Reproduction of the original: Paul the Minstrel and Other Stories by Arthur Christopher Benson

Quinquennial supplements,1950/1954-1979/1983, compiled by Estelle A. Fidell, and others, published 1956-1984.

Tale-weavers of old have long known the mythological alchemy that fashions a gripping adventure tale. Quests force heroes out into the world where they encounter ancient dangers and temptations of the heart. Treasures give these heroes purpose while forcing us as readers to question what is worth valuing. Fantastical beasts and adversaries lure imaginations from the depths of oblivion. This collection exhibits thirty adventure tales that have survived through the ages due to their mythological usefulness. They portray a range of narrative structures, yet each story carries the same adventurous spirit that excites and encourages the soul. These tales do not merely entertain, but also serve as historic guides built on the knowledge of ancient tale-weavers. Dragons, fairies, dwarves, and more inhabit these pages, and they are willing to tell their secrets to those who will listen.

"A concise biography of each author is followed by an informed and annotated bibliography of their supernatural stories and novels. Sources for further reading are also given. Shadows in the Attic is not only an authoritative guide, but a reliable and engrossing introduction to the whole of British supernatural fiction."--BOOK JACKET.

During the Harlem Renaissance, several literary periodicals encouraged African American women to submit poetry, short stories, essays, or other literary contributions for publication. Opportunity magazine was one such periodical that made immeasurable contributions to the careers of many female African American writers. This anthology collects all of the short stories published in Opportunity by African American women during the magazine's 25 years of publication. It includes works by both well-known authors (Zora Neale Hurston, Marita Bonner) and more obscure writers. There is also an additional African tale translated by Violette de Mazia, a white woman known for promoting African American art. It also includes an introduction which contextualizes the short stories historically in light of the overall development of African American writing.