With his journeys through Hell and Purgatory complete, Dante is at last led by his beloved Beatrice to Paradise. Where his experiences in the Inferno and Purgatorio were arduous and harrowing, this is a journey of comfort, revelation, and, above all, love-both romantic and divine. Robert Hollander is a Dante scholar of unmatched reputation and his wife, Jean, is an accomplished poet. Their verse translation with facing-page Italian combines maximum fidelity to Dante's text with the artistry necessary to reflect the original's virtuosity. They have produced the clearest, most accurate, and most readable translation of the three books of The Divine Comedy, with unsurpassable footnotes and introductions, likely to be a touchstone for generations to come.

A cataclysmic event, now remembered only as "The Midnight," led to the collapse of civilization. Now, centuries after, the remnant of a mega-city named Paradiso is the only place on Earth where humanity still thrives. When Jack Kryznan arrives at the outskirts with a mysterious device capable of bringing dead technology to life, he sets off a power struggle that threatens to embroil the human settlers, bionic creatures known as Guardians, and Paradiso herself. Jack and his companions will begin their journey of self-discovery through this living city even as the city itself strives to understand what it means to be alive. Collects PARADISO #1-4

The PARADISO is considered the most perfect part of the hereafter where the souls are permitted to live eternally if they can successfully complete the very difficult Celestial Examination process engaging the intellectual and personal guilt and forgiveness requirements system. Many celestial citizens take years, decades or centuries to complete. The Celestial Trial of Josephus, the Annual Lantern Parade and Romano’s awakening from his dream nightmare at the ending are the major subjects in this Book. This Celestial Trial of the ancient Jewish General and Roman writer, propagandist and collaborationist Flavius Josephus in discovering the real Spiritual Truths at the Celestial Supreme Court headed by the Biblical prophets Noah, Abraham and Moses is portrayed. Josephus is defended in Court by a late 19th century mortal American Barrister named Darryl Buchanan from Philadelphia who just successfully defended John D Rockefeller before Almighty GOD Himself in God’s Personal Supreme Peoples Court. The goal of the Celestial Trial of ‘Josephus verses the Celestial Kingdom’ is to discover the Holy Secrets and Spiritual Truths of his writings as to determine whether he did or did not fabricate and/or conceal the Biblical truths and steal the Prophecy that the next Ruler of the Roman Empire was destined to come from Judea to save his own body and soul? The Annual Lantern Parade at the Celestial Circus Maximus on Christmas Day has been a tradition since Jesus died on the Cross in the first century AD. The theme this year is called the Ancient & Divine Mysteries of the Universe. BOOK FOUR ends with the Devil and his Three Crown Princes still trying to manipulate, dominate and overthrow the Kingdom with a Final Curtain Call where the Tragic End Game occurs and the Mise-en-Abime shows the hero Journalist Romano home awoken immediately after his dream in his basement apartment at a New York City Catholic Church.

In The Paradiso, Dante explores the goal of human striving: the merging of individual destiny with universal order. One of the towering creations of world literature, this epic discovery of truth is a work of mystical intensity? an immortal hymn to God, Nature, Eternity, and Love.

`In the world of Dante scholarship, there is a real need for studies such as The Poetics of Dante's Paradiso, which challenge our notions of the principal souls of the Paradiso. Rooted in a close analysis of the poem, Massimo Verdicchio's intelligent interpretation is supported by relevant textual evidence and provides an important counterpoint to the canonical readings of the cantica. Traditional readings of Dante's Paradiso have largely considered this third cantica of the Commedia as a poem apart. It deals with those blessed souls in Paradise who are free of sin and beyond punishment, in contrast to the sinners in the previous two cantica, and is thus no longer based on the principle of contrapasso. At the literal level this is true in that all the characters one encounters are either those who have been saved, religious leaders, or saints. However, at the allegorical level, as Massimo Verdicchio argues in The Poetics of Dante's Paradiso, the blessed souls still have something to hide, something shameful in their past earthly life, which is revealed nonetheless. In this book, Verdicchio provides a canto-by-canto analysis of Paradiso. He maintains that the cantica can allegorically be seen as a commentary on the political and religious establishment, framed as the punitive action of the DXV announced at the end of Purgatorio, denouncing the illicit and destructive alliance between the House of Anjou and the Church. Verdicchio focuses on the relationship that Dante establishes among the ten heavens, into which the poet divides the cantica and their equivalent in the Arts and Sciences of the Trivium and Quadrivium, as outlined in the Convivio. This approach provides the key to interpreting the cantos and the discourse of the inhabitants of Paradise who appear, on the surface, blameless. However, it is the earthly and human side of the blessed souls that captures Dante's attention, and this dichotomy is revealed in his characterization of the heavens. Poetic allegory and irony are the two principal modes of this cantica, and the source of much of its comedic complexity. As one of the characters puts it, in Heaven `we do not repent but we smile.' A highly original and comprehensive reading, The Poetics of Dante's Paradiso demonstrates that the intricacies of Dante's text reveal subversive undercurrents and a subtle irony, employed to deliver a critique of the Church and Empire of his own time.

A guidebook to trekking Alta Via 2, a route of 148km, from Chardonney and Courmayeur in the Gran Paradiso National Park. While not high on the difficulty scale, Alta Via 2 is strenuous, and best suited to trekkers with some alpine experience. Fittingly perfectly into a two-week time slot, the route is best undertaken between late June and late September. The route is described across 12 stages (with a 4-stage extension option in place of Stages 6 and 7). Stages range from 5 to 18km, with stage ascent varying from 50m (Stage 8) to 1400m (Stage 9). Net ascent is 9630m. The route is described east to west so trekkers are rewarded with the beauty of Mont Blanc at the journey's end. GPX files available to download Detailed information on travel logistics, the mountain hut network, as well as kit requirements Trek-specific Italian-English glossary included Information given on local alpine flora and wildlife Sized to easily fit in a jacket pocket

A Study Guide for Kenneth Koch's "Paradiso," excerpted from Gale's acclaimed Poetry for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Poetry for Students for all of your research needs.

This epic poem written by Dante Alighieri between c. 1308 and his death in 1321 is widely considered the preeminent work of Italian literature, and is seen as one of the greatest works of world literature. The Divine Comedy serves as the physical (scientific), political, and spiritual guidebook of Dante's Fourteenth Century universe. The poem's imaginative and allegorical vision of the afterlife is a culmination of the medieval world-view as it had developed in the Western Church. It helped establish the Tuscan dialect, in which it is written, as the standardized Italian language. It is divided into three parts: Inferno, Purgatorio, and Paradiso. On the surface, the poem describes Dante's travels through Hell, Purgatory, and Heaven; but at a deeper level, it represents allegorically the soul's journey towards God. At this deeper level, Dante draws on medieval Christian theology and philosophy, especially Thomistic philosophy and the Summa Theologica of Thomas Aquinas. Consequently, the Divine Comedy has been called "the Summa in verse". Dante Alighieri (1265 – 1321), was a major Italian poet of the Late Middle Ages. His Divine Comedy, originally called Comedìa (modern Italian: Commedia) and later christened Divina by Boccaccio, is widely considered the most important poem of the Middle Ages and the greatest literary work in the Italian language.