Whether as sources of joy and pleasure to be fed, counted, and watched, as objects of sport to be hunted and killed, or as food to be harvested, wild birds evoke strong feelings. Sean Nixon traces the transformation of these human passions for wild birds from the early twentieth century through the 1970s, detailing humans’ close encounters with wild birds in Britain and the wider North Atlantic world. Drawing on a rich range of written sources, Passions for Birds reveals how emotional, subjective, and material attachments to wild birds were forged through a period of pronounced social and cultural change. Nixon demonstrates how, for all their differences, new traditions in birdwatching and conservation, field sports, and bird harvesting mobilized remarkably similar feelings towards birds. Striking similarities also emerged in the material forms that each of these practices used to bring birds closer to people – hides and traps, nets and ropes, and binoculars. Wide ranging in scope, Passions for Birds sheds new light on the ways in which wild birds helped shape humans throughout the twentieth century, as well as how birds themselves became burdened with multiple cultural meanings and social anxieties over time.

In the decades following the Civil War--as industrialization, urbanization, and economic expansion increasingly reshaped the landscape--many Americans began seeking adventure and aesthetic gratification through avian pursuits. By the turn of the century, hundreds of thousands of middle-and upper-class devotees were rushing to join Audubon societies, purchase field guides, and keep records of the species they encountered in the wild. Mark Barrow vividly reconstructs this story not only through the experiences of birdwatchers, collectors, conservationists, and taxidermists, but also through those of a relatively new breed of bird enthusiast: the technically oriented ornithologist. In exploring how ornithologists struggled to forge a discipline and profession amidst an explosion of popular interest in natural history, A Passion for Birds provides the first book-length history of American ornithology from the death of John James Audubon to the Second World War. Barrow shows how efforts to form a scientific community distinct from popular birders met with only partial success. The founding of the American Ornithologists' Union in 1883 and the subsequent expansion of formal educational and employment opportunities in ornithology marked important milestones in this campaign. Yet by the middle of the twentieth century, when ornithology had finally achieved the status of a modern profession, its practitioners remained dependent on the services of birdwatchers and other amateur enthusiasts. Environmental issues also loom large in Barrow's account as he traces areas of both cooperation and conflict between ornithologists and wildlife conservationists. Recounting a colorful story based on the interactions among a wide variety of bird-lovers, this book will interest historians of science, environmental historians, ornithologists, birdwatchers, and anyone curious about the historical roots of today's birding boom.

Be inspired by award-winning animator Barry Purves' honest insight into the creative process of making stop motion animations, using his own classic films to illustrate every step along the way. With Barry's enthusiasm for puppets in all their many guises and in-depth interviews from some of the world's other leading practitioners, there is advice, inspiration and entertainment galore in Stop Motion: Passion, Process and Performance. And there's more! Many of the artists and craftsmen interviewed have contributed their own specially drawn illustrations - showing their inspirations, heroes and passion for their craft. These beautiful images help make the book a truly personal journey into the heart of the animation industry with broad appeal for anyone with a love of animation.

The result is a series of works unique to Canadian letters, collected here in a thoroughly readable format."--BOOK JACKET.