This book offers a new interpretation of the transition from Catholicism to Protestantism in the English Reformation, and explores its implications for an understanding of women and gender. It argues that late medieval Christocentric piety shaped the nature of the Reformation, and reasseses assumptions that the 'loss' of the Virgin Mary and the saints was detrimental to women. In defining the representative frail Christian as a woman devoted to Christ, the Reformation could not be an alien environment for women, while the Christocentric tradition encouraged the questioning of gender stereotypes.

In the urban communities of medieval Germany and northern France, the beliefs, observances, and practices of Jews allowed them to create and define their communities on their own terms as well as in relation to the surrounding Christian society. Although medieval Jewish texts were written by a learned elite, the laity also observed many religious rituals as part of their everyday life. In Practicing Piety in Medieval Ashkenaz, Elisheva Baumgarten asks how Jews, especially those who were not learned, expressed their belonging to a minority community and how their convictions and deeds were made apparent to both their Jewish peers and the Christian majority. Practicing Piety in Medieval Ashkenaz provides a social history of religious practice in context, particularly with regard to the ways Jews and Christians, separately and jointly, treated their male and female members. Medieval Jews often shared practices and beliefs with their Christian neighbors, and numerous notions and norms were appropriated by one community from the other. By depicting a dynamic interfaith landscape and a diverse representation of believers, Baumgarten offers a fresh assessment of Jewish practice and the shared elements that composed the piety of Jews in relation to their Christian neighbors.

Essential to Methodist revivalism was the personal conversion experience, which constituted the basis of salvation and church membership. Revivalism, maintains Airhart, was a distinctive form of piety and socialization that was critical in helping Methodists define who they were, colouring their understanding of how religion was to be experienced, practised, articulated, and cultivated. This revivalist piety, even more than doctrine or policy, was the identifying mark of Methodism in the nineteenth century. But, during the late Victorian era, the Methodist presentation of the religious life underwent a transformation. By 1925, when the Methodist Church was incorporated into the United Church of Canada, its most prominent leaders were espousing an approach to piety that was essentially, and sometimes explicitly, non-revivalist. The Methodist approach to personal religion changed during this transition and, significantly, Methodists increasingly became identified with social Christianity -- although experience remained a key aspect of their theology. There was also a growing tendency to associate revivalism with fundamentalism, a new religious development that used the Methodist language of conversion but was unappealing to Canadian Methodists. Airhart portrays the tensions between tradition and innovation through stories of the men and women who struggled to revitalize religion in an age when conventional social assumptions and institutions were being challenged by the ideals of the progressive movement. Serving the Present Age is an account of Canadian Methodist participation in a realignment of North American Protestantism which supporters believed would better enable them, in the words of a well-known Wesley hymn, "to serve the present age."

In the Second-Temple period non-Jews were attracted to Judaism's communal life, religious observance and theological imagination. On the Jewish side, this was matched by the development of several discrete "patterns of universalism"-ways in which Jews were able to conceive of a positive place for Gentiles within their symbolic world. In this book Terence Donaldson collects and comments on all of the texts (to the end of the second Jewish rebellion in 135 CE) that deal with Gentile sympathizers, proselytes, ethical monotheists and participants in end-time redemption. In impressive detail, Donaldson identifies, defines, and describes these "patterns of universalism."

This book analyzes the writings of Karl Rahner, Karl Barth, and Vedanta Desika to disclose how each construes "piety" and "responsibility" as integral to each other. Each theologian expresses a fundamental unity of love of God and love of neighbour. Sheveland explores this unity in ecumenical and interreligious frameworks, showing how these authors privilege theology as practice, enactment, or simply as ethical. He uses the Renaissance genre of musical polyphony as a methodological tool by which to explore the aesthetic quality and the similarity-in-difference of the theological voices being compared. Polyphony's application to comparative theology includes the avoidance of caricature, domestication, and antagonism. In place of these is offered a fundamentally aesthetic paradigm by which to hear theological voices in terms of their unity-in-distinction.