This book explores and expounds upon questions of paradox and contradiction in theology with an emphasis on recent contributions from analytic philosophical theology. It addresses questions such as: What is the place of paradox in theology? Where might different systems of logic (e.g. paraconsistent ones) find a place in theological discourse (e.g. Christology)? What are proper responses to the presence of contradiction(s) in one’s theological theories? Are appeals to analogical language enough to make sense of paradox? Bringing together an impressive line-up of theologians and philosophers, the volume offers a range of fresh perspectives on a central topic. It is valuable reading for scholars of theology and philosophy of religion.

How does the preacher know what God might say now based upon the many things God said then? Preachers and theologians throughout Christian history have grappled with Scripture's diverse emphases alongside the urgent task of declaring the authoritative Word of God in the contemporary pulpit. Aaron Edwards offers a new way of engaging with this problem, by exploring the theological relationship between biblical dialectics and heraldic proclamation. Edwards highlights the theological necessity of dialectical variety, without forfeiting assertiveness in the prophetic moment of preaching. A vast array of key voices from the theological tradition are drawn upon - including Augustine, Aquinas, Eckhart, Luther, Calvin, Hegel, Kierkegaard, Chesterton, Barth, Bultmann, Tillich, Ebeling, and others - to navigate the connection between Scriptural unity, clarity, and paradoxical plurivocality, leading to a nuanced account of dialectic. Applying this to the homiletically neglected concept of 'heraldic' confidence in preaching, Edwards examines the theological possibility of preaching in light of dialectical complexity via its 'prophetic' dimension. He shows how the uniquely revelatory relationship of Word and Spirit enables Scriptural illumination, prophetic discernment, and dialectical decisiveness in the 'momentary' encounter which undergirds all Christian proclamation.

This book focuses on the question of theological paradox, exploring what it means and its place in theological method from a Christian perspective. Just as paradoxes are unavoidable in logic and mathematics, paradoxes are inevitable in religious and theological discourses. The chapters in this volume examine a number of cases, including the ‘Red Heifer paradox’, the ‘liar paradox’, and the ‘paradox of omnipotence’, and attention is given to Christian doctrines such as the Trinity and the Incarnation. Arguing for a renewed understanding and appreciation of the role of paradox, this study will be of interest to scholars of theology and the philosophy of religion.

The principal thesis that the author advances in this book is that paradox and contradiction constitute the two ways of the world. Paradox represents the way of the people of the Bible, and contradiction represents the way of all peoples who, having lived without knowledge of the Bible, have traditionally been known as gentiles or pagans. The two ideas that are central to the biblical way of life (as known historically by Jews, Christians, and Muslims) are creation and covenant, while the contradictory way of paganism has precisely been marked by the absence of these two concepts. In his book the author distinguishes the paradoxical way of the world from the contradictory way of the world through the examination of principal texts of four of the most significant early modern, European thinkers from the later sixteenth century to the earlier eighteenth century: Montaigne, Descartes, Spinoza, and Vico. He shows that each of these four authors, in distinctive yet fundamentally interrelated fashion, provides us with profound insight into how absolutely different the paradoxical way of the world as biblical is from the contradictory way of the world as found, primarily and specifically, in Greek and Roman antiquity.

The Christian church has a long tradition of systematic theology, that is, of studying biblical teaching on centrally important doctrines such as the Word of God, redemption, and Jesus Christ. Wayne Grudem's bestselling Systematic Theology has several distinctive features: A strong emphasis on the scriptural basis for each doctrine Clear writing, with technical terms kept to a minimum A contemporary approach, treating subjects of special interest to the church today A friendly tone, appealing to the emotions and the spirit as well as the intellect Frequent application to life Resources for worship within each chapter Bibliographies in each chapter that cross-reference subjects to a wide range of other systematic theologies.

There is within all theological utterances something of the ridiculous, perhaps more so in Christianity, given its proclivity for the paradoxical and the childlike. Few theologians are willing to discuss how consent to the Christian doctrine often requires a faith that goes beyond reason. There seems to be a fear that the association of theology with the absurd will give fuel to the sceptic's refrain: 'You can't seriously believe in all that nonsense.' Josephine Gabelman considers the legitimacy of the sceptic's objection and explores the possibility that an idea can be contrary to rationality and also true and meaningful using the systematic analysis of central stylistic features of literary non sense such as Lewis Carroll's Alice stories. Gabelman sets up a nonsense theology by considering the practical and evangelical ramifications of associating Christian faith with nonsense literature and, conversely, the value of relating theological principles to the study of literary nonsense.Ultimately, Gabelman says, faith is always a risk and a strictly rational apologetic misrepresents the nature of Christian truth.

Tome II is dedicated to tracing Kierkegaard's influence in Anglophone and Scandinavian Protestant religious thought. In Britain, before World War I, the few literati who were familiar with his work tended to assimilate Kierkegaard to the heroic individualism of Ibsen and Nietzsche. In the United States knowledge of Kierkegaard was introduced by Scandinavian immigrants who brought with them a picture of the Dane as much more sympathetic to traditional Christianity. The interpretation of Kierkegaard in Britain and America during the early and mid-twentieth century generally reflected the sensibilities of the particular theological interpreter. Anglican theologians tended to find Kierkegaard to be one-sided in his critique of reason and culture, while theologians hailing from the Reformed tradition often saw him as an insightful harbinger of neo-orthodoxy. The second part of Tome II is dedicated to the Kierkegaard reception in Scandinavian theology, featuring articles on Norwegian and Swedish theologians influenced by Kierkegaard.

What does the Wesleyan message have to say to the greater theological world? This is a question that Laurence Wood has taken up as his concern throughout his career. In order to honor his work, this collection takes up this question through a series of essays designed to show how Wesleyan Theology, while distinctive, has a continued relevance to the wider world of theological scholarship. This collection does this in two ways. First, by showing how the Wesleyan distinctives have been present throughout the history of theology. And secondly, the collection brings the Wesleyan distinctives into conversation with various contemporary theological conversations, ranging from theological hermeneutics and the science-religion dialogue to the practice of preaching and spirituality. The result is a volume that puts Wesleyan theology into continued dialogue with the broader theological world, showing its vitality and importance for the contemporary situation.

This handbook provides thorough introductory articles on important themes in Christian theology. Along with cross-references and select bibliographies, it is an indispensable reference source. The Handbook consists of 148 topical entries arranged alphabetically. Instead of a Table of Contents, a "Routes For Reading" page suggests related entries, and cross-referencing makes 'surfing' this volume easier than ever.

If you find books such as Richard Dawkins' The God Delusion compelling but your faith heritage is also important to you, this book shows how you can affirm both. Taking a cue from Marcus Borg's contention that "scriptural literalism" is for many people a major impediment to authentic spirituality, Carl Jech describes how all religion can and should be much more explicit about its symbolic, metaphorical, and artistic nature. With a particular focus on mortality and the relationship of humans to eternity, the book affirms a postmodern understanding of "God" as ultimate eternal Mystery and of spirituality as an artistic, (w)holistic, visionary, and creative process of becoming at home in the universe as it really is with all its joys and sorrows. Religion as Art Form is a must-read for those who think of themselves as spiritual but not religious.