A new collection of short stories by a master of the form with a common focus on the turmoils of romantic love Ready! Aim! On command the firing squad aims at the man backed against a full-length mirror. The mirror once hung in a bedroom, but now it's cracked and propped against a dumpster in an alley. The condemned man has refused the customary last cigarette but accepted as a hood the black slip that was carelessly tossed over a corner of the mirror's frame. The slip still smells faintly of a familiar fragrance. So begins "Tosca," the first in this vivid collection of Stuart Dybek's love stories. Operatically dramatic and intimately lyrical, grittily urban and impressionistically natural, the varied fictions in Paper Lantern all focus on the turmoil of love as only Dybek can portray it. An execution triggers the recollection of a theatrical romance; then a social worker falls for his own client; and lovers part as giddily, perhaps as hopelessly, as a kid trying to hang on to a boisterous kite. A flaming laboratory evokes a steamy midnight drive across terrain both familiar and strange, and an eerily ringing phone becomes the telltale signature of a dark betrayal. Each story is marked with contagious desire, spontaneous revelation, and, ultimately, resigned courage. As one woman whispers when she sets a notebook filled with her sketches drifting out to sea, "Someone will find you." Some of Dybek's characters recur in these stories, while others appear only briefly. Throughout, they—and we—are confronted with vaguely familiar scents and images, reminiscent of love but strangely disconcerting, so that we might wonder whether we are looking in a mirror or down the barrel of a gun. "After the ragged discharge," Dybek writes, "when the smoke has cleared, who will be left standing and who will be shattered into shards?" Paper Lantern brims with the intoxicating elixirs known to every love-struck, lovelorn heart, and it marks the magnificent return of one of America's most important fiction writers at the height of his powers.

Have you ever observed a paper lantern gliding across the night sky? I am sure you have, it has become a popular part of our festivals. We often enjoy releasing the steamed-up paper up in the sky and cheer when it rises. But as it plummets down, we lose interest. Strangely, my attention piques when the lantern starts descending, the fire doesn't completely burn out, some sparks re-ignite as if it's trying hard to stay alive. Its defiance gives me hope, strength and courage to keep going. Paper Lantern is an accumulation of such poems encapsulating the conflicts of human lives –their experiences and predicaments, their grit to survive and their helplessness to give up, their search for light and their walking into darkness.

When future generations come to ask themselves when England lost it and what it lost, they will pick up The Paper Lantern' Michael Hofmann, TLS 'A remarkable achievement in a book that feels at once timely and deeply considered' Irish Times 'A book that speaks powerfully about what it is to be English and about the impact of coronavirus on our national psyche' Observer 'Will Burns is the new Defoe' Adelle Stripe Set in a shuttered pub - The Paper Lantern - in a village in the very middle of the country adjacent to the Prime Minister's Chequers Estate, an unnamed narrator embarks on a series of walks in the Chiltern Hills. As he charts and interrogates the shifts in mood and understanding that have defined a transformative period in his own history and that of the surrounding area, he reveals a past scarred with trauma and a present lacking compass. Traversing local raves in secret valleys, to climate change and capitalism, The Paper Lantern creates a tangible, lived-in complicated rendering of a place, at the moment when the very sense of place itself is being questioned.

*Winner--First Prize in the Colorado Authors League Award, Science Fiction and Fantasy Category!* The adventures of Li-lin, a Daoist priestess with the unique ability to see the spirit world, continue in the thrilling follow-up to the critically-acclaimed historical urban fantasy The Girl with Ghost Eyes. It’s the end of the Nineteenth Century. San Francisco’s cobblestone streets are haunted, but Chinatown has an unlikely protector in a young Daoist priestess named Li-lin. Using only her martial arts training, spiritual magic, a sword made from peachwood, and the walking, talking spirit of a human eye, Li-lin stands alone to defend her immigrant community from supernatural threats. But when the body of a young girl is brought to the deadhouse Li-lin oversees for a local group of gangsters, she faces her most bewildering—and potentially dangerous—assignment yet. The nine-year-old has died from suffocation . . . specifically by flowers growing out of her nose and mouth. Li-lin suspects Gong Tau, a dirty and primitive form of dark magic. But who is behind the spell, and why, will take her on a perilous journey deep into a dangerous world of ghosts and spirits. With hard historical realism and meticulously researched depictions of Chinese monsters and magic that have never been written about in the English language, The Girl with No Face draws from the action-packed cinema of Hong Kong to create a compelling and unforgettable tale of historical fantasy and Chinese lore.

A Scottish doctor and fingerprinting pioneer's 1885 account of his time in Japan working as a surgeon and missionary.