Tells the stories behind Baltimore's monuments. From the twentieth-century sculpture of the Inner Harbor's Baltimore Renaissance to the nineteenth-century splendor of Mount Vernon Place, this work invites us to see Baltimore in a fresh perspective.

Art Deco buildings still lift their modernist principles and streamlined chrome into the skies of Baltimore and Washington, D.C. Second Place Winner of the Design and Effectiveness Award of the Washington Publishers The bold lines and decorative details of Art Deco have stood the test of time since one of its first appearances in the International Exhibition of Modern Decorative and Industrial Arts in Paris in 1925. Reflecting the confidence of modern mentality—streamlined, chrome, and glossy black—along with simple elegance, sharp lines, and cosmopolitan aspirations, Art Deco carried surprises, juxtaposing designs growing out of speed (racecars and airplanes) with ancient Egyptian and Mexican details, visual references to Russian ballet, and allusions to Asian art. While most often associated with such masterworks as New York’s Chrysler Building, Art Deco is evident in the architecture of many U.S. cities, including Washington and Baltimore. By updating the findings of two regional studies from the 1980s with new research, Richard Striner and Melissa Blair explore the most significant Art Deco buildings still standing and mourn those that have been lost. This comparative study illuminates contrasts between the white-collar New Deal capital and the blue-collar industrial port city, while noting such striking commonalities as the regional patterns of Baltimore’s John Jacob Zinc, who designed Art Deco cinemas in both cities. Uneven preservation efforts have allowed significant losses, but surviving examples of Art Deco architecture include the Bank of America building in Baltimore (now better known as 10 Light Street) and the Uptown Theater on Connecticut Avenue NW in Washington. Although possibly less glamorous or flamboyant than exemplars in New York or Miami, the authors find these structures—along with apartment houses and government buildings—typical of the Deco architecture found throughout the United States and well worth preserving. Demonstrating how an international design movement found its way into ordinary places, this study will appeal to architectural historians, as well as regional residents interested in developing a greater appreciation of Art Deco architecture in the mid-Atlantic region.

Presents a collection of thirty-three self-guided walking tours of Baltimore highlighting cultural attractions, historical sites, museums, monuments, religious institutions, outdoor acitivies, shopping, and restaurants for each route.

When the J. Paul Getty Museum received 28 sculptures from the collection of Ray & Fran Stark, it found itself suddenly in the forefront of the evolving field of outdoor sculpture conservation. This volume charts presents an account of the challenges & how the J. Paul Getty Museum staff met them.

Romantic stylings follow excursions into the Greek and Gothic Revivals, the rise of the popular Italianate-mode for town and country houses : fine examples of soaring church spires; public spaces like the Peabody Library, and masterpieces of ornamented dignity."

Covering the U.S.A. and Canada like never before, and for the first time with full-color photographs, here are 1,000 compelling, essential, offbeat, utterly unforgettable places. Pristine beaches and national parks, world-class museums and the Just for Laughs festival, mountain resorts, salmon-rich rivers, scenic byways, the Oyster Bar and the country’s best taco, lush gardens and coastal treks at Point Reyes, rafting the Upper Gauley (if you dare). Plus resorts, vineyards, hot springs, classic ballparks, the Talladega Speedway, and more. Includes new attractions, like Miami’s Pérez Art Museum and Manhattan’s High Line, plus more than 150 places of special interest to families. And, for every entry, what you need to know about how and when to visit. “Patricia Schultz unearths the hidden gems in our North American backyard. Don’t even think about packing your bag and sightseeing without it.” —New York Daily News

This catalogue celebrates the recently installed collection of twentieth-century sculpture donated to the J. Paul Getty Trust by the Fran and Ray Stark Trust in 2005. The book takes the reader on a visual tour of the J. Paul Getty Museum's new sculpture gardens and installations, which features twenty-eight works by artists such as Alexander Calder, Alberto Giacometti, Ferdinand Leger, Roy Lichtenstein, Rene Magritte, Aristide Maillol, Joan Miro, Henry Moore, and Isamu Noguchi. The book offers essays on the curatorial decisions involved in establishing harmonious groupings; a history of European and American sculpture within built outdoor environments and gardens; and catalogue entries that discuss individual pieces within their broader art-historical contexts."

Heritage stones are building and ornamental stones that have special significance in human culture. The papers in this volume discuss a wide variety of such materials, including stones from Europe, Asia, North and South America, Africa and Australia. Igneous (basalt, porphyry, granite), sedimentary (sandstone, limestone) and metamorphic (marble, quartzite, gneiss, soapstone, slate) stones are featured. These have been utilized over long periods of time for a wide range of uses contributing to the historic fabric of the built environment. Many of these stones are of international significance, and so are potential Global Heritage Stone Resources, that is stones that have the requisite qualities for international recognition by the Heritage Stones Subcommission of the International Union of Geological Sciences. The papers bring together diverse information on these stones ranging from their geological setting and quarry locations to mechanical properties, current availability, and uses over time. As such the papers can serve as an entry into the literature on these important stones.

Cover -- Half Title -- Title -- Copyright -- Contents -- List of Illustrations -- Acknowledgments -- Prologue -- CHAPTER ONE: The Cultivation of Lucas -- CHAPTER TWO: The Wandering Road to Paris -- CHAPTER THREE: Lucas and Paris in a Time of Transition -- CHAPTER FOUR: Lucas and Whistler -- CHAPTER FIVE: The Links to Lucas -- CHAPTER SIX: From Ecouen to Barbizon -- CHAPTER SEVEN: M, Eugène, and Maud -- CHAPTER EIGHT: When Money Is No Object -- CHAPTER NINE: The Lucas Collection -- CHAPTER TEN: The Final Years -- CHAPTER ELEVEN: The Terms of Lucas's Will -- CHAPTER TWELVE: A Collection in Search of a Home -- CHAPTER THIRTEEN: The Shot across the Bow -- CHAPTER FOURTEEN: The Glorification of Lucas -- CHAPTER FIFTEEN: In Judge Kaplan's Court -- CHAPTER SIXTEEN: Lucas Saved -- Postscript -- Appendix -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Z

100 Things to Do in Baltimore Before You Die explores the must-do and must-see parts of Charm City for visitors who have a few minutes or a few days and for those who are visiting for the first time and those who visit regularly. It digs a little deeper for residents who have been here for a decade or an entire lifetime, marking such unusual aspects of the usual as the revolutionary layout of the Contemporary Wing of the BMA that set as much a trend in design as Orioles Park at Camden Yards did for retro designs of baseball stadia. 100 Things to Do in Baltimore Before You Die explores the popularity of snoballs, Rheb’s candies, and Natty Boh beer and fuels the continuing debate about where to find the best crab cake and pit beef. There’s also a note about the best places to watch Inner Harbor July 4 and New Year’s Eve fireworks.