“A rich and entertaining history of the French capital’s predominant myths and ‘image-making’ from the nineteenth century to the present.” —Roxanne Panchasi, H-France Review How did Paris become the world favorite it is today? Charles Rearick argues that we can best understand Paris as several cities in one, each with its own history and its own imaginary shaped by dream and memory. Paris has long been at once a cosmopolitan City of Light and of modernity, a patchwork of time-resistant villages, a treasured heirloom, a hell for the disinherited, and a legendary pleasure dome. Focusing on the last century and a half, Paris Dreams, Paris Memories makes contemporary Paris understandable. It tells of renewal projects radically transforming neighborhoods and of counter-measures taken to perpetuate the city’s historic character and soul. It provides a historically grounded look at the troubled suburbs. Further, it tests long-standing characterizations of Paris’s uniqueness through comparisons with such rivals as London and Berlin. Paris Dreams, Paris Memories shows that in myriad forms—buildings, monuments, festivities, and artistic portrayals—contemporary Paris gives new life to visions of the city long etched in Parisian imaginations. “A pleasure to read.” —Catherine Clark, H-Urban “Fascinating.” —Nicoleta Bazgan, Contemporary French Civilization “Rearick is an expert guide.” —Jeffrey H. Jackson, Rhodes College “Like a pleasant stroll through the city, one finds much that one has already seen, but also plenty that one has not.” —Stephen Sawyer, French History “Rearick has written not so much a history of Paris, but a history of the history of Paris.” —William Irvine, York University

In this book, the author provides a comprehensive overview of the intense and sustained work on the relationship between collective memory and history, retracing the royal roads pioneering scholars have traveled in their research and writing on this topic: notably, the politics of commemoration (purposes and practices of public remembrance); the changing uses of memory worked by new technologies of communication (from the threshold of literacy to the digital age); the immobilizing effects of trauma upon memory (with particular attention to the remembered legacy of the Holocaust). He follows with an analysis of the implications of this scholarship for our thinking about history itself, with attention to such issues as the mnemonics of historical time, and the encounter between representation and experience in historical understanding. His book provides insight into the way interest in the concept of memory - as opposed to long-standing alternatives, such as myth, tradition, and heritage - has opened new vistas for scholarship not only in cultural history but also in shared ventures in memory studies in related fields in the humanities and social sciences.

What was the personality of 19th-century Paris? To answer that question, this book eschews the conventional narrative and chronological route taken by most histories of Paris. Instead, it thematically analyses the complex personality traits of Paris from the onset of the Revolution of 1789 to the beginning of the Great War. Starting with the topographical and cultural legacies that late 18th-century Paris inherited from its foundation in pre-Roman and Roman times and from its medieval infancy and early-modern adolescence, The Personality of Paris unpacks the social and material complexity of the 19th-century city. It considers the role of immigration in the making of Parisians and in the city's growth from half a million in 1801 to almost three million in 1911. It examines the making of its distinctive landscape through the construction of monuments and architectural icons, through its massive re-modelling by Napoléon III and Baron Haussmann, through its five world exhibitions, through its emphasis on food, fashion and leisure, and through the ways in which Parisians sought rural release from urban pressure. Finally, the book considers the self-harm done to the person of 19th-century Paris by revolutions and wars and the damage inflicted on it by 20th-century hubristic politicians and architects.

Drawing upon a vast body of historical scholarship, Casey Harison's Paris in Modern Times provides the first detailed academic history of Paris in the modern age. Chronologically surveying Paris's history from the Old Regime of the late-18th century through to the present day, this book explores the social, economic, political and cultural developments that come together to tell the story of this iconic city. Each chapter has an introduction and illuminating 'sidebars' that touch upon the ways in which Parisian history has intersected with wider changes in France and beyond. The text, which also includes a wealth of images, maps, and a further reading section, takes the opportunity to place Paris and its history in a broader French, Atlantic and global historical context in order to cover an essential aspect of what has been such an important city the world over. Paris in Modern Times is vital reading for anyone seeking to know more about the history of Paris or the history of France since the French Revolution.

'Paris in the Cinema' offers a new approach to the representation of Paris on screen. Bringing together a wide range of renowned French and Anglophone specialists in film, television, history, architecture and literature, the volume introduces, challenges and extends ideas about the city as the locus of screen modernity. Through a range of concrete and historically-specific case studies, ranging from particular districts such as Saint-Germain-des-Pres and les banlieues (the suburbs) in French cinema, to iconic figures such as the detective Maigret and the lovers, and from locations such as the hotel, the building site and the Eiffel Tower to filmmakers such as Agnes Varda and Jean-Pierre Jeunet, this unique text demonstrates how the cinematic city of Paris now constitutes a major archive of French cultural history and memory.

Paris and the Cliché of History traces the changing historical meanings of photographs of this city during a century marked by urban renovation, war, occupation, liberation, and visual documentation. Challenging the idea that photographs merely document the past, it calls for new methods of reading photos as material objects with histories of their own and sheds insight on the capital's reduction to an image in the twentieth century.

No city more than Paris has had such a constant and deep association with the development of literary forms and cultural ideas. The idea of the city as a space of literary self-consciousness started to take hold in the sixteenth century. By 1620, where this volume begins, the first in a long line of extraordinary works of the human imagination, in which the city represented itself to itself, had begun to find form in print. This collection follows that process through to the present day. Beginning with the 'salon', followed by the hybrid culture of libertinage and the revolutionary hotbeds of working-class districts, it explores the continuities and changes between the pre-modern era and the nineteenth century, when Paris asserted itself as cultural capital of Europe. It goes on to explore how this vision of Paris as a key capital of modernity has shaped contemporary literature.

For architecture and urban space to have relevance in the 21st Century, we cannot merely reignite the approaches of thought and design that were operative in the last century. This is despite, or because of, the nexus between politics and space often being theorized as a representation or by-product of politics. As a symbol or an effect, the spatial dimension is depoliticized. Consequently, architecture and the urban are halted from fostering any systematic change as they are secondary to the event and therefore incapable of performing any political role. This handbook explores how architecture and urban space can unsettle the unquestioned construct of the spatial politics of governing. Considering both ongoing and unprecedented global problems – from violence and urban warfare, the refugee crisis, borderization, detention camps, terrorist attacks to capitalist urbanization, inequity, social unrest and climate change – this handbook provides a comprehensive and multidisciplinary research focused on the complex nexus of politics, architecture and urban space. Volume I starts by pointing out the need to explore the politics of spatialization to make sense of the operational nature of spatial oppression in contemporary times. The operative and active political reading of space is disseminated through five thematics: Violence and War Machines; Security and Borders; Race, Identity and Ideology; Spectacle and the Screen; and Mapping Landscapes and Big Data. This first volume of the handbook frames cutting-edge contemporary debates and presents studies of actual theories and projects that address spatial politics. This Handbook will be of interest to anyone seeking to meaningfully disrupt the reduction of space to an oppressive or neutral backdrop of political realities.

Working Girls offers a cultural history of the women of the Parisian garment trades as read by French entertainment and popular culture, labour reformers, and the women themselves, bridging the divide between the cultural history of the Parisian imaginary and the history of the French working classes and national identity.

A top historian offers a new history of Paris’s Belle Époque, the luminous age of the Eiffel Tower and the Sacré-Cœur Basilica, but also of social unrest and violent clashes over what it meant to be French From the wrought ironwork of the Eiffel Tower to the flourishing art nouveau movement, the Belle Époque is remembered as a golden age for Parisian culture. Beneath the veneer of elegance, however, fin de siècle Paris was a city at war with itself. In City of Light, City of Shadows, Mike Rapport uncovers a Paris riven by social anxieties and plagued by overlapping epidemics of poverty, political extremism, and anti-Semitism. As the Sacré-Cœur and Eiffel Tower rose into the skies, redefining architecture and the Paris skyline, Paris’s slums were plagued by disease and gang violence. The era, now remembered as a high point of French art and culture, was also an age of intense political violence, including anarchist bombings, organized right-wing mobs, and assassinations. Weaving together these stories of splendor and suffering with the fabric of the city itself, the book offers a brilliant account of Paris’s Belle Époque—revealing the darkness that suffused the City of Light.