One of America's leading landscape architects, Peter Walker has created a variety of significant landscapes worldwide, including joint projects with architects I. M. Pei, Norman Foster, and Renzo Piano. Walker's broad field of practice includes urban design and planning and the creation of landscapes ranging in size from parks and university campuses to corporate headquarters, plazas, and private gardens. Peter Walker and Partners / Nasher Sculpture Center Garden focuses on his garden in Dallas, Texas, a set of "outdoor galleries" showcasing the Nasher collection of modern and contemporary sculpture. A museum without a roof, the garden, with its subtle balance of art and nature, is also a serene urban park, whose beauty perfectly complements Renzo Piano's design for the center. Peter Walker's informative sketches, drawings, and plans, along with photographs of the final design, reveal the delicate balance between art, culture, and context at the heart of the Nasher Foundation Sculpture Garden. Source Books in Landscape Architecture, produced in collaboration with the Knowlton School of Architecture at Ohio State University, provide detailed documentation of important new projects.

Sculpture and the Museum is the first in-depth examination of the varying roles and meanings assigned to sculpture in museums and galleries during the modern period, from neo-classical to contemporary art practice. It considers a rich array of curatorial strategies and settings in order to examine the many reasons why sculpture has enjoyed a position of such considerable importance - and complexity - within the institutional framework of the museum and how changes to the museum have altered, in turn, the ways that we perceive the sculpture within it. In particular, the contributors consider the complex issue of how best to display sculpture across different periods and according to varying curatorial philosophies. Sculptors discussed include Canova, Rodin, Henry Moore, Flaxman and contemporary artists such as Rebecca Horn, Rachel Whiteread, Mark Dion and Olafur Eliasson, with a variety of museums in America, Canada and Europe presented as case studies. Underlying all of these discussions is a concern to chart the critical importance of the acquisition, placement and display of sculpture in museums and to explore the importance of sculptures as a forum for the expression of programmatic statements of power, prestige and the museum's own sense of itself in relation to its audiences and its broader institutional aspirations.

Landscape Architecture Criticism offers techniques, perspectives and theories which relate to landscape architecture, a field very different from the more well-known domains of art and architectural criticism. Throughout the book, Bowring delves into questions such as, how do we know if built or unbuilt works of landscape architecture are successful? What strategies are used to measure the success or failure, and by whom? Does design criticism only come in written form? It brings together diverse perspectives on criticism in landscape architecture, establishing a substantial point of reference for approaching design critique, exploring how criticism developed within the discipline. Beginning with an introductory overview to set the framework, the book then moves on to historical perspectives, the purpose of critique, theoretical positions ranging from aesthetics, to politics and experience, unbuilt projects, techniques, and communication. Written for professionals and academics, as well as for students and instructors in landscape architecture, it includes strategies, diagrams, matrices, and full colour illustrations to prompt discussion and provide a basis for exploring design critique.

Gardening is rich in tradition, and many gardens are explicitly designed to refer to or honor the past. But garden design is also rich in innovation, and in The Making of Place John Dixon Hunt explores the wide varieties of approaches, aesthetics, and achievements in garden design throughout the world today. The gardens Hunt explores offer surprising new ideas about how we can carve out a space for respite in nature. Taking readers to gardens public and private, busy and hidden away, to botanical gardens, small parks, university campuses, and vernacular gardens, Hunt showcases the differences between cultures and countries around the globe, including the United States, United Kingdom, France, Germany, China, and Australia. Richly illustrated, The Making of Place is sure to enchant and inspire even the most modest of home gardeners.

Arranged in alphabetical order, these 5 volumes encompass the history of the cultural development of America with over 2300 entries.

Peter Walker is one of the most seminal and prolific figures in contemporary landscape design worldwide – both as a teacher and as practitioner. Among his best-known works are Nasher Garden in Dallas, Novartis Campus in Basel, Switzerland and the World Trade Center Memorial in New York. This academic review of Walker's unique oeuvre look closely at his design work and provides a comparative analysis.

Lighting is an integral component of interior design and architecture. The keys to creating exceptional luminous environments is revealed in Lighting Spaces. Thirty of the world's top lighting designers and consultants showcase their finest accomplishments in this volume. The selected examples illustrate how high quality, thoughtful design can be the visual cornerstone of a successful project.

One of Europe's most acclaimed landscape architects, Paolo Brgi is known for creating minimalist landscape interventions that powerfully reveal the essence of a place. Brgi looks beyond a site's physical boundaries and takes into account its cultural and topographical history. The latest addition to our successful Source Books in Landscape Architecture series, Paolo Brgi Landscape Architect features three of his projects in Switzerland:the Cardada Mountain revitalization in Locarno; the harbor square in Kreuzlingen; and the Terrace on the Forest in Ticino. Paolo Brgi Landscape Architect presents enlightening discussions between landscape historian Raffaella Fabiani Giannetto and Paolo Brgi. A foreword by Sonja Dmpelmann and an essay by renowned landscape architect and philosopher John Dixon Hunt round out this invaluable volume.

Grant Jones, founding principal of the noted landscape architecture firm Jones & Jones, has practiced ecological design for more than 30 years and has been a pioneer in river planning, scenic highway design, zoo design, and landscape aesthetics. The latest addition to our successful Source Books inLandscape Architecture series, Grant Jones/Jones & Jones ILARIS, focuses on Jones's "green print" plan for Puget Sound in Washington State. Working in collaboration with the Trust for Public Lands and using new GIS technology, Jones & Jones developed the software tool ILARIS. This CAD-liketool helps to evaluate the aesthetic resources of landscape regions and is used as a basis for future planning. The Puget Sound model can be applied to other landscapes at risk. Including an interview with Grant Jones, critical essays discussing his work, as well as numerous diagrams, plans, and photographs, Grant Jones/Jones & Jones ILARIS is a thorough study of an important project.

In The Landscape Urbanism Reader Charles Waldheim—who is at the forefront of this new movement—has assembled the definitive collection of essays by many of the field's top practitioners. Fourteen essays written by leading figures across a range of disciplines and from around the world—including James Corner, Linda Pollak, Alan Berger, Pierre Bolanger, Julia Czerniak, and more—capture the origins, the contemporary milieu, and the aspirations of this relatively new field. The Landscape Urbanism Reader is an inspiring signal to the future of city making as well as an indispensable reference for students, teachers, architects, and urban planners.