Like having 100 of the world’s greatest painters at your side, giving you their own personal tips and advice – Painting Masterclass examines 100 paintings from art history: the way they were made, what they do well, and how and what we can learn from them. Throughout the history of painting, one of the best ways in which many great painters have developed their own personal approaches has been by copying other artists’ work. Learning from great artists helps to encourage a discerning eye, as well as an understanding of colour, materials and perspective, and can inspire further innovation. With the detailed analyses and instructive creative tips sections in this book, you can learn how to convey movement like Degas, apply acrylic like Twombly, and command colour like Matisse. With paintings comprising a broad variety of styles, approaches and materials, the book studies the techniques of many of the greatest painters who have worked across the globe from the 15th to the 21st centuries, using watercolour, gouache, tempera, fresco, oils, encaustic and mixed media, including: Titian, Francisco Goya, Gustave Courbet, Georges Seurat, Edvard Munch, Paul Gauguin, Gustav Klimt, Amedeo Modigliani, Jenny Saville, Caravaggio, Egon Schiele, Michelangelo Buonarroti, Paul Klee, Claude Monet, Edward Hopper, Georgia O’Keeffe, Leonardo da Vinci, Marlene Dumas, Mary Cassatt, Frida Kahlo, Marc Chagall, Sandro Botticelli and Jackson Pollock. Perfect for students as well as professional painters, and with a broad historical and global reach, this book is an indispensable introduction to the rich history and practice of painting. Organized by genre: nudes, figures, landscapes, still lifes, heads, fantasy, and abstraction. Includes practical tips and advice, allowing you to weave some of the great artists’ magic into your own work. Selected masterpieces serve as perfect examples of a particular quality in painting: light and shade, rhythm, form, space, contour, and composition are all covered in detail. Explores each artist’s creative vision, describing how they made the artwork. Use it as a guide, a confidence-booster, a workbook, a companion – or simply admire the paintings!

Learn to make art like the masters with art masterclass! In each book, undertake 12 lessons including drawing, colouring and sketching activities that are designed to show you how the artist worked. Like Monet, you'll use dabs and strokes to show light, do a painting outside, and use bright colours to show different times of day. Then you can use everything you've learnt to create your masterpiece on the pull-out poster at the back using the sticker sheet.

How to draw like the masters! With Figure Drawing Master Class, you will discover the secrets to creating masterful figure drawings through examples of Old Master drawings, as well as Dan Gheno's own beautiful drawings, demonstrations and diagrams. This take-home course covers everything you need to put yourself on the fast-track to successful figure drawing. Inside you'll find: • The basics of training your hand to draw • Gesture drawing lessons • How to draw heads and hands • How to accurately compose your figures • Keys to replicating the subtle details in the posture of the head to suggest emotion • The basics of human proportions With tips, tricks and historical references, the drawing instruction inside will help you with all the critical skills you need to travel your own journey through successful figure drawing and improve your drawings for years to come. • Learn to draw all aspects of the human figure with diagrams, demonstrations and Old Master drawings • More than 120 drawings by Old Master artists including Michelangelo, Leonardo, Raphael and Rembrandt • Includes 5 step-by-step demonstrations to reinforce the key concepts of figure drawing

Learn to make art like the masters with art masterclass! In each book, undertake 12 lessons including drawing, coloring, and sketching activities that are designed to show you how the artist worked. Like Klimt, you'll use collage to make portraits, create patterns to illustrate your art, and learn how to show the expressions of people in your pictures with a pencil. Then you can use everything you’ve learnt to create your masterpiece on the pull-out poster at the back using the sticker sheet.

*Winner of the American Society for Aesthetics 2019 Outstanding Monograph Prize* Until now, research on art schools has been largely occupied with the facts of particular schools and teachers. This book presents a philosophical account of the underlying practices and ideas that have come to shape contemporary art school teaching in the UK, US and Europe. It analyses two models that, hidden beneath the diversity of contemporary artist training, have come to dominate art schools. The first of these is essentially an old approach: a training guided by the artistic values of a single artist-teacher. The second dates from the 1960s, and is based around the group crit, in which diverse voices contribute to an artist’s development. Understanding the underlying principles and possibilities of these two models, which sit together in an uneasy tension, gives new insights into the character of contemporary art school teaching, demonstrating how art schools shape art and artists, how they can be a potent engine of creativity in contemporary culture and how they contribute to artistic research. A Philosophy of the Art School draws on first-hand accounts of art school teaching, and is deeply informed by disciplines ranging from art history and art theory, to the philosophy of art, education and creativity.

They can be seen in communities throughout the country-- those amazingly hale, hearty, and happy older folks who are having fun, have a million friends, are sharp as tacks, and look like they'll live forever. Their secret-- revealed and explained in MASTER CLASS-- is an active lifestyle that blends moving, thinking, socializing and creating. Through inspirational stories from active seniors, supported by the latest research in the fields of psychology and neuro-science, MASTER CLASS shows how to build an enriching lifestyle on the foundation of favorite activities. Author Peter Spiers, Senior Vice President of Road Scholar, the top-notch life-long learning organization, provides easy-to-follow charts that allow readers to break out of their daily routines into Moving/Thinking/Socializing/Creating. By filling the gaps with a selection from 25 "Master Activities," such as learning a musical instrument, playing tennis, volunteering and more, they'll create a happy, holistic, brain-healthy lifestyle that's rich and meaningful.

In Cake Masterclass, award-winning cake designer and presenter of Britain's Best Bakery, Mich Turner, teaches you how to bake impressive cakes for every occasion - from a classic sponge, to decadant chocolate, and traditional fruit and ginger cakes. In the masterclass section, Mich shares her award-winning decorating techniques to teach you how to create truly outstanding cakes. With step-by-step instructions, Mich will show you how to make the classic sugar-paste rose, tiered cakes with piped lace, hand painted flowers, Christmas candy and much more. With experience baking for top celebrities like the Beckhams, Madonna and Sir Paul McCartney and running cooking classes around the world, Mich can teach you how to become a cake baking master at home.

Presents a guide to the 3D design tool which uses three representative models to demonstrate such techniques as object manipulation, texture mapping, lighting, rendering, sculpting, and compositing.

Throughout the nineteenth century, academies functioned as the main venues for the teaching, promotion, and display of art. Contemporary scholars have, for the most part, denigrated academic art, calling it formulaic, unoriginal, and repetitious. The contributors to Art and the Academy in the Nineteenth Century challenge this entrenched notion and consider how academies worldwide have represented an important system of artistic preservation and transmission. Their essays eschew easy binaries that have reigned in academia for more than half a century and that simply oppose the avant-garde to academicism.