""Folksy, eclectic, disarmingly humble, and astonishingly wide-ranging, Hauerwas offers us a provocative reading of Bonhoeffer that, not surprisingly, assimilates him closely to John Howard Yoder. At the same time, Hauerwas replies to recent criticisms of his work by Jeffrey Stout. Contending that truth depends on performance far more than on theory, Hauerwas steps forward as a pacifist gadfly for a more truly faithful church and a more recognizably democratic society."" --George Hunsinger, Princeton Theological Seminary ""This book shows how lively and fecund Hauerwas's thought remains. A dazzling performance, capable of entertaining and instructing professional theologians as much as those who think the world might be a better place without theologians in it."" --Paul J. Griffiths, University of Illinois at Chicago ""Stan Hauerwas has done it again! He is able skillfully to blend into his book the passion for truth and justice of two of his greatest influences, Dietrich Bonhoeffer and John Howard Yoder. He takes these heroic advocates for peace into his own present-day struggle for the soul of the American nation. Hauerwas, an admirable Christian pacifist himself, dares Christians to be the 'Jesus people' they claim to be and to follow Jesus into the gospel path of nonviolence."" --Geffrey B. Kelly, author of Liberating Faith: Bonhoeffer's Message for Today ""Never totally predictable. Always a fresh perspective. And yet once again in these essays--on narrative, politics, Bonhoeffer, and the church--we hear the engaging, discerning, and brilliant voice we have come to know as Stanley Hauerwas."" --Mark Thiessen Nation, Eastern Mennonite Seminary ""Contending with and learning from the witness of Dietrich Bonhoeffer, whose life is often thought to provide a Christian alternative to pacifism, Hauerwas deepens the account of Christian nonviolence he has been articulating for decades. His theology is strengthened and clarified by his encounter with the exemplary figure of Bonhoeffer."" --Alan Jacobs, Wheaton College ""Without loss of the provocative edge that has made him a vital and distinctive Christian voice, Hauerwas's Performing the Faith allows him to cast a retrospective eye on his work. At the same time, in a brilliant essay under the title of the book, he develops a profoundly important description of faithfulness."" --Dennis O'Brien, University of Rochester Stanley Hauerwas is the Gilbert T. Rowe Professor Emeritus of Theological Ethics at Duke Divinity School, Duke University.

This book is a study of music inculturation in Indonesia. It shows how religious expression can be made relevant in an indigenous context and how grassroots Christianity is being realized by means of music. Through the discussion of indigenous expressions of Christianity, the book presents multiple ways in which Indonesians reiterate their identity through music by creatively forging Christian and indigenous elements. This study moves beyond the discussion (and charge) of syncretism, showing that the inclusion of local cultural manifestations is an answer to creating a truly indigenous Christian expression. Marzanna Poplawska, while telling the story of Indonesian Christians and the multiple ways in which they live Christianity through music, emphasizes the creative energy and agency of local people. In their practices she finds optimism for the continuing existence of many traditional genres and styles. Indonesian Christians perform their Christian faith through music, dance, and theater, generating innovative cultural products that enrich the global Christian heritage. The book is addressed to a broad spectrum of readers: scholars from a variety of disciplines – music, religion, anthropology, especially those interested in interactions between Christianity and indigenous cultures; general music lovers and World Music enthusiasts eager to discover musics outside of European realm; as well as Christian believers, church musicians, and choir directors curious to learn about Christian music beyond Euro-American context. Students of religion, sacred music, (ethno)musicology, theater, and dance will also benefit from learning about a variety of indigenous arts employed in Christian churches in Indonesia.

If law alone yields legalism, then religious belief, by itself, fails to create justice. In Performing Israel's Faith, Jacob Neusner shows how Jewish Halakhah (law) and Aggadah (narrative) fit together to form a robust and coherent covenant theology--one directly concerned about this world. Neusner's careful and thorough examination of several key issues within rabbinic Judaism--the nations, idolatry, sin, repentance, and atonement--demonstrates that neither Halakhah nor Aggadah can be fully and rightly understood when the two are isolated from each other. Performing Israel's Faith thus effectively reveals that rabbinic Judaism's true pattern of religion was constituted by a covenant theology comprised by both law and story--a covenant theology whose aim was to restore the sanctification of God's original creation.

What is the role of performance in faith practices? How is performance understood in and across a range of faith settings? How are performance and faith conceptualised through different academic disciplines? This collection of essays addresses these questions, and others, as it explores the complex relationship present in the nexus between faith and performance. A naturally inter-disciplinary work, this book contains contributions from a diverse group of scholars representing a wide range of methodologies and theoretical perspectives. As sociolinguists explore how language performance shapes and is shaped by faith, social anthropologists and psychologists examine how identity performance is crucial in negotiating faith identities, and scholars from theatre and performance studies engage with ways material settings are performatively transfigured to create sacred spaces (to mention but a few approaches covered in this book), the reader is taken on a journey of the world’s faiths and their diverse practices.

This book gives a detailed account of the current state of the law concerning good faith in contractual performance in Australia, through an empirical study on its reception and development across the various Australian jurisdictions. In Australia, good faith received wide attention after Priestly J introduced in his obiter comments in Renard Construction (ME) v Minister for Works (1992) 26 NSWLR 234.This book focuses on the attitude of the judges to good faith, the definition of good faith, and the possibility of legislating a good faith obligation in Australian contract law. This book also discusses the issues surrounding its development, its meaning, and acceptance at the international level.The empirical legal research adopted in this book will offer a significant contribution in understanding the concept of good faith in Australia from the empirical perspective.

Generally, this book is a reflection of the relationship between religion and theater. Particularly, it looks at the relationship of Catholicism and performance or the embodied world of theater in opposition to the written text.--publisher.