A young man learns that there is more to being successful than the bottom line. A Paperboy's Fable is a concise, entertaining fable that makes revolutionary points using age old principles. Whether someone is opening a lemonade stand or leading a startup software company, the 11 Principles of Success make A Paperboy's Fable a timeless tale that is as fresh as it is universal. A Paperboy's Fable also features interviews with many professors, entrepreneurs, CEO's and General David Petraeus.

'I reckon throwing that rock through the window of Phelan's butcher shop was one of the best things I ever did. But I didn't think so at the time ...' So begins the Ted Egan story. Old Phelan presented Ted's mother with a bill: TO WINDOW BROKEN BY TEDDY EGAN £5 5s 0d. Ted was going to have to find the money. He got it as a paperboy, shouting 'Herooda paper!' on street corners. Jumping on and off the No. 20 tram rattling out of the city of Melbourne into Coburg. Ducking back to the newsagency to get a Women's Weekly for a woman in the Ladies' lounge of Brown's Hotel. In The Paperboy's War the well-known outback folklorist, singer, songwriter, historian, and television presenter recalls his early days, his priestly vocation, the warmth of family life, the agony of puberty, and Melbourne in the 1940s. A great and terrible war raged, but here we see it from a unique perspective: the paperboy. At home the Yanks were taking over leafy Parkville, the dance floors and the women's hearts. Even - black Yanks! Nights at home would be spent tracing the exploits of brave Timoshenko at Stalingrad, speculating on how 'people who live in paper houses' like the Japanese couldn't cause too much trouble, and gaining an encyclopedic knowledge of divisional shoulder patches, enemy aircraft silhouettes and the classes of warships. Ted Egan rekindles the pride Australians felt for 'the Rats' at Tobruk and those who slugged it out on the Kokoda Trail. But life and dreams go on, war or no war. Every schoolday the excruciatingly beautiful Norma would hop on the tram at The Grove. Br. 'Slick' Edwards at the Christian Brothers would read Man Shy and there arouse a love of words. The return of cousin Frank, the bronzed Anzac from the Middle East, provided a role model. Aunt Mary's tales of the Murchison Goldfields stirred a wish to travel. And there was cousin Bill, who had run away to sea at 15, travelled the world and experienced the war at close quarters. He came back wearing Italian suits and gave the young Ted an idea. He too would be a sailor. Ted would leave Melbourne and go to Brazil, via Darwin. Ted Egan was born in Melbourne and spent the first sixteen years of his life there, the years covered by this book, the first of three telling of his life. He intended to drop in on the Northern Territorians for a month before going off to become a gaucho in South America, but ended up staying in the Territory for more than 40 years. Ted Egan studied under lamplight in the outback, gaining a BA from ANU. He is working on a post-graduate historical account of the clash between Aboriginal and western culture when a group of Japanese fishermen and a white policeman were speared to death in 1932. He learned two Aboriginal languages and has taught Aboriginal Studies at Alice Springs High School. He performs, writes, sings and records his own songs, and collects and records others. He is a television presenter and writer. He is a member of the Prime Minister's Reconciliation Council. Awarded the Order of Australia (AM) in 1993 for 'services to the Aboriginal community and contribution to the literary heritage of Australia through song and verse', he lives and works in Alice Springs.

The darkness holds many surprises. In this collection of thirty stories of horror and the bizarre, we shall explore some of those surprises. Even though I’ve been extolling the virtues of darkness, I do encourage you to read this book with the lights on. Light does have its practical applications, you know. You have to see the words.

The story of Paperboy, an 11-year-old African-American superhero, defending his fellow school mates against bullies.

The action moves to the California Shore as Spy Hunter and Paper Boy race the clock to stop Sokolov's plans!

Jonny Martinez, aka Paper Boy learns the hard way just how dangerous the world of Spy Hunter really is!

Spy Hunter and Paper Boy meet face-to-face for the first time!

This is a book about three things: 1. A room called the Comedy Cellar. 2. Who gets to speak in that room. 3. What they get to say. AMY SCHUMER. LOUIS CK. JERRY SEINFELD. CHRIS ROCK. They all worked the Comedy Cellar in Greenwich Village, honing their acts, experimenting, taking risks. It was a safe space, thanks to the principles of its first owner, Manny Dworman, then his son Noam. The only threat to freedom of expression was a lack of laughs. But how did a New York taxi driver, born in Tel Aviv, create comedy’s most important stage? How did he influence some of the biggest names in stand-up? What are the limits of a joke? Who decides? And why does the comedians’ table matter so much? Andrew Hankinson speaks to the Cellar’s owner, comedians, and audience members, using interviews, emails, podcasts, letters, text messages, and previously private documents to create a conversation about the perils, pride, and prejudice of modern comedy. Moving backwards in time from Louis CK’s downfall to when Manny used to host folk singers including Bob Dylan, this is about a comedy club, but it’s also about the widening chasm in contemporary culture.