The ten essays published in this volume were written over the space of a decade, but they were conceived from the start as a coherent whole, presenting Peiresc's study of discrete languages and literatures of the Near East and North Africa. For Peiresc the student of the Classical past, this described the eastern and southern space in which the Greeks and Romans lived and strove. For Peiresc the Christian, this was the world of the Bible that impacted upon the Greeks and Romans. And for Peiresc of the Mediterranean (for he was born in Aix, spent much time in Marseille, and lived outside of the region for only 6 of his 57 years), this was the territory that his friends and colleagues sailed to, lived in and, usually, came back from. The convergence of these axes in the life of one man, and a man of singular intellectual power and charm whose vast personal paper arsenal had survived, makes this such a compelling project. The essays are arranged in a roughly chronological order. They follow the course of Peiresc’s own projects from his early encounter with the ancient Near East in Greek and Roman literature, through his engagement with Arabic to his deepening kowledge of rabbinic texts to the wider world of the new oriental studies of the seventeenth century which he helped create: Samaritan, Coptic and Ethiopic.

Antiquarian, lawyer, and cat lover Nicolas Fabri de Peiresc (1580–1637) was a “prince” of the Republic of Letters and the most gifted French intellectual in the generation between Montaigne and Descartes. From Peiresc’s study in Aix-en-Provence, his insatiable curiosity poured forth in thousands of letters that traveled the Mediterranean, seeking knowledge of matters mundane and exotic. Mining the remarkable 70,000-page archive of this Provençal humanist and polymath, Peter N. Miller recovers a lost Mediterranean world of the early seventeenth century that was dominated by the sea: the ceaseless activity of merchants, customs officials, and ships’ captains at the center of Europe’s sprawling maritime networks. Peiresc’s Mediterranean World reconstructs the web of connections that linked the bustling port city of Marseille to destinations throughout the Western Mediterranean, North Africa, the Levant, and beyond. “Peter Miller’s reanimation of Peiresc, the master of the Mediterranean, is the best kind of case study. It not only makes us appreciate the range and richness of one man’s experience and the originality of his thought, but also suggests that he had many colleagues in his deepest and most imaginative inquiries. Most important, it gives us hope that their archives too will be opened up by scholars skillful and imaginative enough to make them speak to us.” —Anthony Grafton, New York Review of Books

Scholarship between Europe and the Levant is a collection of essays in honour of Professor Alastair Hamilton. His pioneering research into the history of European Oriental studies has deeply enhanced our understanding of the dynamics and processes of cultural and religious exchange between Christian Europe and the Islamic world. Written by students, friends and colleagues, the contributions in this volume pay tribute to Alastair Hamilton’s work and legacy. They discuss and celebrate intellectual, artistic and religious encounters between Europe and the cultural area stretching from Northern Africa to the Arabian Peninsula, and spanning the period from the sixteenth to the late nineteenth century. Contributors: Asaph Ben-Tov, Alexander Bevilacqua, Maurits H. van den Boogert, Charles Burnett, Ziad Elmarsafy, Mordechai Feingold, Aurélien Girard, Bernard Heyberger, Robert Irwin, Tarif Khalidi, J.M.I. Klaver, Noel Malcolm, Martin Mulsow, Francis Richard, G. J. Toomer, Arnoud Vrolijk, Nicholas Warner, Joanna Weinberg, and Jan Just Witkam.

A fascinating aspect of the study of music in medieval Islamic and Judaic writings is the broad and interdisciplinary nature of the works and treatises in which it is covered. In addition, such works verbalize an art that was transmitted orally and took shape spontaneously, typically with improvisation during performance. As a result of this outlook the musical concept (or science) is often intertwined with practice (or history). This second collection by Amnon Shiloah brings together twenty-two studies exemplifying such multi-faceted viewpoints on the world of sounds and its virtue. The first studies concern the origin and originators of music and to how its essential constituents came into being; included here is the art of dance along with the controversial attitudes towards it. Next comes the symbolic, philosophical and metaphorical interpretation of music; one of the major ideas epitomizing this approach claimed that the pursuit of knowledge is the path to human perfection and happiness. There follow studies on the transmission of knowledge, along with some annotated key works dealing with therapeutic effects. The last articles focus on cultural traditions elaborated on European soil developing a particular style and musical practice, centred on the Iberian Peninsula, which was the scene of one of the most fascinating examples of cultural interchange.

Vice-consul in Egypt, then an ambassador extraordinary of the Turkish sultan, Andre Du Ryer assembled a fine collection of manuscripts.

This is both a historical detective work -- piecing together an innovative research project of the 1620s -- and a provocative argument, based on the reconstruction of Peiresc's project. Our understanding of the history of historical scholarship needs to be turned upside down. In the "how" and "why" of Peiresc's scholarly practice and, in the chain of those who understood and remembered him, we learn that far from disappearing, antiquarianism (AN) persisted as a major source of historical innovation and renovation, and that this continues up through the present time. Contents: Peiresc and AN; AN and an Archival "Science"; Researching the History of Provence; Peiresc's Medieval Mediterranean in the History of Historiography. Illus.

Over the course of thirty years, Hermann Samuel Reimarus (1694-1768) secretly drafted what would become the most thorough attack on revelation to date, ushering the quest for the historical Jesus and foreshadowing the religious criticism of the new atheism of the twentieth century. Peeling away the layers of Reimarus’s radical work by looking at hitherto unpublished manuscript evidence, Ulrich Groetsch shows that the Radical Enlightenment was more than just an international philosophical movement. By demonstrating the importance philology, antiquarianism, and Semitic languages played in Reimarus’s upbringing, scholarship, and teaching, this new study provides a vivid portrayal of an Enlightenment radical at the cusp of the secular age, whose debt to earlier traditions of scholarship remains undisputed.

Pierre Gassendi (1592–1655) was a major figure in seventeenth-century philosophy and science and his works contributed to shaping Western intellectual identity. Among “new philosophers,” he was considered Descartes’s main rival, and he belonged to the first rank of those attempting to carve out an alternative to Aristotelian philosophy. In his writings, he promoted a revival of atomism and Epicureanism within a Christian framework, and advocated an empiricist and probabilistic epistemology which was to have a major impact on later thinkers such as Locke and Newton. He is moreover important for his astronomical work, for his defense of Galileo’s mechanics and cosmology, and for his activity as a biographer. Given the importance of Gassendi for the history of science and philosophy, it is surprising to see that he has been largely ignored in the Anglophone world. This collection of essays constitutes the first book on Gassendi in the English language that covers his biography, bibliography, and all aspects of his work. The book is divided into three parts. Part I offers a reconstruction of the genesis of Gassendi’s Epicurean project, an overview of his biography, and analyses of Gassendi’s early attacks on Aristotle, of his advocacy of Epicurean philosophy, and his relation to the skeptical tradition and to Cicero’s thought. Part II addresses Gassendi as a participant in seventeenth-century philosophical and scientific debates, focusing especially on his controversies with Descartes and Fludd. Part III explores Gassendi’s contributions to logic, theories of space and time, mechanics, astronomy, cosmology, and the study of living beings, and presents the reception of Gassendi’s thought in England. This book is an essential resource for scholars and upper-level students of early modern philosophy, intellectual history, and the history of science who want to get acquainted with Pierre Gassendi as a major philosopher and intellectual figure of the early modern period.

An examination of the unique, baroque-era, German Jesuit scholar, Egyptologist, polymath, and prolific author and his studies. A contemporary of Descartes and Newton, Athanasius Kircher, S. J. (1601/2–80), was one of Europe’s most inventive and versatile scholars in the baroque era. He published more than thirty works in fields as diverse as astronomy, magnetism, cryptology, numerology, geology, and music. But Kircher is most famous—or infamous—for his quixotic attempt to decipher the Egyptian hieroglyphs and reconstruct the ancient traditions they encoded. In 1655, after more than two decades of toil, Kircher published his solution to the hieroglyphs, Oedipus Aegyptiacus, a work that has been called “one of the most learned monstrosities of all times.” Here Daniel Stolzenberg presents a new interpretation of Kircher’s hieroglyphic studies, placing them in the context of seventeenth-century scholarship on paganism and Oriental languages. Situating Kircher in the social world of baroque Rome, with its scholars, artists, patrons, and censors, Stolzenberg shows how Kircher’s study of ancient paganism depended on the circulation of texts, artifacts, and people between Christian and Islamic civilizations. Along with other participants in the rise of Oriental studies, Kircher aimed to revolutionize the study of the past by mastering Near Eastern languages and recovering ancient manuscripts hidden away in the legendary libraries of Cairo and Damascus. The spectacular flaws of his scholarship have fostered an image of Kircher as an eccentric anachronism, a throwback to the Renaissance hermetic tradition. Stolzenberg argues against this view, showing how Kircher embodied essential tensions of a pivotal phase in European intellectual history, when pre-Enlightenment scholars pioneered modern empirical methods of studying the past while still working within traditional frameworks, such as biblical history and beliefs about magic and esoteric wisdom. Praise for Egyptian Oedipus “Stolzenberg not only provides the first serious study of Athanasius Kircher’s investigations into the history and culture of ancient Egypt, but he also furnishes a perceptive critical evaluation of Kircher’s scholarship and persona, warts and all. Stolzenberg goes beyond Kircher’s programmatic statements to unveil his actual scholarly practices. In doing so, Stolzenberg has produced an exemplary case study of a polymath at work and has provided us with a more nuanced understanding of Kircher’s influence.” —Mordechai Feingold, California Institute of Technology “If you don’t already know about Athanasius Kircher, you should take a long trip through his extraordinary and weird fields of research: a Jesuit priest who tinkered with everything from early cinematic projectors to talking statues, and wrote about impossibly tall skyscrapers inspired by the Tower of Babel and developed his own unique twist on a volcanic theory of a Hollow Earth. . . . Stolzenberg’s book is an excellent biography of the man and his ideas.” —Gizmodo, Notable Books of 2013