Greek myths - true or false? They should be false, and to 16-year-old Sophie Claire, it's never crossed her mind that they aren't. Until one day in History class when her teacher spends a day on Greek mythology and something strange starts happening - her friends and classmates begin to tell myths about certain Greek deities with frightening precision. And for some reason, she's began to feel a certain affinity for Persephone, the Greek maiden who was kidnapped by Hades, the Lord of the Underworld, and forced into a marriage with him. This isn't some coincidence or freak dream, she later finds out from a host of strange individuals who claim they're from Olympus, the grandoise home of the gods themselves. She is actually a modern reincarnation of the goddess Persephone, and she's not the only one. A few of her classmates also happen to represent the gods and goddesses from popular Greek myths, and the fact that all of them are present means that something monumental is about to happen.

Sol 2781 is the third of three full-length novels set immediately after the novelette length short story Hera 2781. Major Drago Tell Dramis is celebrating the fact that the saboteur has been caught, and the Earth solar arrays will be safe now. The arrest of a member of the main board of Hospital Earth has consequences though. As Drago hits orbital levels of fury, and declares his own personal war against Hospital Earth, he’s hit by even more unexpected problems. There’s a joke that says one birth member of the Tell clan attracts trouble, two birth members of the Tell clan invite minor disasters, while three is the critical mass that triggers cataclysmic events. As the danger mounts, the question is whether Drago and his two cousins, Jaxon and Gemelle, can prove an alternative theory. Are three members of the Tell clan really the critical mass that resolves cataclysmic events? This extra-long novel concludes the Drago Tell Dramis 2781 sequence of Hera 2781, Hestia 2781, Array 2781, and Sol 2781.

Array 2781 is the third part of the 2781 sequence featuring Drago Tell Dramis as a newly qualified fighter pilot, and best read after Hera 2781 (A Drago short story) and Hestia 2781 (A Drago novel) Drago has now learned the secret that his Betan clan has been hiding for almost a decade. He's currently alternating between moods of pitying his second cousin and fighter team leader, Jaxon, and wanting to strangle him. They both have to put their feelings aside though, and concentrate on using lumbering solar array transport ships to help with the repairs of the five Earth solar arrays, because Earth is critically short of power. Fortunately, repairing solar arrays is perfectly routine work, so Drago definitely can't get into trouble. Cover depicts the solar array transport ship, Antares.

This book takes a completely new look at the Anthroposophical Soul Calendar. It is abaout the deeper meaning of the fifty-two weekly verses, which has remained essentially unexplored in the last hundred years since the first edition by Rudolf Steiner. A dense veil of Isis was spread over them, of which is well known that no mortal person can lift it. Only the immortal, psycho-spiritual human being, who knows himself at home in the extrasensory, higher worlds, is capable of doing this. Only to him the weekly verses reveal themselves as a travel guide through these worlds and lift him up to ever higher spiritual-cosmic realms until he reaches the experience of God, from where he gradually descends again into a new life on Earth, enriched in spirit and fertilized in his soul. If the reader embarks on this journey, the spiritual archetype of the Soul Calendar is ultimately unveiled to him and he achieves an extended understanding of Man and Christ. By many quotations from Rudolf Steiner's lectures and books, the author virtually lets Steiners himself elucidate the breathtaking depths of his mysterious weekly verses.

"According to one myth, the first Athenian citizen was born from the earth after the sperm of a rejected lover, the god Hephaistos, dripped off the virgin goddess Athena's leg and onto fertile soil. Henceforth Athenian citizens could claim to be truly indigenous to their city and to have divine origins that bypassed maternity. In these essays, the renowned French Hellenist Nicole Loraux examines the implication of this and other Greek origin myths as she explores how Athenians in the fifth century forged and maintained a collective identity."--Publisher's description.

Modernist Mysteries: Perséphone is a landmark study that will move the field of musicology in important new directions. The book presents a microhistorical analysis of the premiere of the melodrama Perséphone at the Paris Opera on April 30th, 1934, engaging with the collaborative, transnational nature of the production. Author Tamara Levitz demonstrates how these collaborators-- Igor Stravinsky, André Gide, Jacques Copeau, and Ida Rubinstein, among others-used the myth of Persephone to perform and articulate their most deeply held beliefs about four topics significant to modernism: religion, sexuality, death, and historical memory in art. In investigating the aesthetic and political consequences of the artists' diverging perspectives, and the fall-out of their titanic clash on the theater stage, Levitz dismantles myths about neoclassicism as a musical style. The result is a revisionary account of modernism in music in the 1930s. As a result of its focus on the collaborative performance, this book differs from traditional accounts of musical modernism and neoclassicism in several ways. First and foremost, it centers on the performance of modernism, highlighting the theatrical, performative, and sensual. Levitz places Christianity in the center of the discussion, and questions the national distinctions common in modernist research by involving a transnational team of collaborators. She further breaks new ground in shifting the focus from "history" to "memory" by emphasizing the commemorative nature of neoclassic listening rituals over the historicist stylization of its scores, and contends that modernists captured on stage and in philosophical argument their simultaneous need and inability to mourn the past. The book as a whole counters the common criticism that neoclassicism was a "reactionary" musical style by suggesting a more pluralistic, ambivalent, and sometimes even progressive politics, and reconnects musical neoclassicism with a queer classicist tradition extending from Winckelmann through Walter Pater to Gide. Modernist Mysteries concludes that 1930s modernists understood neoclassicism not as formalist compositional approaches but rather as a vitalist art haunted by ghosts of the past and promissory visions of the future.

In 1937 and 1938, Ernest Hemingway made four trips to Spain to cover its civil war for the North American News Alliance wire service and to help create the pro-Republican documentary film The Spanish Earth. Hemingway’s Second War is the first book-length scholarly work devoted to this subject. Drawing on primary sources, Alex Vernon provides a thorough account of Hemingway’s involvement in the Spanish Civil War, a messy, complicated, brutal precursor to World War II that inspired Hemingway’s great novel For Whom the Bell Tolls. Vernon also offers the most sustained history and consideration to date of The Spanish Earth. Directed by Joris Ivens, this film was a landmark work in the development of war documentaries, for which Hemingway served as screenwriter and narrator. Contributing factual, textual, and contextual information to Hemingway studies in general and his participation in the war specifically, Vernon has written a critical biography for Hemingway’s experiences during the Spanish Civil War that includes discussion of the left-wing politics of the era and the execution of José Robles Pazos. Finally, the book provides readings ofFor Whom the Bell Tollsboth in historical context and on its own terms. Marked by both impressive breadth and accessibility, Hemingway’s Second War will be an indispensible resource for students of literature, film, journalism, and European history and a landmark work for readers of Ernest Hemingway.

Offering a concise and illuminating introduction to the most important areas of myth, this fully updated and revised second edition contains new chapters and student-friendly features. Essential reading for students of any level wanting an introduction to the area.

The classical Greek myth of Demeter and her daughter Persephone as told in Homer's Hymn to Demeter has been used most often to explain the cycle of the seasons. However, a closer examination will reveal insights on living and dying, loss and reconciliation, and suffering and healing. This work demostrates the continued importance and relevance of the myth of Demeter and Persephone to today's society. The first three chapters provide a summary of the Homeric story and examine the myth from the perspectives of the mother and daughter. The following chapters discuss the symbolism of critical objects, the role of female mentoring, the role of Hades and the meaning of the underworld, the subject of rape, and the masculinist perspective presented by Zeus and Helios, and derive lessons useful for healing and knowledge. The Hymn to Demeter as translated by Helene Foley is included as an appendix in order to provide a basis for the discussion in the text. Notes and a bibliography also follow the text.

A New York Times Notable Book of the Year "Full of insights, marvelously entertaining . . . haunting and beautifully written." --The New York Review of Books "I lived in Athens, at the intersection of a prostitute and a saint." So begins Patricia Storace's astonishing memoir of her year in Greece. Mixing affection with detachment, rapture with clarity, this American poet perfectly evokes a country delicately balanced between East and West. Whether she is interpreting Hellenic dream books, pop songs, and soap operas, describing breathtakingly beautiful beaches and archaic villages, or braving the crush at a saint's tomb, Storace, winner of the Whiting Award, rewards the reader with informed and sensual insights into Greece's soul. She sees how the country's pride in its past coexists with profound doubts about its place in the modern world. She discovers a world in which past and present engage in a passionate dialogue. Stylish, funny, and erudite, Dinner with Persephone is travel writing elevated to a fine art--and the best book of its kind since Henry Miller's The Colossus of Maroussi. "Splendid. Storace's account of a year in Greece combines past and present, legend and fact, in an unusual and delightful whole. " --Atlantic Monthly