This book is the first edited collection to explore the role of philosophy in the works of Cormac McCarthy, significantly expanding the scope of philosophical inquiry into McCarthy’s writings. There is a strong and growing interest amongst philosophers in the relevance of McCarthy’s writings to key debates in contemporary philosophy, for example, debates on trauma and violence, on the relationship between language and world, and the place of the subject within history, temporality, and borders. To this end, the contributors to this collection focus on how McCarthy’s writings speak to various philosophical themes, including violence, war, nature, history, materiality, and the environment. Emphasizing the form of McCarthy’s texts, the chapters attend to the myriad ways in which his language effects a philosophy of its own, beyond the thematic content of his narratives. Bringing together scholars in contemporary philosophy and McCarthy Studies, and informed by the release of the Cormac McCarthy Papers, the volume reflects on the theoretical relationship between philosophical thinking and literary form. This book will appeal to all scholars working in the rapidly-growing field of McCarthy Studies, Philosophy and Literature, and to philosophers working on a wide range of problems in ethics, aesthetics, epistemology, Philosophy of Nature, and Philosophy of Film across ancient, modern, and contemporary philosophy.

This study contends that American writer Cormac McCarthy not only is philosophical, or a “writer of ideas,” but rather that he has a philosophy. Devoting one main chapter to each facet of McCarthy’s thought – his metaphysics, epistemology, and ethics, respectively – the study engages in focused readings of all of McCarthy’s major works. Along the way, the study brings McCarthy’s ideas into conversation with a host of philosophers who range from Plato to Alain Badiou, with figures such as William James, Martin Heidegger, Hannah Arendt, and Slavoj Žižek featured prominently. Situated at the crossroads of literary studies, literary theory, cultural studies, continental philosophy, and theology, the appeal of Cormac McCarthy’s Philosophy is widespread and deeply interdisciplinary.

"It took six novels and nearly thirty years for Cormac McCarthy to find commercial success as a writer with the National Book Award-winning All the Pretty Horses coming twenty-seven years after his debut. The second half of his long career brought major prizes, more bestsellers, and Hollywood adaptations of his work. The sharp upturn in McCarthy's readership, especially with the genre exercises No Country for Old Men and The Road, has obscured his commitment to a decidedly old-fashioned style of literature: naturalism. It is hardly a secret that McCarthy's work tends to darker themes: violence, brutality, warfare, the cruel indifference of nature. There is a bright line running from some of the core texts of literary naturalism in those themes, which would not be out of place in the writing of Jack London or Stephen Crane. But literary naturalism is much more than the oversimplified Darwinism that we often think of. Nature may well be red in tooth and claw, and humans are part of nature, but the humanity depicted in naturalist literature was capable of love, selflessness, and spirituality in addition to atavism and monstrosity. That is the naturalism that comes across in McCarthy's oeuvre. In Unguessed Kinships, Steven Frye complicates our understanding of literary naturalism through a chronological treatment of McCarthy's body of work. Beginning with an overview of the century-long critical engagement with naturalism, Frye carefully shows how the naturalist idea has matured in the context of modernity and postmodernity, particularly in its relationship with the American South and West, regions that each inspired a distinct phase of McCarthy's long career. In his novels and plays, McCarthy engages both explicitly and obliquely with the project of Manifest Destiny, both in the western drama of Blood Meridian and the twentieth-century settings of TVA-era Knoxville in the Tennessee novels and the atomic frontier of Alamogordo in Cities of the Plain. The concerns of these works are not explicitly American in Frye's reading: deep philosophical and religious questions are asked, drawing on ancient Greek philosophy, Gnosticism, Nietzsche, and more contemporary inquiries. Frye argues for McCarthy not merely as a naturalist writer but as a naturalist in the most profound sense. Unguessed Kinships includes biographical and historical context in each chapter, widening the appeal of the text to not just naturalists or McCarthy scholars, but anyone studying the literature of the South or the West. While the influential scholarship of Vereen Bell made a claim for nihilism as central to McCarthy, recent work has focused on the various philosophical, religious, and metaphysical underpinnings of his writing. In Unguessed Kinships, Steven Frye takes up the importance of both the natural world and naturalism to one of the most significant American writers of recent vintage"--

Shreds of Matter: Cormac McCarthy and the Concept of Nature offers a nuanced and innovative take on McCarthy's ostensible localism and, along with it, the ecocentric perspective on the world that is assumed by most critics. In opposing the standard interpretations of McCarthy's novels as critical either of persisting American ideologies - such as manifest destiny and imperialism - or of the ways in which humanity has laid waste to planet Earth, Greve instead emphasizes the author's interest both in the history of science and in the mythographical developments of religious discourse. Greve aims to counter traditional interpretations of McCarthy's work and at the same time acknowledge their partial truth, taking into account the work of Friedrich W. J. Schelling and Lorenz Oken, contemporary speculative realism, and Bertrand Westphal's geocriticism. Further, newly discovered archival material sheds light on McCarthy's immersion in the metaphysical question par excellence: What is nature?

In the decades since his 1992 breakout novel, All the Pretty Horses, Cormac McCarthy has gained a reputation as one of the greatest contemporary American authors. Experimenting with genres such as the crime thriller, the post-apocalyptic novel, and the western, his work also engages with the aesthetics of cinema, and several of his novels have been adapted for the screen. While timely and relevant, his works use idiosyncratic language and contain intense, troubling portrayals of racism, sexism, and violence that can pose challenges for students. This volume offers strategies for guiding students through McCarthy's oeuvre, addressing all his novels as well as his published plays and screenplays. Part 1, "Materials," provides sources of biographical information and key scholarship on McCarthy. Essays in part 2, "Approaches," discuss subjects such as landscape and ecology, mythologies of the American West, film adaptations, and literary contexts and describe assignments that encourage students to write creatively and to examine their personal values.

This book provides a sophisticated introduction to the life and work of Cormac McCarthy appropriate for scholars, teachers and general readers.

This collection offers a fresh approach to the work of Cormac McCarthy, one of the most important contemporary American authors. Essays focus on his work across the genres and/or in constellation with other writers and artists, presenting not only a different "angle" on the work, but setting him within a broader literary and artistic context. Such an approach offers a view of McCarthy that is strikingly different to previous collections that have dealt with the work in an almost exclusively "single author" and/or "single genre" mode. McCarthy’s novels are increasingly regarded as amongst the most rich, the most complex, and the most insightful of all recent literary responses to prevailing conditions in both the USA and beyond, and this collection recognizes the intertextual and interdisciplinary nature of his work. Contributors draw back the curtain on some of McCarthy’s literary ancestors, revealing and analyzing some of the fiction’s key contemporary intertexts, and showing a complex and previously underestimated hinterland of influence. In addition, they look beyond the novel both to other genres in McCarthy’s oeuvre, and to the way these genres have influenced McCarthy’s writing.

Although scholars have widely acknowledged the prevalence of religious reference in the work of Cormac McCarthy, this is the first book on the most pervasive religious trope in all his works: the image of sacrament, and in particular, of eucharist. Informed by postmodern theories of narrative and Christian theologies of sacrament, Matthew Potts reads the major novels of Cormac McCarthy in a new and insightful way, arguing that their dark moral significance coheres with the Christian theological tradition in difficult, demanding ways. Potts develops this account through an argument that integrates McCarthy's fiction with both postmodern theory and contemporary fundamental and sacramental theology. In McCarthy's novels, the human self is always dispossessed of itself, given over to harm, fate, and narrative. But this fundamental dispossession, this vulnerability to violence and signs, is also one uniquely expressed in and articulated by the Christian sacramental tradition. By reading McCarthy and this theology alongside postmodern accounts of action, identity, subjectivity, and narration, Potts demonstrates how McCarthy exploits Christian theology in order to locate the value of human acts and relations in a way that mimics the dispossessing movement of sacramental signs. This is not to claim McCarthy for theology, necessarily, but it is to assert that McCarthy generates his account of what human goodness might look like in the wake of metaphysical collapse through the explicit use of Christian theology.

One of today's most important novelists, Cormac McCarthy is at the peak of a long and productive career. The film adaptation of his No Country for Old Men is a major motion picture, and his fiction is widely read in book clubs. This volume looks at his works, characters, themes, and contexts and relates his writings to current events and popular culture. Chapters include sidebars of interesting information, along with questions to stimulate book club discussions and student research. One of today's most important novelists, Cormac McCarthy is at the peak of a long and productive career. He won the Pulitzer Prize for The Road in 2007 and the National Book Award for All the Pretty Horses in 1992. This book is a guide to his works and their relevance. The volume begins with a look at his life and his use of the novel as a means of expressing his ideas. The book then looks at his works, themes, characters, and contexts. It then discusses his exploration of current events and the presence of his fiction in popular culture. Chapters include sidebars of interesting information and provide questions to stimulate book club discussion and student research.

Drawing on Cormac McCarthy's recently opened archive, as well as interviews with several of his collaborators, this book presents the first comprehensive overview of McCarthy's writing for film and theater, as well as film adaptations of his novels.