'I reckon throwing that rock through the window of Phelan's butcher shop was one of the best things I ever did. But I didn't think so at the time ...' So begins the Ted Egan story. Old Phelan presented Ted's mother with a bill: TO WINDOW BROKEN BY TEDDY EGAN £5 5s 0d. Ted was going to have to find the money. He got it as a paperboy, shouting 'Herooda paper!' on street corners. Jumping on and off the No. 20 tram rattling out of the city of Melbourne into Coburg. Ducking back to the newsagency to get a Women's Weekly for a woman in the Ladies' lounge of Brown's Hotel. In The Paperboy's War the well-known outback folklorist, singer, songwriter, historian, and television presenter recalls his early days, his priestly vocation, the warmth of family life, the agony of puberty, and Melbourne in the 1940s. A great and terrible war raged, but here we see it from a unique perspective: the paperboy. At home the Yanks were taking over leafy Parkville, the dance floors and the women's hearts. Even - black Yanks! Nights at home would be spent tracing the exploits of brave Timoshenko at Stalingrad, speculating on how 'people who live in paper houses' like the Japanese couldn't cause too much trouble, and gaining an encyclopedic knowledge of divisional shoulder patches, enemy aircraft silhouettes and the classes of warships. Ted Egan rekindles the pride Australians felt for 'the Rats' at Tobruk and those who slugged it out on the Kokoda Trail. But life and dreams go on, war or no war. Every schoolday the excruciatingly beautiful Norma would hop on the tram at The Grove. Br. 'Slick' Edwards at the Christian Brothers would read Man Shy and there arouse a love of words. The return of cousin Frank, the bronzed Anzac from the Middle East, provided a role model. Aunt Mary's tales of the Murchison Goldfields stirred a wish to travel. And there was cousin Bill, who had run away to sea at 15, travelled the world and experienced the war at close quarters. He came back wearing Italian suits and gave the young Ted an idea. He too would be a sailor. Ted would leave Melbourne and go to Brazil, via Darwin. Ted Egan was born in Melbourne and spent the first sixteen years of his life there, the years covered by this book, the first of three telling of his life. He intended to drop in on the Northern Territorians for a month before going off to become a gaucho in South America, but ended up staying in the Territory for more than 40 years. Ted Egan studied under lamplight in the outback, gaining a BA from ANU. He is working on a post-graduate historical account of the clash between Aboriginal and western culture when a group of Japanese fishermen and a white policeman were speared to death in 1932. He learned two Aboriginal languages and has taught Aboriginal Studies at Alice Springs High School. He performs, writes, sings and records his own songs, and collects and records others. He is a television presenter and writer. He is a member of the Prime Minister's Reconciliation Council. Awarded the Order of Australia (AM) in 1993 for 'services to the Aboriginal community and contribution to the literary heritage of Australia through song and verse', he lives and works in Alice Springs.

Albert Sparks Jr. was born in 1929, the only child of Albert and Mamie Sparks. The Sparkses were good people, non-educated, and much influenced by the southern rural, fundamentalist Protestant Church. Two years later, in early Depression times, they built a small brick home in Bodenheimer, a community about 10 miles from Winston-Salem, NC. Albert Jr. was reared in that home-centered, church focused environment, and at age 10 he became a member of Royal Ambassadors, a boys organization at Bodenheimer Baptist. Still a member even now, his leader is a maudlin, highly emotional lady, a teary and true daughter of the Lord. And then, a fellow RA offered him the opportunity to become a paperboy. A new life began! Albert Jr. had a route of 65 Bodenheimer customers, more or less. Every afternoon on his rounds he heard storiesCalvin Butner and his bootlegging, hauling white likker in a Nehi drink truck; Hub and Estelle Doty and their marital problems, and their strange succession of partners. Some stories have follow-up chapters, such as the German POW who walked away from a work detail. A key to the stories is Wellmans Store, where Albert Jr. meets the truck with his daily bundle of Tribunes. Every day he talks with Cece and Ella Mae Wellman about war news, and he hears gossip from the Ladies News Table. Most chapters have the date and a few headlines from that days paper. In the final chapter, on the night of V-J Day, he met the prettiest girl Ive ever seen, 15 years old, and so-o-o soft. Actually, shes the RA leaders niece. And they celebrated V-J Night, or at least they started. I probly wont go back to RAs.

Clem Beckett was fourteen when he first rode a homemade motorcycle over the cobbled streets of his hometown. It was the start of a lifelong love affair with speed and machines. For Beckett, the motorbike was a means of escape from the uncertain future of Oldham’s stricken industries in the aftermath of the First World War. Beckett’s zest for life, his natural exuberance and determination to be a winner, overcame the disadvantages of a poor home bereft of a father. As a pioneering Dirt Track (speedway) rider he broke records galore, and as a volunteer in the Spanish Civil War he broke down class barriers. Whether as a tearaway teenager, an outspoken sportsman, or a member of the Communist Party, his life was characterized by broadsides of irreverence towards authority. To Beckett, the appeal of revolutionary politics was youthful rejection of ‘old fogey’ values and the dominating role of of tweedy gentility in motorcycle sport. Reviving faded memories and anecdotes of his career as a pioneer speedway rider, this book traces Beckett’s extraordinary rise from blacksmith’s apprentice to superstar, in a new sport which typified the energy of the Roaring Twenties, and was characterised by risk-taking and serial injury. Ever the showman, and banned from the Dirt Track for trying to protect his fellow riders from exploitation, Beckett took to riding the Wall of Death. Observing the rise of fascism on his travels in Europe, Beckett’s increasing involvement with politics led to marriage to the mysterious Lida Henriksen, and inexorably to volunteer service in the British Battalion of the International Brigades in Spain. A narrative spiced with anecdotes and new revelations about Beckett shows why from boyhood to the poignant circumstances of his death in battle, Clem Beckett inspired love and loyalty.

Ripped from the pages of Empire magazine, the first collection of film critic, film historian and novelist Kim Newman's reviews of the best and worst B movies. Over 500 of the cheapest, trashiest, goriest and, occasionally, unexpectedly good films from the past 25 years are here, torn apart and stitched back together again in Kim's unique style. Everything you want to know about DTV hell is here. Enter if you dare!

Adolf Hitler's obsession with art not only fueled his vision of a purified Nazi state--it was the core of his fascist ideology. Its aftermath lives on to this day. Nazism ascended by brute force and by cultural tyranny. Weimar Germany was a society in turmoil, and Hitler's rise was achieved not only by harnessing the military but also by restricting artistic expression. Hitler, an artist himself, promised the dejected citizens of postwar Germany a purified Reich, purged of "degenerate" influences. When Hitler came to power in 1933, he removed so-called "degenerate" art from German society and promoted artists whom he considered the embodiment of the "Aryan ideal." Artists who had produced challenging and provocative work fled the country. Curators and art dealers organized their stock. Thousands of great artworks disappeared--and only a fraction of them were rediscovered after World War II. In 2013, the German government confiscated roughly 1,300 works by Henri Matisse, George Grosz, Claude Monet, and other masters from the apartment of Cornelius Gurlitt, the reclusive son of one of Hitler's primary art dealers. For two years, the government kept the discovery a secret. In Hitler's Last Hostages, Mary M. Lane reveals the fate of those works and tells the definitive story of art in the Third Reich and Germany's ongoing struggle to right the wrongs of the past.

The Encyclopedia of Personality and Individual Differences (EPID) beschäftigt sich in vier Bänden mit Gemeinsamkeiten und Unterschieden bei Individuen. Jeder Band konzentriert sich auf einen wichtigen Themenbereich bei der Untersuchung der Persönlichkeitspsychologie und den Unterschieden von Individuen. Der erste Band mit dem Titel Models and Theories betrachtet die wichtigsten klassischen und modernen Standpunkte, Perspektiven, Modelle und theoretischen Ansätze im Studium der Persönlichkeit und Unterschiede von Individuen. Der zweite Band, Measurement and Assessment, untersucht die wesentlichen klassischen und modernen Beurteilungsmethoden und -techniken. Der dritte Band mit dem Titel Personality Processes and Individual Differences erläutert die traditionellen und aktuellen Dimensionen, Konstrukte und Merkmale der Studienrichtung. Im vierten Band werden drei Hauptkategorien behandelt: klinische Zuarbeit, angewandte Forschung und interkulturelle Betrachtungen. Darüber hinaus werden Themen wie Kultur und Identität, multikulturelle Identitäten, interkulturelle Untersuchungen von Merkmalsstrukturen und Personalitätsprozesses u. v. m. behandelt. - Jeder Band enthält rund 100 Einträge zu Personalität und individuellen Unterschieden. Die Beiträge stammen von international führenden Psychologen. - Beschäftigt sich mit wichtigen klassischen und zeitgenössischen Modellen und Theorien der Persönlichkeitspsychologie, mit Mess- und Beurteilungsverfahren, Personalitätsprozessen und Unterschieden bei Individuen sowie mit Forschungsansätzen. - Bietet einen umfassenden und ausführlichen Überblick über die Persönlichkeitspsychologie. - The Encyclopedia of Personality and Individual Differences ist ein wichtiges Referenzwerk für Studenten der Psychologie und Fachexperten, die sich mit der Untersuchung und Erforschung von Persönlichkeit beschäftigen.

A mother (Peggy) receives word that her daughter had been arrested for prostitution in another state, after confronting her husband with the news she is shocked when he disowns his daughter for being whore. With no where else to turn she jumps on a plane and heads to California, while on the plane she meets Officer Mark whom happen's to be one the arresting officers in the prostitute sting Nicky got caught up in. After arriving in California Peggy enters areas most sane people wouldn't dare to enter. On her journey, Peggy befriends Prostitues, Gang members, Drug dealers and Pimps, all while earning the respect of the local police dept. Peggy takes her experience and opens the Fallen Angel Society, a center for all the fallen angel's that will cross her path. Peggy is then enlisted by the Captain of the local Police department to assist them in a drug sting to clean up the neighborhood. Peggy is later informed of a wild fire in the suburbs of California which changes her life forever.

DO YOU WANT FRIES WITH YOUR HELLFIRE? Thanks to the efforts of Maou and friends, Emi has made it back from Ente Isla in one piece-at the cost of her job at the call center, after all those pesky, unexcused absences. To add insult to injury, Maou confronts Emi with an invoice for "expenses incurred" during the rescue. Emi is shocked, but her pride as the Hero means she can't abide being indebted to a demon. Soon, she's dipping into her savings and searching for a new job to pay her tab. Meanwhile, Urushihara has been sequestered in a hospital, where his body undergoes frightening changes... just as Maou (shockingly!) refuses to go to work?!

From award-winning investigative journalist Kyle Swenson, Good Kids, Bad City is the true story of the longest wrongful imprisonment in the United States to end in exoneration, and a critical social and political history of Cleveland, the city that convicted them. In the early 1970s, three African-American men—Wiley Bridgeman, Kwame Ajamu, and Rickey Jackson—were accused and convicted of the brutal robbery and murder of a man outside of a convenience store in Cleveland, Ohio. The prosecution’s case, which resulted in a combined 106 years in prison for the three men, rested on the more-than-questionable testimony of a pre-teen, Ed Vernon. The actual murderer was never found. Almost four decades later, Vernon recanted his testimony, and Wiley, Kwame, and Rickey were released. But while their exoneration may have ended one of American history’s most disgraceful miscarriages of justice, the corruption and decay of the city responsible for their imprisonment remain on trial. Interweaving the dramatic details of the case with Cleveland’s history—one that, to this day, is fraught with systemic discrimination and racial tension—Swenson reveals how this outrage occurred and why. Good Kids, Bad City is a work of astonishing empathy and insight: an immersive exploration of race in America, the struggling Midwest, and how lost lives can be recovered.

Highly acclaimed for fiction filled with nuanced, believable characters, and suspenseful plots, author Duke Southard combines his stories for the first time alongside his compelling nonfiction essays in The Fallacy of Closure: And Other Award-Winning Short Stories and Essays. This eclectic collection comprises a variety of expertly crafted tales -- from a teacher’s scary night ride on a frozen lake, broken dreams, growing up with a Greatest Generation father, the tragedy of losing a son, and an apocalyptic fantasy. The collection also includes “The Fallacy of Closure,” winner of the 2016 Writer's Digest Literary Competition, and two bonus chapters from the upcoming Parker Havenot novel from Southard’s popular detective series. About the Author Duke Southard is an award-winning writer across numerous genres and publications. He is married, has three children, and lives in Arizona.