Outside Belongings argues against a psychological depth model of identity--one in which individuals possess an intrinsic quality that guarantees authentic belonging. Instead, Probyn proposes a model of identity that takes into account the desires of individuals, and groups of individuals, to belong. The main ideas she considers--"the outside", "the surface", and "belonging"--allow her to articulate, in concrete terms, her precise concerns about sexuality and nationality.

A critical inquiry into the value and experience of participation in design research. In Taking [A]part, John McCarthy and Peter Wright consider a series of boundary-pushing research projects in human-computer interaction (HCI) in which the design of digital technology is used to inquire into participative experience. McCarthy and Wright view all of these projects—which range from the public and performative to the private and interpersonal—through the critical lens of participation. Taking participation, in all its variety, as the generative and critical concept allows them to examine the projects as a part of a coherent, responsive movement, allied with other emerging movements in DIY culture and participatory art. Their investigation leads them to rethink such traditional HCI categories as designer and user, maker and developer, researcher and participant, characterizing these relationships instead as mutually responsive and dialogical. McCarthy and Wright explore four genres of participation—understanding the other, building relationships, belonging in community, and participating in publics—and they examine participatory projects that exemplify each genre. These include the Humanaquarium, a participatory musical performance; the Personhood project, in which a researcher and a couple explored the experience of living with dementia; the Prayer Companion project, which developed a technology to inform the prayer life of cloistered nuns; and the development of social media to support participatory publics in settings that range from reality game show fans to on-line deliberative democracies.

This book looks at the discursive construction of European identities in a variety of institutional and non-institutional contexts and through a variety of social and political actors. Its multilevel and interdisciplinary approach - rooted in the Discourse-Historical tradition of Critical Discourse Analysis - allows for a comparison of identity constructions at different levels of Europe's social and political organisation and in different modes of communication. The book analyses discourses as diverse as those of the EU politicians, of Europe's national media as well as of migrants living in Europe. It offers a set of integrated models and analytical procedures which bring to the fore the inherent dynamism and complexity of both 'bottom-up' and 'top-down' European identity constructions.

Out Here originates from a series of queer studies conferences which took place in Poland between 2002 and 2004, and includes essays, an autobiographical account, and two short stories. Their authors are of eight nationalities: Canadian, Belgian, Flemish, German, Hungarian, Polish, Spanish, Ukrainian, and U.S. American. The academic papers represent a wide range of disciplines: philosophy, literature, ethnography, cultural and gender studies. Some combine theoretical insights and critical analysis with suggestions for activism. The short stories explore the formative moments of a queer adolescence in Anglophone Canada. The eclecticism of Out Here reflects the cauldron-like mix of concerns taken up locally in places considered peripheral in relation to the centers of queer theory in British and American academia. It is out here (or back then), often within the context of rampant homophobia, that queer methodologies prove especially productive. Out here, queer theory is alive and kicking. Whether the authors write about sexual awakenings in Sri Lanka and Canada, or heterosexism in contemporary Ukraine, Hungary, Belgian parks, and 1970s Britain, or racial exclusion in American gay bars, or the veiled homophobia of Polish textbooks, what connects them is the commitment to questioning the limitations placed on queer desire.

This book offers in-depth insight into the lives of queer Roma, thus providing rich evidence of the heterogeneity of Roma. The lived experiences of queer Roma, which are very diverse regionally and otherwise, pose a fundamental challenge to one-dimensional, negative misrepresentations of Roma as homophobic and antithetical to European and Western modernity. The book platforms Romani agency and voices in an original and novel way. This enables the reader to feel the individuals behind the data, which detail stories of rejection by Romani families and communities, and non-Romani communities; and unfamiliar, ground-breaking stories of acceptance by Romani families and communities. Combining intersectionality with queer theory innovatively and applying it to Romani Studies, the author supports her arguments with data illustrating how the identities of queer Roma are shaped by antigypsyism and its intersections with homophobia and transphobia. Thanks to its theoretical and empirical content, and its location within a book series on LGBTIQ lives that appeals to an international audience, this authoritative book will appeal to a wide range of readers. It will a be useful resource for libraries, community and social service workers, third-sector Romani and LGBTIQ organisations, activists and policymakers; an invaluable source of information for scholars, teachers and students of bigger modules in undergraduate, graduate and postgraduate courses in a cross section of academic disciplines and subject areas. These include, but are not limited to, LGBTIQ/Queer Studies; Women’s, Gender and Sexuality Studies; Romani Studies; Sociology; Anthropology; Human Geography; Area Studies; Cultural Studies; Social Movement Studies; Media Studies; Psychology; Heath Science; Social Science; Political Science.

A queer theory of visual art - based on extensive readings of art works Queer Art traces the question of how strategies of denormalization initiated by visual arts can be continued through writing. In the book's three chapters art theoretical debates are combined with queer theory, post-colonial theory, and (dis-)ability studies, proposing the three terms radical drag, transtemporal drag, and abstract drag. The works discussed include those by Zoe Leonard, Shinique Smith, Jack Smith, Wu Ingrid Tsang, Ron Vawter, Bob Flanagan, Henrik Olesen, Felix Gonzalez-Torres, Sharon Hayes, and Pauline Boudry/Renate Lorenz.

Southern Africa’s literatures brim with references to the natural world, its landscapes and its animals. Both fictional and non-fictional works express ongoing debates, often highly politicised, concerning its various groups’ senses of identity and belonging in relation to the land and its denizens. This often involves a pervasive tension between ‘Western’, settler societies’ conceptions of modernity and indigenous world-views, each complicating the often simplistic binarisms drawn between them. In this selection of papers from the 2006 Literature and Ecology Colloquium, held in Grahamstown, South Africa, the complexities of forging imaginative and pragmatic senses of belonging in Southern Africa are explored from a variety of disciplinary persepectives: philosophical, historical, botanical, and anthropological as well as literary. Their subject-matter ranges widely – from Bushmen testimonies to Berlin missionaries, from prehistoric cave-dwellers to Schopenhauer, from white Batswana to lion-tamers – but find themselves echoing one another in intriguing and illuminating ways. These are highly localised meditations on age-old questions: What does it mean to be human within a natural environment? Why do we appear to be so damaging to the ecology that sustains us? Is our presence inevitably ‘toxic’ to our planetary fellow-travellers? How do we forge an ecologically sound sense of belonging in this post-colonial, post-apartheid, post-modern era? If this collection has a single most prominent question binding it together, it is this: What are the limits and potentialities of human compassion towards the natural world?

This book analyses how the idea – or the problem - of belonging is articulated in a range of contemporary francophone Mauritian novels. Waters explores how forms of affective belonging intersect with the exclusionary ‘politics of belonging’ in novels by Nathacha Appanah, Ananda Devi, Shenaz Patel, Bertrand de Robillard, Amal Sewtohul and Carl de Souza.

The concept of political tourism is new to cultural and postcolonial studies. Nonetheless, it is a concept with major implications for scholarship. Political Tourism and Its Texts looks at the writings of political tourists, travellers who seek solidarity with international political struggles. With reference to the travel writing of, among others, Nancy Cunard, W.H. Auden and Christopher Isherwood, Ernesto Che Guevara, and Salman Rushdie, Maureen Moynagh demonstrates the ways in which political tourism can be a means of exploring the formation of transnational affiliations and commitments. Moynagh's aims are threefold. First, she looks at how these tourists create a sense of belonging to political struggles not their own and express their personal and political solidarity, despite the complexity of such cross-cultural relationships. Second, Moynagh analyses how these authors position their readers in relation to political movements, inviting a sense of responsibility for the struggles for social justice. Finally, the author situates key twentieth-century imperial struggles in relation to contemporary postcolonial and cultural studies theories of 'new' cosmopolitanism. Drawing on sociological, postcolonial, poststructuralist, and feminist theories, Political Tourism and Its Texts is at once an insightful study of modern writers and the causes that inspired them, and a call to address, with political urgency, contemporary neo-imperialism and the politics of global inequality.

Abject Relations presents an alternative approach to anorexia, long considered the epitome of a Western obsession with individualism, beauty, self-control, and autonomy. Through detailed ethnographic investigations, Megan Warin looks at the heart of what it means to live with anorexia on a daily basis. Participants describe difficulties with social relatedness, not being at home in their body, and feeling disgusting and worthless. For them, anorexia becomes a seductive and empowering practice that cleanses bodies of shame and guilt, becomes a friend and support, and allows them to forge new social relations. Unraveling anorexia's complex relationships and contradictions, Warin provides a new theoretical perspective rooted in a socio-cultural context of bodies and gender. Abject Relations departs from conventional psychotherapy approaches and offers a different "logic," one that involves the shifting forces of power, disgust, and desire and provides new ways of thinking that may have implications for future treatment regimes.