A “rollicking,” “vividly re-created,” and “enticing romp” that tells the true story of an obsessive quest to find El Dorado, set against the backdrop of Elizabethan political intrigue and a competition with Spanish conquistadors for the legendary city’s treasure, all in a “breezy narration that makes the historical subject matter sizzle” (Publishers Weekly) As early as 1530, reports of El Dorado, a city of gold in the South American interior, beckoned to European explorers. Whether there was any truth to the stories remained to be seen, but the allure of unimaginable riches was enough to ensnare dozens of would-be heroes and glory hounds in the desperate hunt. Among them was Sir Walter Raleigh: ambitious courtier, confidant to Queen Elizabeth, and, before long, El Dorado fanatic. Entering the Elizabethan court as an upstart from a family whose days of nobility were far behind them, Raleigh used his military acumen, good looks, and sheer audacity to scramble into the limelight. Yet that same swagger proved to be his undoing, as his secret marriage to a lady-in-waiting enraged Queen Elizabeth and landed him in the Tower of London. Between his ensuing grim prospects at court and his underlying lust for adventure, the legend of El Dorado became an unwavering siren song that hypnotized Raleigh. On securing his release, he journeyed across an ocean to find the fabled city, gambling his painstakingly acquired wealth, hard-won domestic bliss, and his very life. What awaited him in the so-called New World were endless miles of hot, dense jungle packed with deadly flora and fauna, warring Spanish conquistadors and Indigenous civilizations, and other unforeseen dangers. Meanwhile, back at home, his multitude of rivals plotted his demise. Paradise of the Damned, like Keith Thomson’s critically acclaimed Born to Be Hanged, brings this story to life in lush and captivating detail. The book charts Raleigh’s obsessive search for El Dorado—as well as the many doomed expeditions that preceded and accompanied his—providing not only an invaluable history but also a gripping narrative of traveling to the ends of the earth only to realize, too late, that what lies at home is the greatest treasure of all.

Dante's Inferno is often presented today in lurid 'gothic' terms as if it were no more than an entertaining demonic freak-show. Alternately, it is taken as merely a cultural and political commentary on Dante's own place and time, cast in allegorical terms. But the Inferno, and the Divine Comedy as a whole, are much more than that. The human passions, and the Mystery of Iniquity of which they are expressions, are fundamentally the same in any place and time; the Inferno presents not so much a history of sin as a catalogue of the archetypes of sin, the fundamental ways in which all of us are tempted to betray the human form. Based on the works of a number of the Greek Fathers, on the writings of several members of the Traditionalist School, notably Frithjof Schuon and Rene Guenon, and on the kind of wide personal experience of the violation of the human form that is available to anyone in these times with both the requisite discernment-rooted in love-and the courage to keep his or her eyes open, Jennifer Doane Upton has once again seen Dante's Inferno as it really is. It is the record of the struggle of the human mind, will, and emotions to discover and name, by the grace of God, the sins resident in the human soul. As both a traditional re-presentation and a contemporary revisioning of the 'examination of conscience', individual and collective, Dark Way to Paradise is at once an exegetical masterpiece and a handbook of demonology of concrete use to any true physician of the soul. In its direct application of metaphysical principles to 'infernal psychology', it is unique among Dante commentaries. And in a time like ours, when the Western Church appears to be dissolving before our eyes, to save again what Dante himself saved out of the great medieval Christian synthesis has never been so timely.

In 1930s Hawaii, after a local man is found innocent of rape by a court, someone kills him. Police arrest the raped woman's husband--a naval lieutenant--and charge him with murder. But did the lieutenant really do it? PI Heller's probe is complicated by distractions from a pretty woman.

Explores the changes that occurred as young people of the 1920s broke with nineteenth-century traditions, and assesses the impact of those changes on American life, then and now.