One of the main problems in the the study of Parmenides’ poem is establishing the meaning of e‰nai, ‘to be’. Scholars often simply take it to mean: ‘to exist’, ‘to be the case’, ‘to be so’, or regard it as a copula. It’s better to start by fathoming what Parmenides himself has to say about to be and about Being. This cannot be done without recognizing the logical pattern in his poem. Another main problem is: what does not-Being mean? Is the so-called Doxa - as not-Being - a non-existing, hallucinatory world, an illusion, a fata morgana? Or is it only a detector of lies? In the present work the view will be advocated that the Doxa offers the description of a really existing world. A specific merit of this book is that all the problems involved will be examined in continuous debate with what scholars have offered as solutions so far.

In a new interpretation of Parmenides' philosophical poem On Nature, Vishwa Adluri considers Parmenides as a thinker of mortal singularity, a thinker who is concerned with the fate of irreducibly unique individuals. Adluri argues that the tripartite division of Parmenides' poem allows the thinker to brilliantly hold together the paradox of speaking about being in time and articulates a tragic knowing: mortals may aspire to the transcendence of metaphysics, but are inescapably returned to their mortal condition. Hence, Parmenides' poem articulates a "tragic return", i.e., a turn away from metaphysics to the community of mortals. In this interpretation, Parmenides' philosophy resonates with post-metaphysical and contemporary thought. The themes of human finitude, mortality, love, and singularity echo in thinkers such as Arendt, and Schürmann as well. Plato, Parmenides and Mortal Philosophy also includes a complete new translation of 'On Nature' and a substantial overview and bibliography of contemporary scholarship on Parmenides.

This book intends to establish, against his numerous modern critics, that the ancient philosopher Parmenides was a mystic. Instead of arriving at his conclusions by cold reason, Parmenides found the unity of Being, which he called “the Truth,” by turning to a life of meditation. His use of reason throughout his poem was not intended to discover the Truth, but to undermine those who would disallow the Truth which had been revealed to him: the Truth as living and intelligent that is, some One, not something. In making the case that Parmenides was basically a religious seer, this book makes clear that the rationalist opponents of this interpretation have inevitably misread and emended the text to suit their views. Far from rejecting a mythic presentation of ultimate Reality, Parmenides’ narrative upholds the doctrine that all Truth is one, as the mystics proclaim. This book also attempts to explain how, if Reality is ultimately one, multiplicity and flux can be part of the human experience.

Fascinating illustrations contribute to this illuminating and award-winning account of how and why philosophy emerged and make it a must-read for any inquisitive thinker unsatisfied with prevailing assumptions on this timely and highly relevant subject. By taking the reader back to the Greek colonies of Southern Italy more than 500 years B.C., the author, with unparalleled insight, tells the story of the Pythagorean quest for otherwordly konwledge -- a tale of cultism, political conspiracies, and bloody uprisings that eventually culminate in tragic failure. The emerging hero is Parmenides, who introduces for the first time a technique for testing the truth of a statement that was not based on physical evidence or mortal sense-perception, but instead relied exclusively on the faculty we humans share with the gods: the ability to reason.

Mark Eli Kalderon presents an original study in the philosophy of perception written in the medium of historiography. He considers the phenomenology and metaphysics of sensory presentation through the examination of an ancient aporia. Specifically, he argues that a puzzle about perception at a distance is behind Empedocles' theory of vision. Empedocles conceives of perception as a mode of material assimilation, but this raises a puzzle about color vision, since color vision seems to present colors that inhere in distant objects. But if the colors inhere in distant objects how can they be taken in by the organ of sight and so be palpable to sense? Aristotle purports to resolve this puzzle in his definition of perception as the assimilation of sensible form without the matter of the perceived particular. Aristotle explicitly criticizes Empedocles, though he is keen to retain the idea that perception is a mode of assimilation, if not a material mode. Aristotle's notorious definition has long puzzled commentators. Kalderon shows how, read in light of Empedoclean puzzlement about the sensory presentation of remote objects, Aristotle's definition of perception can be better understood. Moreover, when so read, the resulting conception of perception is both attractive and defensible.

This book presents critical studies of modern reconfigurations of conceptions of the past, of the 'classical', and of national heritage. Its scope is global (China, India, Egypt, Iran, Judaism, the Greco-Roman world) and inter-disciplinary (textual philology, history of art and architecture, philosophy, gardening). Its emphasis is on the complexity of the modernization process and of reactions to it: ideas and technologies travelled from India to Iran and from Japan to China, while reactions show tensions between museumization and the recreation of 'presence'. It challenges readers to rethink the assumptions of the disciplines in which they were trained

Martin J. Henn's Parmenides of Elea offers to the reader a reinvigorating verse translation of the Diels and Kranz B-Fragments of Parmenides cast in rhyming couplet iambic pentameter. Placing Parmenides in his proper historical context by taking seriously the impact of Persian Zoroastrianism on his developing monism, Henn supplies precise interpretation of the most difficult and vexing of Parmenides's fragments, while also providing reliable philosophical analysis of the many seeming contradictions latent in the text. The interpretive essays form a unique contribution to studies of this work, exploring such issues as the sprawling influences of Persian Zoroastrian dualism, literary parallels and contrasts with Hesiod's Theogony, and the radical antithesis between a finite linear and an infinite closed-loop model of space and time. Overall, Henn's work represents a new model for study of a key element of philosophical literature, making it a highly significant addition to the scholarship on the subject.

It is our hope that this collection will give readers a sense of the type of metaphysical investigations that are now being carried out by thinkers in the Western nations. We also hope that the reader's curiosity will be peaked so that further inquiry will follow.

This book rethinks the relations between reasoning and revelation and, therefore, the nature of philosophy and religion in archaic Greece.

This book presents some of the most recent trends and developments in Presocratic scholarship. A wide range of topics are covered - from the metaphysical to the moral to the methodological - as well as a broad a range of authors: from recognized figures such as Heraclitus and Parmenides to Sophistic thinkers whose place has traditionally been marginalized, such as Gorgias and the author of the Dissoi Logoi. Several of the pieces are concerned with the later reception and influence of the Presocratics on ancient philosophy, an area of study important both for the light it sheds on our evidence for Presocratic thought and for understanding the philosophical power of their ideas. Drawing together contributions from distinguished authorities and internationally acclaimed scholars of ancient philosophy, this book offers new challenges to traditional interpretations in some areas of Presocratic philosophy and finds new support for traditional interpretations in other areas.