The idea of this anthology is to explore the relationships between phenomenology and the social sciences.

The term ‘phenomenology’ has become almost as over-used and emptied of meaning as that other word from Continental Philosophy, namely ‘existentialism’. Yet Husserl, who first put forward the phenomenological method, considered it a rigorous alternative to positivism, and in the hands of Merleau-Ponty, a disciple of Husserl in France, phenomenology became a way of gaining a disciplined and coherent perspective on the world in which we live. When this study originally published in 1977 there were only a few books in English on Merleau-Ponty’s philosophy. It introduced the reader and suggested how his thought might throw light on some of the assumptions and presuppositions of certain contemporary forms of Anglo-Saxon philosophy and social science. It also demonstrates how phenomenology seeks to unite philosophy and social science, rather than define them as mutually exclusive domains of knowledge.

In this book, his major work, Alfred Schutz attempts to provide a sound philosophical basis for the sociological theories of Max Weber. Using a Husserlian phenomenology, Schutz provides a complete and original analysis of human action and its "intended meaning."

This book shows how phenomenology of the social sciences differs from positivistic approaches, and presents Schutz's theory of relevances--a key feature of his own phenomenology of the social world. It begins with Schutz's appraisal of how Husserl influenced him, and continues with exchanges between Schutz and Eric Voegelin, Felix Kaufmann, Aron Gurwitsch, and Talcott Parsons. This book presents, for the first time, Schutz's incisive criticisms of T.S. Eliot's theory of culture.

This book features papers written by renowned international scholars that analyze the interdependence of art, phenomenology, and social science. The papers show how the analysis of the production as well as the perception and interpretation of art work needs to take into consideration the subjective viewpoint of the artist in addition to that of the interpreter. Phenomenology allows a description of the subjectively centered life-world of the individual actor—artist or interpreter—and the objective structures of literature, music, and the aesthetic domain in general. The perspective of social science serves to reconstruct the socio-historical structure involved in the creation and reception of the art work. The authors concentrate on this specific theoretical focus which combines both phenomenology and social science and offers an innovative framework for the analysis of works of art from the fields of literature, music, visual arts, photography, and film. Some of the contributions present creative interpretations of a variety of distinct art works in addition to the realization of theoretical reflections on the interdependence of arts, phenomenology, and social science. This book features papers that were presented at the international and interdisciplinary conference Phenomenology, Social Sciences, and the Arts, held at the University of Konstanz, May 2009, in commemoration of philosopher and social scientist Alfred Schutz, the developer of phenomenologically oriented sociology. It will appeal to researchers, scholars, and students in phenomenology, social sciences, art theory, and the arts. ​

The five essays in this work attempt in interpretive and original ways to further the common field of investigation of man in the life-world. Richard Zaner in his examination of the multi-level approach of the social sciences to the social order points us toward essences and the manner in which they are epistemically understood. By contrasting the work of the later Durkheim with that of Husserl, Edward Tiryakian is able to suggest a commonality of endeavor between them. Paul Ricoeur, after phenomenologically distinguishing three concepts of ideology, examines the supposed conflict between science and ideology and its resolution through a hermeneutics of historical understanding. Maurice N at anson in his discussion of the problem of anonymity reflects on both the sociological givenness of the world and its phenomenological reconstruction, showing the necessary interrelationship of both prior ities. Fred Dallmayr, after a presentation of the state of validation in the social sciences and their problems in attempting to ground them selves either in regard to logical positivism or phenomenology, refers us to the perspective of Merleau-Ponty concerning the relationship of cognition and experience.

Continental Philosophy of Social Science demonstrates the unique and autonomous nature of the continental approach to social science and contrasts it with the Anglo-American tradition. Yvonne Sherratt argues for the importance of an historical understanding of the Continental tradition in order to appreciate its individual, humanist character. Examining the key traditions of hermeneutic, genealogy, and critical theory, and the texts of major thinkers such as Gadamer, Ricoeur, Derrida, Nietzsche, Foucault, the Early Frankfurt School and Habermas, she also contextualizes contemporary developments within strands of thought stemming back to Ancient Greece and Rome. Sherratt shows how these modes of thinking developed through medieval Christian thought into the Enlightenment and Romantic eras, before becoming mainstays of twentieth-century disciplines. Continental Philosophy of Social Science will serve as the essential textbook for courses in philosophy or social sciences.