host of other military and political figures, as well as great native leaders such as Crazy Horse, Sitting Bull, Geronimo and Red Cloud, The Earth is Weeping is the fullest account to date of how the West was won... and lost.

When he settled in Mexican Texas in 1832 and began courting Anna Raguet, Sam Houston had been separated from his Tennessee wife Eliza Allen for three years, while having already married and divorced his Cherokee wife Tiana and at least two other Indian "wives" during the interval. Houston's political enemies derided these marital irregularities, but in fact Houston's legal and extralegal marriages hardly set him apart from many other Texas men at a time when illicit and unstable unions were common in the yet-to-be-formed Lone Star State. In this book, Mark Carroll draws on legal and social history to trace the evolution of sexual, family, and racial-caste relations in the most turbulent polity on the southern frontier during the antebellum period (1823-1860). He finds that the marriages of settlers in Texas were typically born of economic necessity and that, with few white women available, Anglo men frequently partnered with Native American, Tejano, and black women. While identifying a multicultural array of gender roles that combined with law and frontier disorder to destabilize the marriages of homesteaders, he also reveals how harsh living conditions, land policies, and property rules prompted settling spouses to cooperate for survival and mutual economic gain. Of equal importance, he reveals how evolving Texas law reinforced the substantial autonomy of Anglo women and provided them material rewards, even as it ensured that cross-racial sexual relationships and their reproductive consequences comported with slavery and a regime that dispossessed and subordinated free blacks, Native Americans, and Tejanos.

In this work, Daniel Headrick traces the evolution of Western technologies and sheds light on the environmental and social factors that have brought victory in some cases and unforeseen defeat in others.

Zoos have always had a troubled relationship to what is considered the “real” wild. Even the most immersive and naturalistic zoos, critics maintain, are inherently contrived and inauthentic environments. Zoo animals’ diet, care, and reproduction are under pervasive human control, with natural phenomena like disease and death kept mostly hidden from public view. Furthermore, despite their growing commitment to conservation and education, zoos are entertainment providers that respond to visitors’ expectations and preferences. What would a “wilder” zoo—one that shows the public a wider range of ecological processes—look like? Is it achievable or even desirable? What roles can or should zoos play in encouraging humanity to find meaningful connections with wild animals and places? A Wilder Kingdom is a provocative and reflective examination of the relationship between zoos and the wild. It gathers a premier set of multidisciplinary voices—from animal studies and psychology to evolutionary biology and environmental journalism—to consider the possibilities and challenges of making zoos wilder. In so doing, the contributors offer new insights into the future of the wild beyond zoos and our relationship to wild species and places across the landscape in an increasingly human-dominated era.

Best known today as the author of The Plains of North American and Their Inhabitants (1877), Dodge recorded his observations and thoughts in volumes of journals, letters, and reports, as well as three popular published books. In this first biography of the soldier-author, Wayne R. Kime describes Dodge's early years, experiences as a writer, and forty-three-year career as an infantry officer in the U.s. Army, and sets his life in a rich historical context.

How did efforts to control wild animals affect colonization? Winner of the CHOICE Outstanding Academic Title of the Choice ACRL From the time Europeans first came to the New World until the closing of the frontier, the benefits of abundant wild animals—from beavers and wolves to fish, deer, and bison—appeared as a recurring theme in colonizing discourses. Explorers, travelers, surveyors, naturalists, and other promoters routinely advertised the richness of the American faunal environment and speculated about the ways in which animals could be made to serve their colonial projects. In practice, however, American animals proved far less malleable to colonizers’ designs. Their behaviors constrained an English colonial vision of a reinvented and rationalized American landscape. In Wild by Nature, Andrea L. Smalley argues that Anglo-American authorities’ unceasing efforts to convert indigenous beasts into colonized creatures frequently produced unsettling results that threatened colonizers’ control over the land and the people. Not simply acted upon by being commodified, harvested, and exterminated, wild animals were active subjects in the colonial story, altering its outcome in unanticipated ways. These creatures became legal actors—subjects of statutes, issues in court cases, and parties to treaties—in a centuries-long colonizing process that was reenacted on successive wild animal frontiers. Following a trail of human–animal encounters from the seventeenth-century Chesapeake to the Civil War–era southern plains, Smalley shows how wild beasts and their human pursuers repeatedly transgressed the lines lawmakers drew to demarcate colonial sovereignty and control, confounding attempts to enclose both people and animals inside a legal frame. She also explores how, to possess the land, colonizers had to find new ways to contain animals without destroying the wildness that made those creatures valuable to English settler societies in the first place. Offering fresh perspectives on colonial, legal, environmental, and Native American history, Wild by Nature reenvisions the familiar stories of early America as animal tales.

In the tradition of Bury My Heart at Wounded Knee, a stunningly vivid historical account of the forty-year battle between Comanche Indians and white settlers for control of the American West, centering on Quanah, the greatest Comanche chief of them all. Empire of the Summer Moon spans two astonishing stories. The first traces the rise and fall of the Comanches, the most powerful Indian tribe in American history. The second is the epic saga of the pioneer woman Cynthia Ann Parker and her mixed-blood son Quanah, who became the last and greatest chief of the Comanches. Although readers may be more familiar with the tribal names Apache and Sioux, it was in fact the legendary fighting ability of the Comanches that determined just how and when the American West opened up. Comanche boys became adept bareback riders by age six; full Comanche braves were considered the best horsemen who ever rode. They were so masterful at war and so skillful with their arrows and lances that they stopped the northern drive of colonial Spain from Mexico and halted the French expansion westward from Louisiana. White settlers arriving in Texas from the eastern United States were surprised to find the frontier being rolled backward by Comanches incensed by the invasion of their tribal lands. Against this backdrop Gwynne presents the compelling drama of Cynthia Ann Parker, a nine-year-old girl who was kidnapped by Comanches in 1836. She grew to love her captors and became infamous as the "White Squaw" who refused to return until her tragic capture by Texas Rangers in 1860. More famous still was her son Quanah, a warrior who was never defeated and whose guerrilla wars in the Texas Panhandle made him a legend. S. C. Gwynne's account of these events is meticulously researched, intellectually provocative, and, above all, thrillingly told.