This groundbreaking anthology provides a transnational view of the use of physical culture practices - to strengthen, discipline, and reimagine the human body. Exploring theses of colonialism, gender disparities, and race relations, this international examination of bodily practices is a must read for all sport historians and those interested in physical training and its meanings. Erudite, solid, enlightening, this is a truly valuable book for our field.

Sports in African History, Politics, and Identity Formation explores how sports can render a key to unlocking complex social, political, economic, and gendered relations across Africa and the Diaspora. Sports hold significant value and have an intricate relationship with many components of African societies throughout history. For many Africans, sports are a way of life, a site of cultural heroes, a way out of poverty and social mobility, and a site for leisurely play. This book focuses on the many ways in which sports uniquely reflect changing cultural trends at diverse levels of African societies. The contributors detail various sports, such as football, cricket, ping pong, and rugby, across the continent to show how sports lay at the heart of the discourse of nationalism, self-fashioning, gender and masculinity, leisure and play, challenges of underdevelopment, and ideas of progress. Bringing together the newest and most innovative scholarship on African sports, this book will be of interest to students and scholars of contemporary Africa, African history, culture and society, and sports history and politics.

Hierdie reeks van 4 historiese boeke deur P.J. van der Merwe herleef weer deur middel van digitale druk-tegnologie. Die oorpronklike boeke is geskandeer en is nou beskikbaar in druk- en PDFformaat, as 'n stel of individueel. Die ander boeke in die reeks is Die Noordwaartse Beweging van die Boere voor die Groot Trek (1770-1842) en Die Trekboer in die Geskiedenis van die Kaapkolonie (1657-1842) en TREK Studies oor die Mobiliteit van die Pioniersbevolking aan die Kaap (1770-1842).

What is the link, if any, between race and disease? How did the term baster as ‘mixed race’ come to be mistranslated from ‘incest’ in the Hebrew Bible? What are the roots of racial thinking in South African universities? How does music fall on the ear of black and white listeners? Are new developments in genetics simply a backdoor for the return of eugenics? For the first time, leading scholars in South Africa from different disciplines take on some of these difficult questions about race, science and society in the aftermath of apartheid. This book offers an important foundation for students pursuing a broader education than what a typical degree provides, and a must-read resource for every citizen concerned about the lingering effects of race and racism in South Africa and other parts of the world.

For several centuries Cape Town has accommodated a great variety of musical genres which have usually been associated with specific population groups living in and around the city. Musical styles and genres produced in Cape Town have therefore been assigned an "identity" which is first and foremost social. This volume tries to question the relationship established between musical styles and genres, and social - in this case pseudo-racial - identities. In Sounding the Cape, Denis-Constant Martin recomposes and examines through the theoretical prism of creolisation the history of music in Cape Town, deploying analytical tools borrowed from the most recent studies of identity configurations. He demonstrates that musical creation in the Mother City, and in South Africa, has always been nurtured by contacts, exchanges and innovations whatever the efforts made by racist powers to separate and divide people according to their origin. Musicians interviewed at the dawn of the 21st century confirm that mixture and blending characterise all Cape Town's musics. They also emphasise the importance of a rhythmic pattern particular to Cape Town, the ghoema beat, whose origins are obviously mixed. The study of music demonstrates that the history of Cape Town, and of South Africa as a whole, undeniably fostered creole societies. Yet, twenty years after the collapse of apartheid, these societies are still divided along lines that combine economic factors and "racial" categorisations. Martin concludes that, were music given a greater importance in educational and cultural policies, it could contribute to fighting these divisions and promote the notion of a nation that, in spite of the violence of racism and apartheid, has managed to invent a unique common culture.

This is the first book to focus on race, sport, protest, and the Black Atlantic. It brings together innovative scholarship on African, African-American, Afro-European, Afro-Brazilian, and Afro-Caribbean sports in a manner that speaks effectively to the diversity of the African diaspora, its history, and culture. The book explores the history of sports, including baseball, basketball, boxing, football, rugby, cricket, and track-and-field athletics to show athlete and fan protests in sport intersected with discourses of nationalism, self-fashioning, gender and masculinity, leisure and play, challenges of underdevelopment, and the idea of progress. It shows how sport in the African diaspora is a crucially important lens through which to understand the challenges, changes, and continuities of Black Atlantic history, the history of protest, and racism. This is fascinating reading for anybody with an interest in sport history, social and cultural history, post-imperial history and decolonization, or the sociology of sport, race, and political protest.

Race, politics, and opera production during apartheid South Africa intersect in this historiographic work on the Eoan Group, a “coloured” cultural organization that performed opera in the Cape. The La Traviata Affair charts Eoan’s opera activities from the group’s inception in 1933 until the cessation of their productions by 1980. It explores larger questions of complicity, compromise, and compliance; of assimilation, appropriation, and race; and of “European art music” in situations of “non-European” dispossession and disenfranchisement. Performing under the auspices of apartheid, the group’s unquestioned acceptance of and commitment to the art of opera could not redeem it from the entanglements that came with the political compromises it made. Uncovering a rich trove of primary source materials, Hilde Roos presents here for the first time the story of one of the premier cultural agencies of apartheid South Africa.

The interconnectedness between sport and colonialism has long been a matter of interest to sport historians. Consequently, a large number of scholarly works exist on physical education and physical culture history, but there is no significant work on this within a South African context, both nationally and at community level. This book therefore provides the first historical account of physical education and physical culture in Cape Town, South Africa and its surrounding areas in the Western Cape.