"Gets it all in: the boozing and drugging…but also the intelligence, the loyalty, the inherent decency." —Jonathan Yardley, Washington Post Hunter S. Thompson detonated a two-ton bomb under the staid field of journalism with his magazine pieces and revelatory Fear and Loathing in Las Vegas. In Outlaw Journalist, the famous inventor of Gonzo journalism is portrayed as never before. Through in-depth interviews with Thompson’s associates, William McKeen gets behind the drinking and the drugs to show the man and the writer—one who was happy to be considered an outlaw and for whom the calling of journalism was life.

Since his rise to fame in the television series 21 Jump Street in 1987 and his subsequent transition to film acting, Johnny Depp has received constant criticism for his choice of roles--at least until his popular turn in the Pirates of the Caribbean series. This book aims to reveal the ways in which Depp's choices of film roles, though often considered eccentric, allowed him to develop into the representative film actor of his time. It organizes all of Depp's films chronologically, narrating in the process his transition from underestimated teenage pretty boy to bona fide Hollywood hotshot. Along the way, the book addresses Depp's relationship to earlier film actors, especially to Marlon Brando and the silent comics; the influence of Depp's androgynous sexuality on both his choice of roles and his acting; and his relationships with directors Terry Gilliam and Tim Burton.

The Ultimate Protest: Malcolm W. Browne, Thich Quang Duc, and the News Photograph That Stunned the World examines how the most unlikely of war correspondents, Malcolm W. Browne, became the only Western reporter to capture Buddhist monk Thich Quang Duc's horrific self-immolation on June 11, 1963. Quang Duc made his ultimate sacrifice to protest the perceived anti-Buddhist policies of the Catholic-dominated administration of South Vietnam's president Ngo Dinh Diem. Biographer Ray E. Boomhower's The Ultimate Protest explores the background of the Buddhist crisis in South Vietnam in the spring of 1963 that led to Quang Duc's self-sacrifice as well as the worldwide reaction to Browne's photograph, how it affected American policy toward Diem's government, and the role the image played in the violent coup on November 1, 1963, that deposed Diem and led to his assassination. The book also delves into the dynamics involved in covering the Vietnam War in the early days of the American presence and the pressures placed on the journalists to stop raising doubts about how the war was going. Browne and his colleague David Halberstam shared the 1964 Pulitzer Prize for international reporting for their work in Vietnam.

For more than 40 years, the radically subjective style of participatory journalism known as Gonzo has been inextricably associated with the American writer Hunter S. Thompson. Around the world, however, other journalists approach unconventional material in risky ways, placing themselves in the middle of off-beat stories, and relate those accounts in the supercharged rhetoric of Gonzo. In some cases, Thompson's influence is apparent, even explicit; in others, writers have crafted their journalistic provocations independently, only later to have that work labelled "Gonzo." In either case, Gonzo journalism has clearly become an international phenomenon. In Fear and Loathing Worldwide, scholars from fourteen countries discuss writers from Europe, the Americas, Africa and Australia, whose work bears unmistakable traces of the mutant Gonzo gene. In each chapter, "Gonzo" emerges as a powerful but unstable signifier, read and practiced with different accents and emphases in the various national, cultural, political, and journalistic contexts in which it has erupted. Whether immersed in the Dutch crack scene, exploring the Polish version of Route 66, following the trail of the 2014 South African General Election, or committing unspeakable acts on the bus to Turku, the writers described in this volume are driven by the same fearless disdain for convention and profound commitment to rattling received opinion with which the "outlaw journalist" Thompson scorched his way into the American consciousness in the 1960s, '70s, and beyond.

For almost three decades, the Grateful Dead was America's most popular touring band. No Simple Highway is the first book to ask the simple question of why—and attempt to answer it. Drawing on new research, interviews, and a fresh supply of material from the Grateful Dead archives, author Peter Richardson vividly recounts the Dead's colorful history, adding new insight into everything from the Acid Tests to the band's formation of their own record label to their massive late career success, while probing the riddle of the Dead's vast and durable appeal. Arguing that the band successfully tapped three powerful utopian ideals—for ecstasy, mobility, and community—it also shows how the Dead's lived experience with these ideals struck deep chords with two generations of American youth and continues today. Routinely caricatured by the mainstream media, the Grateful Dead are often portrayed as grizzled hippy throwbacks with a cult following of burned-out stoners. No Simple Highway corrects that impression, revealing them to be one of the most popular, versatile, and resilient music ensembles in the second half of the twentieth century. The band's history has been well-documented by insiders, but its unique and sustained appeal has yet to be explored fully. At last, this legendary American musical institution is given the serious and entertaining examination it richly deserves.

A decade after Hunter S. Thompson’s death, his books—including Hell’s Angels, The Curse of Lono, The Great Shark Hunt, and Rum Diary—continue to sell thousands of copies each year, and previously unpublished manuscripts of his still surface for publication. While Thompson never claimed to be a great writer, he did invent a new literary style—“gonzo”—that has been widely influential on both literature and journalism. Though Thompson and his work engendered a significant—even rabid—following, relatively little analysis has been published about his writing. In Hunter S. Thompson: Fear, Loathing, and the Birth of Gonzo, Kevin T. McEneaney examines the intellectual background of this American original, providing biographical details and placing Thompson within a larger social and historical context. A significant portion of this book is devoted to the creation, reception, and legacy of his most important works, particularly Fear and Loathing in Las Vegas. In addition to discussing influences on Thompson's work—including Homer, Nietzsche, Spengler, Melville, Twain, Hemingway, Fitzgerald, Kerouac, and others—as well as the writers Thompson influenced, McEneaney also explains the literary origins of gonzo. With new biographical information about Thompson and an examination of his writing techniques, this book provides readers with a better understanding of the journalist and novelist. A look beyond the larger-than-life public persona, Hunter S. Thompson: Fear, Loathing, and the Birth of Gonzo will be of great interest to fans of Thompson’s work as well as to those wanting to know more about gonzo journalism and literature.

A Mother Jones "Best Book of 2009," A Bomb in Every Issue uncovers the largely untold story of Ramparts magazine, the spectacular San Francisco muckraker that captured the zeitgeist of the '60s and repeatedly scooped the New York Times, changing American journalism forever. Launched in 1962 as a Catholic literary quarterly, Ramparts quickly transformed into a "radical slick," winning a George Polk Award in 1967 for its "explosive revival of the great muckraking tradition." According to the Los Angeles Times, the magazine "not only blew the cover off the biggest stories of the era, it also helped set the ideological agenda for its core demographic, the New Left, and forced the mainstream press to follow its lead." Ramparts' list of contributors—including Noam Chomsky, César Chávez, Seymour Hersh, Angela Davis, and Susan Sontag—formed a who's who of the American left. Although Ramparts folded for good in 1975, former staffers founded Rolling Stone and Mother Jones and include some of the most illustrious names in journalism (names like Robert Scheer, Jann Wenner, and Warren Hinckle), and Ramparts remains an inspiration to investigative journalists today.

During the 2016 presidential election, many younger voters repudiated Hillary Clinton because of her husband’s support for mass incarceration, banking deregulation and free-trade agreements that led many U.S. jobs to be shipped overseas. Warmonger: How Clinton’s Malign Foreign Policy Launched the Trajectory from Bush II to Biden, shows that Clinton’s foreign policy was just as bad as his domestic policy. Cultivating an image as a former anti-Vietnam War activist to win over the aging hippie set in his early years, as president, Clinton bombed six countries and, by the end of his first term, had committed U.S. troops to 25 separate military operations, compared to 17 in Ronald Reagan’s two terms. Clinton further expanded America’s covert empire of overseas surveillance outposts and spying and increased the budget for intelligence spending and the National Endowment for Democracy (NED), a CIA offshoot which promoted regime change in foreign nations. The latter was not surprising because, according to CIA operative Cord Meyer Jr., Clinton had been recruited into the CIA while a Rhodes Scholar at Oxford, and as Governor of Arkansas in the 1980s he had allowed clandestine arms and drug flights to Nicaraguan counter-revolutionaries (Contras) backed by the CIA to be taken from Mena Airport in the western part of the state. Rather than being a time of tranquility when the U.S. failed to pay attention to the gathering storm of terrorism, as New York Times columnist David Brooks frames it, the Clinton presidency saw rising tensions among the U.S., China and Russia because of Clinton’s malign foreign policies, and U.S. complicity in terrorist acts. In so many ways, Clinton’s presidency set the groundwork for the disasters that were to follow under Bush II, Obama, Trump, and Biden. It was Clinton—building off of Reagan—who first waged a War on Terror ridden with double standards, one that adopted terror tactics, including extraordinary rendition, bombing and the use of drones. It was Clinton who cried wolf about human rights abuses and the need to protect beleaguered peoples from genocide to justify military intervention in a post-Cold War age. And it was Clinton’s administration that pressed for regime change in Iraq and raised public alarm about the mythic WMDs—all while relying on fancy new military technologies and private military contractors to distance US shady military interventions from the public to limit dissent.

The increasing role and power of artificial intelligence in our lives and world requires us to imagine and shape a desirable future with this technology. Since visions of AI often draw from Christian apocalyptic narratives, current discussions about technological hopes and fears present an opportunity for a deeper engagement with Christian eschatological resources. This book argues that the Christian apocalyptic imagination can transform how we think about and use AI, helping us discover ways artificial agency may participate in new creation.