In the first biography of this figure, Sander Gilman tells the story of Becker's life in five worlds: the Polish-Jewish middle-class neighborhood where Becker was born; the Warsaw ghetto and the concentration camps where Becker spent his childhood; the socialist order of the GDR, which Becker idealized, resisted, and finally was forced to leave; the isolated world of West Berlin, where he settled down to continue his writing; and the new, reunified Germany, for which Becker served as both conscience and inspiration.

AntiFascism and Memory in East Germany is a book about remembering and about forgetting, about war, and about the peace which eventually followed. In the unlikely setting of the German Democratic Republic (GDR), the Spanish Civil War became the subject of a debate which both predated and outlasted the Cold War, involving historians, veterans, politicains, censors, artists, writers, and Church activists. Examining these multiple memories and interpretations of Spain casts new and unexpected light on the legacy of the Spanish Civil War, and the relationship between history and memory under state socialism. The ruling Socialist Unity Party made full use of the antifascist legacy as legitimation for a non-democratic state. But despite dogged attempts at control and censorship, the state was unable to silence competing voices. All over East Germany, International Brigade veterans preserved their version of events - in letters to each other, in communications with the party, in discussions with friends and family around the kitchen table, and in memoirs written for the 'desk drawer'. For younger East Germans, the war retained an undeniably romantic aura. From their perspective, Spain was a far-away land to which they were forbidden to travel, the stuff of camp-fire singalongs and fantasies of adventure. This book dissects the relationship between state-sponsored history, the lobbying of veterans, cultural interpretations of war, and the memory traces left behind by marginalised or politically oppositional groups and individuals. It is a cultural history of memory under state socialism, a social history of veteran groups and their relationship with the state, and a political history of communist culture. Above all, it is the story of how post-war Europeans came to terms with the heavy burden of their pre-war past.

A long look at how contemporary Germany is remembering the Holocaust

Winner of the 2015 Ruth A. Solie Award from the American Musicological Society The first volume of its kind, Dislocated Memories: Jews, Music, and Postwar German Culture draws together three significant areas of inquiry: Jewish music, German culture, and the legacy of the Holocaust. Jewish music-a highly debated topic-encompasses a multiplicity of musics and cultures, reflecting an inherent and evolving hybridity and transnationalism. German culture refers to an equally diverse concept that, in this volume, includes the various cultures of prewar Germany, occupied Germany, the divided and reunified Germany, and even "German (Jewish) memory," which is not necessarily physically bound to Germany. In the context of these perspectives, the volume makes powerful arguments about the impact of the Holocaust and its aftermath in changing contexts of musical performance and composition. In doing so, the essays in Dislocated Memories cover a wide spectrum of topics from the immediate postwar period with music in the Displaced Persons camps to the later twentieth century with compositions conceived in response to the Holocaust and the klezmer revival at the turn of this century. Dislocated Memories builds on a wide range of recent and critical scholarship in Cold War studies, cultural history, German studies, Holocaust studies, Jewish studies, and memory studies. What binds these distinct fields tightly together are the contributors' specific theoretical inquiries that reflect separate yet interrelated themes such as displacement and memory. While these concepts link the multi-faceted essays on a micro-level, they are also largely connected in their conceptual query by focus, on the macro-level, on the presence and the absence of Jewish music in Germany after 1945. Filled with original research by scholars at the forefront of music, history, and Jewish studies, Dislocated Memories will prove an essential text for scholars and students alike.

A “valuable” study of how political narratives about the nation’s Nazi past differed in East and West Germany (The Wall Street Journal). A significant new look at the legacy of the Nazi regime, this book exposes the workings of past beliefs and political interests on how—and how differently—the two Germanys recalled the crimes of Nazism, from the anti-Nazi emigration of the 1930s through the establishment of a day of remembrance for the victims of National Socialism in 1996. Why, Jeffrey Herf asks, would German politicians raise the specter of the Holocaust at all, in view of the considerable support its authors and their agenda had found in Nazi Germany? Why did the public memory of Nazi anti-Jewish persecution and the Holocaust emerge, if selectively, in West Germany, while it was repressed and marginalized in “anti-fascist” East Germany? And how do the politics of left and right come into play in this divided memory? The answers reveal the surprising relationship between how the crimes of Nazism were publicly recalled and how East and West Germany separately evolved as a Communist dictatorship and a liberal democracy. This book, for the first time, points to the impact of the Cold War confrontation in both West and East Germany on the public memory of anti-Jewish persecution and the Holocaust. Konrad Adenauer, Theodor Heuss, Kurt Schumacher, Willy Brandt, Richard von Weizsacker, and Helmut Kohl in the West and Walter Ulbricht, Wilhelm Pieck, Otto Grotewohl, Paul Merker, and Erich Honecker in the East are among the many national figures whose private and public papers and statements Herf examines. His work makes the German memory of Nazism—suppressed on one hand and selective on the other, from Nuremberg to Bitburg—comprehensible within the historical context of the ideologies and experiences of pre-1945 German and European history as well as within the international context of shifting alliances from World War II to the Cold War. Drawing on West German and East German archives, this book is a significant contribution to the history of belief that shaped public memory of Germany’s recent past. “Groundbreaking . . . admirably subjects both East and West to equal scrutiny.” —Forward “[A] masterful book.” —German History

Deals with the period of takeover and of 'high Stalinism' in Eastern Europe (1945–1955). These years are considered to be fundamentally characterized by institutional and ideological transfers based upon the premise of radical transformism and of cultural revolution. Both a balance-sheet and a politico-historical synthesis that reflects the archival and thematic novelties which came about in the field of communism studies after 1989.

Three Faces of Antisemitism examines the three primary forms of antisemitism as they emerged in modern and contemporary Germany, and then in other countries. The chapters draw on the author’s historical scholarship over the years on the form antisemitism assumed on the far right in Weimar and Nazi Germany, in the Communist regime in East Germany, and in the West German radical left, and in Islamist organizations during World War II and the Holocaust, and afterward in the Middle East. The resurgence of antisemitism since the attacks of September 11, 2001, has origins in the ideas, events, and circumstances in Europe and the Middle East in the half century from the 1920s to the 1970s. This book covers the period since 1945 when neo-Nazism was on the fringes of Western and world politics, and the persistence of antisemitism took place primarily when its leftist and Islamist forms combined antisemitism with anti-Zionism in attacks on the state of Israel. The collection includes recent essays of commentary that draw attention to the simultaneous presence of antisemitism’s three faces. While scholarship on the antisemitism of the Nazi regime and the Holocaust remains crucial, the scholarly, intellectual, and political effort to fight antisemitism in our times requires the examination of antisemitism’s leftist and Islamist forms as well. This book will be of interest to scholars researching antisemitism, racism, conspiracy theories, the far right, the far left, and Islamism.

The Devil in History is a provocative analysis of the relationship between communism and fascism. Reflecting the author’s personal experiences within communist totalitarianism, this is a book about political passions, radicalism, utopian ideals, and their catastrophic consequences in the twentieth century’s experiments in social engineering. Vladimir Tismaneanu brilliantly compares communism and fascism as competing, sometimes overlapping, and occasionally strikingly similar systems of political totalitarianism. He examines the inherent ideological appeal of these radical, revolutionary political movements, the visions of salvation and revolution they pursued, the value and types of charisma of leaders within these political movements, the place of violence within these systems, and their legacies in contemporary politics. The author discusses thinkers who have shaped contemporary understanding of totalitarian movements—people such as Hannah Arendt, Raymond Aron, Isaiah Berlin, Albert Camus, François Furet, Tony Judt, Ian Kershaw, Leszek Kolakowski, Richard Pipes, and Robert C. Tucker. As much a theoretical analysis of the practical philosophies of Marxism-Leninism and Fascism as it is a political biography of particular figures, this book deals with the incarnation of diabolically nihilistic principles of human subjugation and conditioning in the name of presumably pure and purifying goals. Ultimately, the author claims that no ideological commitment, no matter how absorbing, should ever prevail over the sanctity of human life. He comes to the conclusion that no party, movement, or leader holds the right to dictate to the followers to renounce their critical faculties and to embrace a pseudo-miraculous, a mystically self-centered, delusional vision of mandatory happiness.

How has memory - collective and individual - influenced European politics after the Second World War and after 1989 in particular? How has the past been used in domestic struggles for power, and how have 'historical lessons' been applied in foreign policy? While there is now a burgeoning field of social and cultural memory studies, mostly focused on commemorations and monuments, this volume is the first to examine the connection between memory and politics directly. It investigates how memory is officially recast, personally reworked and often violently re-instilled after wars, and, above all, the ways memory shapes present power constellations. The chapters combine theoretical innovation in their approach to the study of memory with deeply historical, empirically based case studies of major European countries. The volume concludes with reflections on the ethics of memory, and the politics of truth, justice and forgetting after 1945 and 1989.