Out of Russia is the first scholarly work to focus on a group of writers who, over the past decade, have formed a distinct phenomenon: immigrants with cultural and linguistic roots in Russia who have chosen to write in the language of their adopted countries. The best known among these are Andreï Makine, who writes in French, Wladimir Kaminer, who writes in German, and Gary Shteyngart, who writes in English. Wanner also addresses the work of emerging immigrant writers active in North America, Germany, and Israel. He argues that it is in part by writing in a language other than their native Russian that these writers have made something of a commodity of their “Russianness.” That many of them also happen to be Jewish adds yet another layer to the questions of identity raised by their work. In situating these writers within broader contexts, Wanner explores such topics as migration, cultural hybrids, and the construction and perception of ethnicity.

In 1931 Brian Grover fled the world recession to seek fortune and adventure in Stalin's murderously dangerous Soviet Union. It was a move that was to dramatically change the course of his life. At the Bolshoi Theatre in Moscow he met a beautiful, young nurse, named Ileana Petrovna. Their meeting marked the beginning of a passionate and extra-ordinary love affair that was to enchant the world.Set against a background of political and social turmoil, Out of Russia is the heart-warming and exquisitely written true story of one man's courage, bravery and unswerving determination to be with the woman he loved.

Katia’s father was evil. With her mother’s help, she’d escaped his home and learned to live on her own, hiding, her life revolving around secrecy so her father wouldn’t find her. Everything was fine, until the day Sergei walked into her coffee shop. In that moment, her life turned upside down. But she soon discovered that this tall, scary man with the scarred face wasn’t here to bring her back to her father. He was here to…marry her? Yes – a marriage to this man would stop her father’s cruelty. She had to do it! Katia wasn’t what Sergei was expecting. She was sweet and kind and beautiful…and stronger than he would have realized. Not to mention brilliant and creative. Together, they would stop her father. What he also hadn’t anticipated…falling in love with his enemy’s daughter.

The Routledge Companion to Russian Literature is an engaging and accessible guide to Russian writing of the past thousand years. The volume covers the entire span of Russian literature, from the Middle Ages to the post-Soviet period, and explores all the forms that have made it so famous: poetry, drama and, of course, the Russian novel. A particular emphasis is given to the nineteenth and twentieth centuries, when Russian literature achieved world-wide recognition through the works of writers such as Pushkin, Dostoevsky, Tolstoy, Chekhov, Nabokov and Solzhenitsyn. Covering a range of subjects including women's writing, Russian literary theory, socialist realism and émigré writing, leading international scholars open up the wonderful diversity of Russian literature. With recommended lists of further reading and an excellent up-to-date general bibliography, The Routledge Companion to Russian Literature is the perfect guide for students and general readers alike.

A Companion to Russian Cinema provides an exhaustive and carefully organised guide to the cinema of pre-Revolutionary Russia, of the Soviet era, as well as post-Soviet Russian cinema, edited by one of the most established and knowledgeable scholars in Russian cinema studies. The most up-to-date and thorough coverage of Russian, Soviet and post-Soviet cinema, which also effectively fills gaps in the existing scholarship in the field This is the first volume on Russian cinema to explore specifically the history of movie theatres, studios, and educational institutions The editor is one of the most established and knowledgeable scholars in Russian cinema studies, and contributions come from leading experts in the field of Russian Studies, Film Studies and Visual Culture Chapters consider the arts of scriptwriting, sound, production design, costumes and cinematography Provides five portraits of key figures in Soviet and Russia film history, whose works have been somewhat neglected

This book examines the phenomenon of the Russian intelligentsia as a cultural story or myth; it focuses on one of the most important and influential groups of Russian intellectuals – the 1960s generation or ‘Sixtiers’ – who devoted their lives to defending ‘socialism with a human face’, authored Perestroika, and were subsequently demonized when the reforms failed.

The purpose of the Quarterly register is the bringing together ... of such matters appearing in the daily newspapers as may be valuable for permanent preservation.

This volume brings together 15 articles divided into four sections on the role of nationalism in transitions to democracy, the application of theory to country case studies, and the role played by history and myths in the forging of national identities and nationalisms. The book develops new theories and frameworks through engaging with leading scholars of nationalism: Hans Kohn's propositions are discussed in relation to the applicability of the term 'civic' (with no ethno-cultural connotations) to liberal democracies, Rogers Brubaker over the usefulness of dividing European states into 'civic' and 'nationalizing' states when the former have historically been 'nationalizers', Will Kymlicka on the applicability of multiculturalism to post-communist states, and Paul Robert Magocsi on the lack of data to support claims of revivals by national minorities in Ukraine. The book also engages with 'transitology' over the usefulness of comparative studies of transitions in regions that underwent only political reforms, and those that had 'quadruple transitions', implying simultaneous democratic and market reforms, as well as state and nation building. A comparative study of Serbian and Russian diasporas focuses on why ethnic Serbs and Russians living outside Serbia and Russia reacted differently to the disintegration of Yugoslavia and the USSR. The book dissects the writing of Russian and Soviet history that continues to utilize imperial frameworks of history, analyzes the re-writing of Ukrainian history within post-colonial theories, and discusses the forging of Ukraine's identity within theories of 'Others' as central to the shaping of identities. The collection of articles proposes a new framework for the study of Ukrainian nationalism as a broader research phenomenon by placing nationalism in Ukraine within a theoretical and comparative perspective.

Russia's emergence as a Great Power in the eighteenth century is usually attributed to Peter I's radical programme of 'Westernising' reforms. But the Russian military did not simply copy European armies. Adapting the tactics of its neighbours on both sides, Russia created a powerful strategy of its own, integrating steppe defence with European concerns. In Russia's Wars of Emergence, Carol Belkin Stevens examines the social and political factors underpinning Muscovite military history, the eventual success of the Russian Empire and the sacrifices made for power.

This book adopts a novel analytical approach to understanding how Russia's stalled democratisation is related to the incomplete liberalisation of the economy. Based on extensive original comparative study of Russia’s regions, the book explores the precise channels of interaction that create the mutuality of property rights, entrepreneurship, rule of law, norms of citizenship and liberal democracy. It demonstrates that the extent of democratisation varies across regions, and that this variation is connected to the extent of liberalisation of the economy. Moreover, it argues that the key factor in producing this linkage is the relative prominence of small business owners and their supporters in articulating their interests vis-à-vis regional and local administrations, especially through the institutionalisation of networks and business associations. The book develops its key theses by means of detailed analysis of the experiences of four case study regions. Overall, the book provides a major contribution to understanding the path of democratisation in Russia.