Yutaka Kimura was born on March 22, 1905, the second child of Masajiro Kimura and his wife, Hisamu (Mitsuda). His birth place was Pu' uwa' a Ranch in North Kona on the Big Island, where his immigrant parents were employed by a rancher, Robert Hind. Masajiro and Hisamu came from Japan in 1898 and in 1901, respectively. Yutaka married Haruyo Uyeda on February 7, 1925 and moved into the house at Pu'ukikoni. They became the parents of five children. Relatives and descendants reside in Hawaiian Islands.

Paniolo House Stories Volume 1 includes interviews with Yoshio Hara, Eva Kealamakia, Elizabeth Kimura, Hisa Kimura, Mary Bell Lindsey, Katy Lowrey. Volume 2 includes interviews with Dan Miranda, Bea Nobriga, Blanche Rapoza, Grace Shigematsu, Ichiro Yamaguchi, and Shigeko Yoshikami. The purpose of the Paniolo House Stories project is to guide the restoration of a hundred-year-old paniolo (cowboy) family home, as a living museum of daily life, health and healing practices before World War Two in the ranching town of Waimea on the island of Hawai`i. The Paniolo House is to be a museum which perpetuates the local history of families and life in this special town of Waimea. Friends of the Future’s Paniolo House Committee works in partnership with the North Hawaii Community Hospital, where the house is located. In this way, the North Hawaii Community Hospital honors its historical community roots and keeps community values central to its continuing success. In order to gather the stories on which to base the interpretive exhibits at the Paniolo House, the Paniolo House Committee initiated a project to collect oral history interviews with twelve kupuna, or elders, from the Waimea community. These interviewees kindly shared their stories for the project. The Paniolo House Committee continues to guide the renovation and interpretation of the Paniolo House as a living history museum to help connect the eldest and the youngest generations in the Waimea community. The Paniolo House Committee has been blessed by the dedicated work of Wally and Marge Bright, Balbi Brooks, Jean and Gilbert Davis, Barbara and Nelson Elliott, Gordon Hills, Hisa and Elizabeth Kimura, John and Katy Lowrey, Maile Melrose, Bea Nobriga, Nancy Piianaia, Phyllis Richards and Quentin Tomich. The Committee was founded in 1995 in conjunction with the North Hawaii Community Hospital, with Susan Pueschel helping at the start. Assisting the Paniolo House Committee is Susan Maddox of Friends of the Future with David Tarnas as project manager and Tom Quinlan as the architect specializing in restoring historic buildings. Four members of the Committee who generously assisted the Paniolo House project, but who have passed away in recent years, are Nelson Elliott, Gordon Hills, Hisa Kimura, and John Lowrey. Nancy Piianaia was the Humanities Scholar for Paniolo House Stories and main interviewer with the assistance of Maile Melrose. Megan Mitchell transcribed the interviews. Nancy Piianaia was chief editor with the assistance of Alexander Tarnas and David Tarnas.

This heartfelt and often personal work continues the story of the Big Island’s Parker Ranch, one of the largest and most beautiful cattle ranches in the United States. It begins with the dynastic transition in ranch management from the formidable A. W. Carter to his son, Hartwell, who would be responsible for bringing the ranch effectively into the twentieth century. Although supervision of the ranch officially changed hands in 1937, A. W.’s wide-ranging influence continued to be felt for at least another decade. Later Hartwell Carter would also have to contend with the whims of ranch owner Richard Smart, who returned to the Islands in 1959, eager to take direct control of his estate. Under Carter’s stewardship, Parker Ranch raised its cow herd size by fifty percent and, through its subsidiary, Hawaii Meat Company, converted its beef marketing from a range-finished animal to a feedlot-confined, corn-fed, marbled carcass acceptable to the modern housewife. Hartwell Carter was followed by his assistant, Richard (Dick) Penhallow, as ranch manager in 1960. Penhallow’s tenure is given a detailed overview that illuminates his ambitious goals for improvements in water, land, livestock, personnel development, and the economics of the beef industry. Although Penhallow’s grand scheme for reorganizing an inefficient and divided industry into a single cooperative using state-of-the-art facilities ultimately failed, the subsequent history of beef marketing in the Islands bears out the soundness and wisdom of his ideas. In 1962 Smart selected Radcliffe (Rally) Greenwell as Penhallow’s successor. The new ranch manager arrived with strong, traditional values of stewardship handed down from generations of Kona ranchers. Greenwell’s initiatives were clear: to further enhance water development and increase the cow herd by thirty percent. He also instituted research to determine the cause of a scourge among young cattle called yellow calf syndrome. As the nine-year management of Greenwell unfolds, the book offers a close look at the leadership team of the era, which included Harry Kawai, John Kawamoto, Willie Kaniho, Yutaka Kimura, John Lekelesa, and Harry Ah Fong Ah Sam. The author, who became ranch veterinarian in 1970, also provides personal insights in the later sections of the book into the use of the element copper to greatly enhance the growth and health of cattle and the birth and expansion of the ranch’s Animal Health Program. The work concludes with the introduction of the mainland management team of Rubel and Lent, whose attempt to return to a pyramidal management structure took Parker Ranch by storm.

Reflections of a Wanna B Cowboy is the author’s fifth book. Reflections is essentially Lindsey’s autobiography written in “talk story” format. Talking story is a way of communicating among locals in the islands. Lindsey and his grandson Samuel Kamaile are its main characters. Its basic message is, we are global citizens. Author’s Statement Reflections of a Wanna B Cowboy is my personal life story. Reflections is a story about an unfulfilled dream. I wanted so much as a kid to be a cowboy on the Parker Ranch when I became a man—a dream I dreamed countless times. But as oft happens to so many of us, this life force called destiny intervened and altered my plan. With my oldest grandson Samuel’s help as facilitator, in this autobiography of sixty snippets, I tell my story for our grandsons to remember their Tutu (grandma) and me by. Reflections has a larger message: we are citizens of the world.

For Dummies Travel guides are the ultimate user-friendly trip planners, combining the broad appeal and time-tested features of the For Dummies series with up-to-the-minute advice and information from the experts at Frommer’s. Small trim size for use on-the-go Focused coverage of only the best hotels and restaurants in all price ranges Tear-out “cheat sheet” with full-color maps or easy reference pointers

Latitude 20.04N, Longitude 155.71W is a Hawaiian story told through snapshots and snippets of the lives of fabled and fictionalized family members named Lindsey, Beckley, and others. Through them, I recall bits and pieces of Hawaiis rich and glorious past, everyday folks living ordinary lives doing extraordinary things. I hope you, as the reader, will be able to relate to and find the tie that binds us as Gods childrenone planet, one people, one purpose. A wide swath of time is covered in this book of short chapters from the creation of the Hawaiian Islands (eighty million years ago), to the landing of our people at Waiahukini (AD 300), to the arrival of James Cook (1778) and the first New England Missionary Company (1820), to the establishment of sugar and pineapple plantations and cattle empires (1800s), and to the political trade winds that blew across the archipelago; and from chiefdoms to unified kingdom (1819), to provisional government (1893), to republic (1895), to territory (1900), and to statehood (1959). Holly Birch and Mister John are focal characters. Latitude 20.04N, Longitude 155.71W is history written in shorthand in a fun, interesting, and dynamic way. I started this journey with that intent. I hope I have achieved my intention. You be the judge. Always with aloha . . . Bob Lindsey.

Planning a vacation in paradise with the kids? From hiking trails with scenic views to a queen’s summer palace to a petroglyph field, Hawaii offers many diverse activities for families to enjoy. Fun with the FamilyTM Hawaii leads the way to amusement parks, historical attractions, children’s museums, wildlife habitats, festivals, parks, and much more. It takes you and the little ones on an exhilarating journey through the Hawaiian Islands of Oahu, Maui, The Big Island, Kauai, Molokai, and Lanai, doing these and many other things: Exploring Hawaii’s rich multicultural roots and experiencing life on an early twentieth-century sugar cane plantation at Oahu's Hawaii Plantation Village Getting sprayed with ocean surf through a lava tube at Halona Blowhole Horseback riding on the slopes of Haleakala Crater in Maui Sailing on a sunset catamaran ride along the south shore of Kauai

Performed on an acoustic steel-string guitar with open tunings and a finger-picking technique, Hawaiian slack key guitar music emerged in the mid-nineteenth century. Though performed on a non-Hawaiian instrument, it is widely considered to be an authentic Hawaiian tradition grounded in Hawaiian aesthetics and cultural values. In Listen But Don’t Ask Question Kevin Fellezs listens to Kanaka Maoli (Native Hawaiian) and non-Hawaiian slack key guitarists in Hawai‘i, California, and Japan, attentive to the ways in which notions of Kanaka Maoli belonging and authenticity are negotiated and articulated in all three locations. In Hawai‘i, slack key guitar functions as a sign of Kanaka Maoli cultural renewal, resilience, and resistance in the face of appropriation and occupation, while in Japan it nurtures a merged Japanese-Hawaiian artistic and cultural sensibility. For diasporic Hawaiians in California, it provides a way to claim Hawaiian identity. By demonstrating how slack key guitar is a site for the articulation of Hawaiian values, Fellezs illuminates how slack key guitarists are reconfiguring notions of Hawaiian belonging, aesthetics, and politics throughout the transPacific.