"In this book, the Enlightenment derives its special appeal as the historical staging ground for an intellectual ferment across Europe and America. Dorinda Outram places ideas in their widest possible context, expounding upon their social, political, and cultural implications and how they condition society's conduct in a variety of ways. She looks at what "Enlightenment" meant to contemporaries, how it affected day-to-day life - for instance, by the spread of reading, the open discussion of religion and the relationship between the sexes, self-knowledge and introspection, scientific research, and advances in medicine."--BOOK JACKET.

The field of Jonathan Edwards studies is only beginning to wrestle with his vast corpus of writings on the Bible, and David Barshinger addresses this gap by providing a close study of his engagement with the book of Psalms. Barshinger explores materials that have received little attention to date, including Edwards's notebooks on the Bible and dozens of handwritten sermon manuscripts. Barshinger shows that Edwards approached the Psalms not merely from a typological or Christological viewpoint, but that the history of redemption provided the theological framework within which he interpreted, preached, and sang the Psalms. At a time of increasing attacks on the Bible, Edwards appropriated the book of Psalms as a divinely inspired anchor to proclaim the gospel. In his reading of the Psalms Edwards treated various theological themes, including God, Christ, the Holy Spirit, revelation, humanity, sin, the gospel, Christian piety, the church corporate, and the eternal dwellings of all people, connecting all of these themes through the redemptive-historical framework that guided his vision of the Bible.

Science, Enlightenment and Revolution brings together thirteen papers by renowned historian Dorinda Outram. Published between 1976 and 2019 and scattered in a variety of journals and collected volumes, these articles are published together here for the first time. During her distinguished career, Outram has made significant contributions to the history of science, to the history and historiography of the Enlightenment, to gender history, to the history of geographical exploration, and to the historical uses of language. This volume also includes other writings by Outram, comprising an unpublished introduction in the form of an intellectual autobiography. Placing this together with her collected academic papers offers readers an overview of her development as an historian and a writer. This book is important reading for scholars and students of early modern Europe, as well as those interested in the Enlightenment, the French Revolution and gender studies. (CS 1101).

Introduction : audiovisual histories -- From mimesis to prosthesis -- Opera as peepshow -- Shadow media -- Haydn's Creation as moving image -- Beethoven's phantasmagoria -- Conclusion : audiovisual returns

'Oh! Monsieur is Persian? That's most extraordinary! How can someone be Persian?' Two Persian travellers, Usbek and Rica, arrive in Paris just before the death of Louis XIV and in time to witness the hedonism and financial crash of the Regency. In their letters home they report on visits to the theatre and scientific societies, and observe the manners and flirtations of polite society, the structures of power and the hypocrisy of religion. Irony and bitter satire mark their comparison of East and West and their quest for understanding. Unsettling news from Persia concerning the female world of the harem intrudes on their new identities and provides a suspenseful plot of erotic jealousy and passion. This pioneering epistolary novel and work of travel-writing opened the world of the West to its oriental visitors and the Orient to its Western readers. This is the first English translation based on the original text, revealing this lively work as Montesquieu first intended. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The encounter of Jews with the Enlightenment movement has so far been considered almost entirely from a masculine perspective. This highly original study, based on analysis of the correspondence and literary works of a group of educated Jewish women, demonstrates their intellectual proclivities, feminine awareness, and social activities, as well as their attitudes to marriage, traditional family frameworks, and religion. In doing so it makes a significant contribution to German Jewish history as well as to gender studies.

It would be easy to assume that, in the eighteenth century, slavery and the culture of taste--the world of politeness, manners, and aesthetics--existed as separate and unequal domains, unrelated in the spheres of social life. But to the contrary, Slavery and the Culture of Taste demonstrates that these two areas of modernity were surprisingly entwined. Ranging across Britain, the antebellum South, and the West Indies, and examining vast archives, including portraits, period paintings, personal narratives, and diaries, Simon Gikandi illustrates how the violence and ugliness of enslavement actually shaped theories of taste, notions of beauty, and practices of high culture, and how slavery's impurity informed and haunted the rarified customs of the time. Gikandi focuses on the ways that the enslavement of Africans and the profits derived from this exploitation enabled the moment of taste in European--mainly British--life, leading to a transformation of bourgeois ideas regarding freedom and selfhood. He explores how these connections played out in the immense fortunes made in the West Indies sugar colonies, supporting the lavish lives of English barons and altering the ideals that defined middle-class subjects. Discussing how the ownership of slaves turned the American planter class into a new aristocracy, Gikandi engages with the slaves' own response to the strange interplay of modern notions of freedom and the realities of bondage, and he emphasizes the aesthetic and cultural processes developed by slaves to create spaces of freedom outside the regimen of enforced labor and truncated leisure. Through a close look at the eighteenth century's many remarkable documents and artworks, Slavery and the Culture of Taste sets forth the tensions and contradictions entangling a brutal practice and the distinctions of civility.

Brimming with the fascinating eccentricities of a complex andconfusing movement whose influences continue to resonate deeply,30 Great Myths About the Romantics adds great clarity towhat we know – or think we know – about one ofthe most important periods in literary history. Explores the various misconceptions commonly associated withRomanticism, offering provocative insights that correct and clarifyseveral of the commonly-held myths about the key figures of thisera Corrects some of the biases and beliefs about the Romanticsthat have crept into the 21st-century zeitgeist – for examplethat they were a bunch of drug-addled atheists who believed in freelove; that Blake was a madman; and that Wordsworth slept with hissister Celebrates several of the mythic objects, characters, and ideasthat have passed down from the Romantics into contemporary culture– from Blake’s Jerusalem and Keats’sOde on a Grecian Urn to the literary genre of thevampire Engagingly written to provide readers with a fun yet scholarlyintroduction to Romanticism and key writers of the period, applyingthe most up-to-date scholarship to the series of myths thatcontinue to shape our appreciation of their work

A fresh and comprehensive account of the literature of France, from medieval romances to twenty-first-century experimental poetry and novels.

In 1811, architect Benjamin Henry Latrobe spurred American builders into action when he called for them to reject "the corrupt Age of Dioclesian, or the still more absurd and debased taste of Louis the XIV," and to emulate instead the ancient temples of Greece. In response, people in the antebellum trans-Appalachian region embraced the clean lines, intricate details, and stately symmetry of the Grecian style. On newly built public buildings, private homes, and religious structures, references to classical Greek architecture became the preferred ornamentation. Several antebellum cities and towns adopted the moniker of "Athens," styling themselves as centers of culture, education, and sophistication. As the trend grew, American citizens understood the name as a link between the Grecian style and the founding principles of democracy—signaling a change of taste in service to the larger American cultural ideal. In Athens on the Frontier, Patrick Lee Lucas examines the material culture of Grecian-style buildings in antebellum America to help recover nineteenth-century regional identities. As communities worked to define their built landscape and develop a shared Western identity, Lucas's study invites readers to question many of the assumptions Americans have made about divisions and cultural formation in antebellum society.