These articles provide new explorations into phonological patterns attested in the minor Romance languages ('dialects') spoken in Italy. The goal of this book is both theoretical and empirical. First, it aims to introduce non-Italianists to the phonological structures of the Italian dialects, including northern Gallo-Romance dialects, central and southern dialects, plus a Francoprovencal dialect spoken in southern Italy and a Catalan dialect spoken in Sardinia. Second, the collection provides readers with sophisticated analyses of complex and poorly understood and under-studied phonological phenomena. Over half of the articles contain data collected by the authors, and most of the data have not been available in English language publications. The richness of the empirical material and the sophistication of the theoretical analyses make this collection a particularly important contribution to both phonology and Romance language studies.

These articles provide new explorations into phonological patterns attested in the minor Romance languages (‘dialects’) spoken in Italy. The goal of this book is both theoretical and empirical. First, it aims to introduce non-Italianists to the phonological structures of the Italian dialects, including northern Gallo-Romance dialects, central and southern dialects, plus a Francoprovençal dialect spoken in southern Italy and a Catalan dialect spoken in Sardinia. Second, the collection provides readers with sophisticated analyses of complex and poorly understood and under-studied phonological phenomena. Over half of the articles contain data collected by the authors, and most of the data have not been available in English language publications. The richness of the empirical material and the sophistication of the theoretical analyses make this collection a particularly important contribution to both phonology and Romance language studies.

This book makes accessible the major structural features of the dialects of Italy and emphasises the importance of a detailed understanding of the dialects for issues in general linguistic theory. Selected contents include: * Phonology * Morphology * Syntax * Lexis * The Dialect Areas * Sociolinguistics of Dialects Contributors: Paola Benica; Gaetano Berruto; Guglielmo Cinque; Michela Cennamo; Patrizia Cordin; Thamas Cravens; Marie-Jose Dalbera Stefanaggi; Franco Fanciullo; Werner Forner; Luciano Giannelli; John Hajek; Hermann Haller; Robert Hastings; Michael Jones; Michele Loporcaro; Martin Maiden; Marco Mazzoleni; Zarko Miljacic; Mair Parry; Cecilia Poletto; Lorenzo Renzi; Lori Repetti; Giovanni Ruffino; Giampaolo Salvi; Glauco Sanga; Leonardo Savoia; Alberto Sobrero; Rosanna Sornicola; Tullio Telmon; John Trumper; Edward Tuttle; Alberto Valvaro; Laura Vanelli; Ugo Vignuzzi; Nigel Vincent; Irene Vogel.

This volume presents current work on a topic in Romance linguistics that still informs linguistic theory to this day: metaphony in the languages of Italy. Papers discuss fundamental research topics such as phonological opacity in the light of chain shifts, post-tonic harmony and consonant transparency, the role of morphosyntax in the typology of metaphony, the explanatory adequacy of feature-based versus element-based analyses, and the locus of metaphony in grammar. Other chapters present new experimental data, thus building a more accurate empirical foundation for the study of metaphony. We envision the volume to become a reference book not only for an updated descriptive survey of metaphonic patterns in Italy but also a thorough discussion of the challenges that metaphony poses for different (morpho)phonological theories. The book bridges the gap between descriptive works and theoretical thinking in the study of metaphony.

This book provides an overview of the phonology of Italian. It covers the different levels of analysis from individual sounds up to the phrasal level. It focuses on the most widely dispersed features of the language reflecting its significant regional and social variation and its most prominent regionally restricted patterns. Martin Krämer provides a critical survey of the generative literature on Italian phonology. He reports on current debates in the field, considers their particular and general theoretical interest, and provides both syntheses and original analyses. His accounts of the main aspects and characteristics of Italian phonology are couched in the framework of Optimality Theory, but he keeps formal aspects and theory-internal matters to a minimum and separate from the presentation and description of the data. His exposition is thus fully accessible to students and researchers who are not familiar with or do not subscribe to the tenets of the theory. Individual chapters may thus serve as starting points for in-depth investigations into particular aspects of Italian phonology in whatever framework the reader chooses to employ. The Phonology of Italian is the first fully comprehensive account of its subject for many years. It will interest scholars and advanced students of Italian, Romance phonology, and phonology as a system.

The following chapters represent a selection of Proceedings of the 11th Cambridge Italian Dialect Syntax-Morphology Meeting hosted by the Department of Romance of Romance Studies of the University of Vienna on 4-6 July 2016.

First published in 1991. The existence of morphonology had been the subject of intense debate in twentieth-century linguistic theory. Attempts to identify putatively morphonological phenomena had often foundered on the widespread assumption of a rigid dichotomy between synchronic morphological structures and the phonetic processes which historically shared them. With the difficulties of establishing any role for morphonology clearly identified, the author introduces a comparative and historical survey of the morphologization of metaphony in Italian dialects. On the basis of this the existence is argued of authentic synchronic ‘morphonological’ interaction between morphological structures and phonetic processes, such that inflectional paradigms serve to specify phonetic details of implementation of incipient sound changes. The circumstances under which such interaction may be expected to occur are discussed. This book is an important contribution to our understanding of both morphology and phonology, taking seriously the implications of abandoning a rigid distinction between synchronic morphology and diachronic phonology. It successfully integrates linguistic theory with the analysis of philological data, and indicates the direction for future research on morphonology. This detailed study of Italian dialects also constitutes a valuable addition to the study of Romance dialectology.

First Published in 2002. The Italian phenomenon known as raddoppiamento sintattico, or sometimes raddoppiamento fonosintattico, has received a vast amount of attention. Long recognized in Italian grammar books, the process consists of the gemination of a word-initial consonant in certain environments. The word raddoppiamento means “doubling,” and it is deemed “syntactic” or “phonosyntactic” because the process spans word boundaries. This offers a synchronic and diachronic cross-dialectical study of this phenomenon.