Palmyra has long attracted the attention of the world. Even before its rediscovery in the eighteenth century it had gained legendary status because of its third-century CE Queen Zenobia, who had rebelled against the Romans and expanded Palmyra's territory into that of an Empire, stretchingfrom what is modern eastern Turkey into Egypt. The city and its queen featured in European art and literature already in the century. Zenobia's Palmyra already existed as a mirage in the minds of the educated Europeans. Even though Zenobia's reign and extensive power was a fairly short interlude andthe Romans struck hard against the Palmyrenes devastating the city, this path to imperial power was one which tells us an immense amount about Palmyrene identity in the period before the devastation. While Zenobia has gained renewed interest among both scholars and the press, and while she hasserved as a political symbol for Syria's president As'ad (a statue of her was recently erected in Damascus), the time leading up to her reign still remains underexplored.With the current situation in Syria, a researched-based narrative is urgently needed to communicate the importance of this site to the general public. Palmyra has over the last years been used as a symbol of the resistance of the rebels, the power of ISIS over the region, as well as the supremacy ofthe Syrian state. UNESCO and the Russians have together with the Syrian state taken a particular interest in Palmyra and in monopolizing the potential rebuilding of the site after the destruction and looting of the past several years have subsided. We are, so to speak, standing at yet anotherturning point in Palmyra's long history, where history is being reinvented actively by several parties. There can be no doubt that the time is ripe for a book on the archaeology and history of Palmyra, as well as an analysis of the current situation, including the destruction and illicit traffickingof material remains from Palmyra. These three main topics will together highlight the ways in which this fascinating site has again and again captured the world's focus.Organized in nine chapters, this compact book will set out to provide an introduction for students and general readers. Following two overview chapters, the next six will give a chronological narrative of Palmyra from the late Hellenistic period through to Rome's destruction in 273 CE and itssurvival in the Byzantine and medieval Islamic periods. The book ends with a shorter conclusion chapter, which will summarize the most important findings and conclusions of the chapters of the book and will set out a number of lines of enquiry which could be taken up in research and culturalheritage management over the coming years. The result will be the best and most up-to-date account of Palmyra in English.

H.R.P. Dickson had the good fortune to spend many years among the Badawin, living and travelling with them as one of them in their own tents. In this book, first published in 1949, the author uses his great experience and knowledge to reveal all aspects of the lives of the nomadic desert Arabs, from social systems to marriage and children, from faith to food, sandstorms, warfare and hunting. The Arab of the Desert is truly a wealth of information, informed by personal insight and anecdotes.

"Books for New Testament study ... [By] Clyde Weber Votaw" v. 26, p. 271-320; v. 37, p. 289-352.

Desert Death-Song compiles some of Louis L’Amour’s greatest stories, many of which have been hard to find in book form. Whether he was writing under his early pen name, Jim Mayo, or his own, L’Amour’s stories are unforgettable, touching on rough and rugged American ideals and set in the untamable frontier of the Western United States. Nearly a dozen stories are presented here that represent the best of L’Amour’s yarn-spinning writing, a choice collection handpicked from the variety of pulp Western magazines in which the author first became known. The most popular author of Westerns the world has ever known, L’Amour writes stories full of mavericks, outlaws, romantics, and heroes. His characters follow the unspoken laws and morals of the Wild West, and the pictures he paints are unrivaled in their authenticity. From gold prospectors to sheriffs, characters of L’Amour tales will never be forgotten.

I went to Rio to watch the Olympics, but unexpectedly, I met with a plane crash and landed on a deserted island. At the same time, I landed on a desert island with a few beautiful celebrities ...

Out of experiences and heartbreak came the first volume of STREAMS IN THE DESERT. And during the next twenty-five years Mrs. Cowman inspired several nationwide, Scripture distribution campaigns and wrote seven books.

Reproduction of the original: Dust of the Desert by Robert Welles Ritchie