The book is focused on the phenomenon of the new spirituality and the impact which it appear to have on the religious sphere and the contemporary culture. It referes to three particular European movements—the 'anthroposophy' of the Austrian philosopher Rudolf Steiner—a movement which has influenced many social spheres like pedagogic (the Waldorf education), medicine, art, etc.; the movement, created by the Bulgarian spiritual teacher Petăr Dănov, known as the 'White Brotherhood', turned into transnational spiritual community; and the 'Unified Teaching' of the young Russian spiritual writer and healer Zor Aleph, developing between Russia and Bulgaria. The work, based on the anthropological methods of fieldwork and analysis, aims to examine the significance of the three movements and their national and transnational specifics in the framework of the European spiritual sphere.

Charting the growing religious pluralism of British society, this book investigates the diverse formations of masculinity within and across specific religions, regions and immigrant communities. Contributors look beyond conventional realms of worship to examine men's diverse religious cultures in a variety of contexts.

The time is now ripe for the awakening of new forces of spiritual perception with which humanity will perceive the working of Christ in the etheric world.

Utilizing spiritual-scientific research methods, Jesaiah Ben-Aharon gives an astonishing first-hand testimony of Rudolf Steiner's declarations regarding the new Christ Revelation, and offers his own findings on the Spiritual Event of the Twentieth Century. Based on occult Imaginative consciousness, he gives a unique account of events which took place in the spiritual world during the war and turmoil on earth in the period 1933-45. His words have a particular significance for an understanding of the work of the grouping of souls which the seer and spiritual teacher Rudolf Steiner called the "Michael School." Through coming to a fully conscious comprehension of the spiritual event of the twentieth century, the author asserts, we may gain the courage needed to renew and enliven the spiritual science of Anthroposophy as "the universal human language of our age." This second edition features an extensive introductory essay.

Much attention has been given in recent writings about religion to fundamentalism and the 'religious right'. But less attention has been given to their opposite - the emergence of a new generation of progressive religious thinkers and organisations on the 'religious left'. "The New Spirituality" is one of the first books to give a comprehensive and authoritative account of this burgeoning progressive religious movement. It offers a clear and engaging analysis of the cultural roots, key ideas and organisational structures of this new faith, assessing its significance in the changing moral and religious landscape of contemporary western society. Gordon Lynch argues that we are witnessing the rise of a new religious ideology which reveres the natural world, connects religious faith with novel scientific theories, and has a forward-looking agenda for society's transformation. "The New Spirituality" will be essential reading for students attempting to understand the shape of religious belief in the twenty-first century.

James A. Herrick offers an intellectual history of the New Religious Synthesis, examining the challenges it poses to Judeo-Christian tradition, demonstrating its sources and manifestations in contemporary culture, and questioning its acceptance in church and society.

"Calvin McBride has shown us his unique literary ability in the life journey of Robert E. Hart's transition from one denomination (Christian Methodist Episcopal Church) to another (Church of God in Christ). He has plunged us into the history of not only an individual but has transported us as well into the history of African-Americans as it relates to the church as an institution." --Stevey M. Wilburn, pg. ii.

The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks-the themes, styles, and currents that give shape and direction to a significant period in the history of Western music. Music in the Late Twentieth Century is the final installment of the set, covering the years from the end of World War II to the present. In these pages, Taruskin illuminates the great compositions of recent times, offering insightful analyses of works by Aaron Copland, John Cage, Milton Babbitt, Benjamin Britten, Steve Reich, and Philip Glass, among many others. He also looks at the impact of electronic music and computers, the rise of pop music and rock 'n' roll, the advent of postmodernism, and the contemporary music of Laurie Anderson, John Zorn, and John Adams. Laced with brilliant observations, memorable musical analysis, and a panoramic sense of the interactions between history, culture, politics, art, literature, religion, and music, this book will be essential reading for anyone who wishes to understand this rich and diverse period.

In Thresholds Marcel Cobussen rethinks the relationship between music and spirituality. The point of departure is the current movement within contemporary classical music known as New Spiritual Music, with as its main representatives Arvo P John Tavener, and Giya Kancheli. In almost all respects, the musical principles of the new spiritual music seem to be diametrically opposed to those of modernism: repetition and rest versus development and progress, tradition and familiarity versus innovation and experiment, communication versus individualism and conceptualism, tonality versus atonality, and so on. As such, this movement is often considered as part of the much larger complex called postmodernism. Joining in with ideas on spirituality as presented by Michel de Certeau and Mark C. Taylor, Cobussen deconstructs the classification of the 'spiritual dimensions' of music as described above. Thresholds presents an idea of spirituality in and through music that counters strategies of exclusion and mastering of alterity and connects it to wandering, erring, and roving. Using the philosophy of Martin Heidegger, Georges Bataille, Jean-Fran‘s Lyotard, Jacques Derrida and others, and analysing the music of John Coltrane, the mythical Sirens, Arvo P and The Eagles (to mention a few), Cobussen regards spirituality as a (non)concept that escapes categorization, classification, and linguistic descriptions. Spirituality is a-topological, non-discursive and a manifestation of 'otherness'. And it is precisely music (or better: listening to music) that induces these thoughts: by carefully encountering, analysing, and evaluating certain examples from classical, jazz, pop and world music it is possible to detach spirituality from concepts of otherworldliness and transcendentalism. Thresholds opens a space in which spirituality can be connected to music that is not commonly considered in this light, thereby enriching the ways of approaching and discussing music. In orde

Representing work by some of the leading scholars in the field, the chapters of this handbook survey the transformation and innovation of religious traditions and practices in contemporary Japan. Readers will find lively scholarly studies about changes in the traditional institutions of Buddhism and Shinto, vivid examples of social activism as well as the so-called “new religions,” examination of the relationship between religion and the state, and analysis of the religiosity of individuals encompassed by “spirituality,” pilgrimage and tourism, and the marketing of religions. This groundbreaking collection of scholarly papers helps to map out the fascinating complexity and dynamism of religion in contemporary Japanese society and culture.