As a result, the reader will find that Buck's female characters, with their different degrees of individuality and typicality, form a realistic picture of Chinese women."--BOOK JACKET.

This book, the first single-authored book-length study of Buck’s fiction for over twenty years, shows how Buck’s thought developed through the medium of her fiction - from her early turbulent years in China to her last lonely days in the United States, with chapters examining her loss of faith in Christianity, her reflections on Chinese life during and after the breakdown of Old China, her voluminous reading, her confrontation with the horrors of American racism and sexism after her return to the United States, and her final metaphorical search for home as she approached death. The book argues that Buck, the first American woman to win both the Pulitzer and Nobel prizes for literature, was a heroic forerunner of those who, while occupying a place in the world, never feel fully at home there; in Buck’s case because her Chinese identity throughout her life struggled with her American. For this reason Pearl S. Buck’s fiction deserves to be considered alongside that of writers such as Anchee Min, Maxine Hong Kingston and Amy Tan. The book’s central claim is that Buck is a major novelist, capable of speaking to the distress of our times, richly deserving the honor she has received in China, and deserving greater recognition in the United States.

Nobel Prize winner Pearl S. Buck's engagement with (neo-)missionary cultures in the United States and China was unique. Against the backdrop of her missionary upbringing, Buck developed a fictional project which both revised and reaffirmed American foreign missionary activity in the Pacific Rim during the 20th century. Vanessa Künnemann accurately traces this project from America's number one expert on China - as Buck came to be known - from a variety of disciplinary angles, placing her work squarely in Middlebrow Studies and New American Studies.

A Study Guide for Pearl S. Buck's "The Good Deed," excerpted from Gale's acclaimed Short Stories for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Short Stories for Students for all of your research needs.

A Study Guide for Pearl S. Buck's "The Good Earth," excerpted from Gale's acclaimed Novels for Students.This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Novels for Students for all of your research needs.

At both the theoretical and practical level, the relationship between women, gender, and international relations has become increasingly controversial in recent years. This collection of essays by twenty leading scholars and diplomatic practitioners from China, Hong Kong, the United States, and Great Britain crosses national, disciplinary, cultural, professional, and gender boundaries to approach this subject from a wide variety of comparative perspectives, designed to stimulate further debate and research. On the theoretical front, this volume explores the manner in which women and their contributions are represented within the discipline of International Relations; discusses whether women have unique contributions to make to both the academic study and the conduct of foreign affairs; and makes recommendations as to how women’s concerns and viewpoints might be better incorporated into the field of international relations in both intellectual and practical terms. Moving to the level of practice, chapters on and by assorted women diplomats reflect on the official careers and foreign policy contributions of women—including the first two US female secretaries of state and the first Asian American ambassador—in both China and the United States. Several highlight the career handicaps women diplomats have faced in China, the United States, and Europe alike. A variety of historical and contemporary case studies, the majority of them dealing with foreign women living in China or Hong Kong, also focus on women in nontraditional diplomatic roles, as wives, missionaries, peace activists, reformers, teachers, businesswomen, and journalists. “It is rare that the published record of a conference contributes to the design and definition of a new field of study, but that is the case with this remarkable volume of essays collected and edited by Priscilla Roberts and He Peiqun. Its very first chapter raises the central question: why we should focus on women/gender and IR. The rest of the volume proceeds to answer it brilliantly. There are essays on familiar aspects of the subject—war war and peace—but also on varieties of formal and informal diplomacy. A concluding section outlines future lines of inquiry. This indispensable collection will make it difficult, at the least, to imagine that it is possible to discuss international relations without also discussing gender.” —Marilyn B. Young, Professor, Dept of History, New York University “1. The product of brilliant scholars from three continents, this book looks beyond the veil to tell us about the constructive roles that women play in international relations. 2. Bigots beware! 3. The lesson of this timely and brilliant Shanghai project is that women are beginning to shape our international community, and very possibly for the better.” —Rhodri Jeffreys Jones, Department of History, University of Edinburgh "This collection of essays, drawn from the first international conference held in China on the role of women in international affairs, offers an intriguing look at the ways women have gained and wielded influence in foreign affairs both formally and informally. These essays, written by historians and political scientists from Australia, China, Great Britain, and the United States, reveal that female social activists, journalists, and diplomats focused world attention anew on human rights and environmental issues, highlighting the degree to which women were disproportionately the victims of wars, illicit crime rings, and environmental disasters. Yet this collection rightly cautions against assuming that women were always more compassionate international actors, noting that women in power often assumed the same belligerent stance as their male counterparts. As administrative positions within foreign ministries opened up to women they also formed a key component of the middle-strata, but even today women remain consistently shut out of high-level diplomatic appointments. These illuminating essays reveal both the achievements and challenges for women who sought to influence the direction of international relations, demonstrating conclusively that one cannot understand the diplomatic history of the twentieth century without understanding the role of women in international affairs.” —Jennifer D. Keene, professor of history, Chapman University, Orange, California USA" “The essays in this excellent collection explore and elucidate the power and potential of women on the international scene—whether as actors in the public sphere in positions of authority or as private citizens working to shape and improve the policies of the global community. For scholars and practitioners alike who seek to understand how gender and feminist theory offers a new paradigm for the international system, or the degree to which women may serve as agents of peace, or the process by which women in power undergo masculization in order to succeed in a male-dominated world, [Bonds Across Borders] is an essential read and indispensable resource.” —Edward P. Crapol, Pullen Professor, Emeritus, College of William and Mary

The second volume on Christianity in China covers the period from 1800 to the present day, dealing with the complexities of both Catholic and Protestant aspects.

This set treats the whole of American literature, from the European discovery of America to the present, with entries in alphabetical order. Each of the 350 substantive essays is a major interpretive contribution. Well-known critics and scholars provide clear and vividly written essays thatreflect the latest scholarship on a given topic, as well as original thinking on the part of the critic. The Encyclopedia is available in print and as an e-reference text from Oxford's Digital Reference Shelf.At the core of the encyclopedia lie 250 essays on poets, playwrights, essayists, and novelists. The most prominent figures (such as Whitman, Melville, Faulkner, Frost, Morrison, and so forth) are treated at considerable length (10,000 words) by top-flight critics. Less well known figures arediscussed in essays ranging from 2,000 to 5,000 words. Each essay examines the life of the author in the context of his or her times, looking in detail at key works and describing the arc of the writer's career. These essays include an assessment of the writer's current reputation with abibliography of major works by the writer as well as a list of major critical and biographical works about the writer under discussion.A second key element of the project is the critical assessments of major American masterworks, such as Moby-Dick, Song of Myself, Walden, The Great Gatsby, The Waste Land, Their Eyes Were Watching God, Death of a Salesmanr, or Beloved. Each of these essays offers a close reading of the given work,placing that work in its historical context and offering a range of possibilities with regard to critical approach. These fifty essays (ranging from 2,000 to 5,000 words) are simply and clearly enough written that an intelligent high school student should easily understand them, but sophisticatedenough that a college student or general reader in a public library will find the essays both informative and stimulating.The final major element of this encyclopedia consists of fifty-odd essays on literary movements, periods, or themes, pulling together a broad range of information and making interesting connections. These essays treat many of the same authors already discussed, but in a different context; they alsogather into the fold authors who do not have an entire essay on their work (so that Zane Grey, for example, is discussed in an essay on Western literature but does not have an essay to himself). In this way, the project is truly "encyclopedic," in the conventional sense. These essays aim forcomprehensiveness without losing anything of the narrative force that makes them good reading in their own right.In a very real fashion, the literature of the American people reflects their deepest desires, aspirations, fears, and fantasies. The Oxford Encyclopedia of American Literature gathers a wide range of information that illumines the field itself and clarifies many of its particulars.

This text offers the first comprehensive synthesis of the history of U.S.-Chinese relations from initial contact to the present. It is also the only text to examine issues in the relationship from both Chinese and American perspectives.

One of the most popular novelists of the twentieth century, winner of a Pulitzer and Nobel Prize for Literature and an active social and political campaigner, particularly in the field of women's issues and Asian-American relations, Pearl Buck has, until now, remained 'hidden in public view'. Best known, perhaps, as the prolific author of The Good Earth, Buck led a career which extended well beyond her eighty works of fiction and non-fiction and deep into the public sphere. In this critically acclaimed biography, Peter Conn retrieves Pearl Buck from the footnotes of literary and cultural history and reinstates her as a figure of compelling and uncommon significance in twentieth-century literary, cultural and political history.