DigiCat Publishing presents to you this special edition of "Peck's Uncle Ike and The Red Headed Boy" (1899) by George W. Peck. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

After the American Civil War ended, George W. Peck (1840–1916) became a newspaper publisher. His weekly newspaper, "Peck’s Sun," contained Peck’s humorous writings, including his famous semi-autobiographical “Peck’s Bad Boy” stories. Peck died in 1916 at age 75, but his writing continued to win fans for years. The "Peck’s Bad Boy" stories became the basis for several films and a short-lived television show. Included in this volume are: PECK’S BAD BOY AND HIS PA THE GROCERY MAN AND PECK’S BAD BOY PECK’S BAD BOY ABROAD PECK’S BAD BOY WITH THE COWBOYS PECK’S BAD BOY WITH THE CIRCUS PECK’S UNCLE IKE AND THE RED HEADED BOY PECK’S SUNSHINE PECK’S COMPENDIUM OF FUN HOW PRIVATE GEORGE W. PECK PUT DOWN THE REBELLION If you enjoy this volume, please search this ebook store for "Wildside Press Megapack" to see more entries in the series, collecting great tales of adventure, mystery, science fiction, westerns, ghost stories, and much more. (Sort by publication date to see the most recent additions.)

“Jolly fellows,” a term that gained currency in the nineteenth century, referred to those men whose more colorful antics included brawling, heavy drinking, gambling, and playing pranks. Reforms, especially the temperance movement, stigmatized such behavior, but pockets of jolly fellowship continued to flourish throughout the country. Richard Stott scrutinizes and analyzes this behavior to appreciate its origins and meaning. Stott finds that male behavior could be strikingly similar in diverse locales, from taverns and boardinghouses to college campuses and sporting events. He explores the permissive attitudes that thrived in such male domains as the streets of New York City, California during the gold rush, and the Pennsylvania oil fields, arguing that such places had an important influence on American society and culture. Stott recounts how the cattle and mining towns of the American West emerged as centers of resistance to Victorian propriety. It was here that unrestrained male behavior lasted the longest, before being replaced with a new convention that equated manliness with sobriety and self-control. Even as the number of jolly fellows dwindled, jolly themes flowed into American popular culture through minstrelsy, dime novels, and comic strips. Jolly Fellows proposes a new interpretation of nineteenth-century American culture and society and will inform future work on masculinity during this period.

The Dictionary of Midwestern Literature, Volume One, surveys the lives and writings of nearly 400 Midwestern authors and identifies some of the most important criticism of their writings. The Dictionary is based on the belief that the literature of any region simultaneously captures the experience and influences the worldview of its people, reflecting as well as shaping the evolving sense of individual and collective identity, meaning, and values. Volume One presents individual lives and literary orientations and offers a broad survey of the Midwestern experience as expressed by its many diverse peoples over time.Philip A. Greasley's introduction fills in background information and describes the philosophy, focus, methodology, content, and layout of entries, as well as criteria for their inclusion. An extended lead-essay, "The Origins and Development of the Literature of the Midwest," by David D. Anderson, provides a historical, cultural, and literary context in which the lives and writings of individual authors can be considered.This volume is the first of an ambitious three-volume series sponsored by the Society for the Study of Midwestern Literature and created by its members. Volume Two will provide similar coverage of non-author entries, such as sites, centers, movements, influences, themes, and genres. Volume Three will be a literary history of the Midwest. One goal of the series is to build understanding of the nature, importance, and influence of Midwestern writers and literature. Another is to provide information on writers from the early years of the Midwestern experience, as well as those now emerging, who are typically absent from existing reference works.

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