From A to Z to middle C: An “essential reference” for piano students, teachers, players, and music lovers, with hundreds of definitions (E.L. Lancaster, Alfred Music). The Pianist’s Dictionary is a handy and practical reference dictionary aimed specifically at pianists, teachers, students, and concertgoers. Prepared by Maurice Hinson and Wesley Roberts, this revised and expanded edition is a compendium of information gleaned from a combined century of piano teaching. Users will find helpful and clear definitions of musical and pianistic terms, performance directions, composers, pianists, famous piano pieces, and piano makers. The authors’ succinct entries make The Pianist’s Dictionary the perfect reference for compiling program and liner notes, studying scores, and learning and teaching the instrument. “This new edition is a go-to source for piano scholars and students for quick information on musical terms, pianists, major works in the piano repertoire, piano manufacturers, and more . . . comprehensive, easy to use.” —Jane Magrath, University of Oklahoma

A Pianist's Dictionary is an exploration of the world of the classical pianist and piano professor. The author deconstructs the many familiar words that help describe these worlds as well as their practitioners. Based upon a lifetime of experience as an active concert artist and college professor, this book will resonate with both past and current students of the piano and with music lovers with even a passing interest in these worlds. Written in an accessible style, A Pianist's Dictionary covers the piano world from accompanist to tone and voicing, and helps the reader understand the mysteries of practicing and the challenges of how to find a suitable piano teacher. Filled with amusing anecdotes and observations, this book is a welcome addition to the literature about pianos and pianists.

Originally published in 1997, The Pianist's Bookshelf, was, according to the Library Journal, "a unique and valuable tool." Now rewritten for a modern audience, this second edition expands into the 21st century. A completely revised update, The Pianist's Bookshelf, Second Edition, comes to the rescue of pianists overwhelmed by the abundance of books, videos, and other works about the piano. In this clear, easy-to-use reference book, Maurice Hinson and Wesley Roberts survey hundreds of sources and provide concise, practical annotations for each item, thus saving the reader hours of precious research time. In addition to the main listings of entries, such as "Chamber Music" and "Piano Duet," the book has indexes of authors, composers, and performers. A handy reference from the masters of piano bibliography, The Pianist's Bookshelf, Second Edition, will be an invaluable resource to students, teachers, and musicians.

Unlock the more straightforward side of The Pianist with this concise and insightful summary and analysis! This engaging summary presents an analysis of The Pianist by Władysław Szpilman, which details his tragic experiences a Jewish pianist in Warsaw during World War II, from the beginning of Poland’s Nazi occupation, through the difficult years of the Warsaw Ghetto and deportations, to his incredible survival outside. Heart-breaking, gut-wrenching and fascinating, Szpilman’s memoir has been adapted into a multi-award-winning film and translated into over 30 languages, bringing the late composer and performer global recognition. Find out everything you need to know about The Pianist in a fraction of the time! This in-depth and informative reading guide brings you:• A complete plot summary• Character studies • Key themes and symbols • Questions for further reflection Why choose BrightSummaries.com?Available in print and digital format, our publications are designed to accompany you in your reading journey. The clear and concise style makes for easy understanding, providing the perfect opportunity to improve your literary knowledge in no time. See the very best of literature in a whole new light with BrightSummaries.com!

A master class on piano performance and pedagogy from the world-renowned concert pianist In this newly revised edition of a comprehensive guide to piano technique, performance, and music interpretation, renowned performing musician, recording artist, and teacher Boris Berman addresses virtually every aspect of musical artistry and pedagogy. Ranging from such practical matters as sound, touch, and pedaling to the psychology of performing and teaching, this essential volume provides a master class for the performer, instructor, and student alike. It is also available as a multimedia e-Book.

Winner of the Presto Music Best New Publication Award 2020, The Complete Pianist covers all aspects of piano technique including posture, finger touch and tone production, chords, octaves, rotation, lateral movements. Also included are sections on mental preparation, effective practice, sight reading, memorizing; phrasing, rhythm, articulation, sound, pedalling, injury prevention and performance anxiety. The book is suitable for pianists of all levels, from beginner-intermediate to professional performers and teachers. The book is currently available as a print version with online videos demonstrating the techniques discussed. Containing more than 500 pages of text, 300 videos performed by Penelope herself, and 250 newly-devised exercises, this is the most comprehensive book ever written on piano playing.

Dmitri Shoshtakovich (1906–1975) is recognized as one of the greatest composers of the twentieth century yet few people know that he was also an outstanding concert pianist who maintained a hectic performing schedule. In Dmitri Shostakovich, Pianist Sofia Moshevich offers the first detailed examination of Shoshtakovich the pianist within the context of his life and work as a composer. She traces his musical roots, piano studies, repertoire, and concert career through his correspondence with family and friends and his own and his contemporaries' memoirs, using material never before available in English. This biographical narrative is interwoven with analyses of Shoshtakovich's piano and chamber works, demonstrating how he interpreted his own music. For the first time, Shoshtakovich's own recordings are used as primary sources to discover what made his playing unique and to dispel commonly held myths about his style of interpretation. His recorded performances are analysed in detail, specifically his tempos, phrasing, dynamics, pedal, and tonal production. Some unpublished variants of musical texts are included and examples of his interpretations are provided and compared to various editions of his published scores.

No pianist can experience the full flowering of her art without eventually grappling with those great musical minds who composed specifically for piano. In The Pianist's Craft, Richard Anderson collects from his fellow pianist-scholars 19 articles on the teaching, preparation, and performance of works by the greatest composers in the standard piano repertoire. This collection ranges in subject matter from Inge Rosar's meditation on playing Bach on the modern keyboard to Gary Amato's assessment of Haydn's sonatas, from Christie Skousen's review of tone production in Chopin to GwenolynMok's foray into recreating Ravel's works on an Erard piano, the same used by Ravel himself. Readers will find essays as well on Mozart's piano compositions, Beethoven's sonatas, the influence of Schubert's lieder on his piano works, and works by Schumann, Liszt, Brahms, Debussy, Rachmaninoff, Scriabin, Prokofiev, Shostakovich, Bart k, Gershwin, and Crumb. The contributors--all recognized nationally and internationally for their contributions as performing artists, teachers, recording artists, and clinicians--write thoughtfully about the composers whose work they have studied and played for years. Each author addresses issues unique to the individual composer they have chosen to explore, examining questions of phrasing, tempo, articulation, dynamics, rhythm, color, gesture, lyricism, instrumentation, and genre. Valuable insight is provided into teaching, performing, and preparing these great works. In The Pianist's Craft these great artists and teachers answer questions for readers that are otherwise only addressed in conferences, master classes, and private lessons. In this collection of essays, key points of information and instruction are offered with over 200 musical examples included as illustration. The Pianist's Craft is intended for teachers and students of the intermediate and advanced levels of piano, instructors and performers at the university level, and those who love piano and piano music generally.

Notes of a Pianist chronicles the life of one of the most remarkable musical minds of the American experience, the great nineteenth-century New Orleans-born composer and pianist Louis Moreau Gottschalk (1829-1869). An important cultural and historical work, the book recounts Gottschalk's experiences as he traveled and performed throughout the last decade of his life. Born to an English-Jewish father and a Haitian mother, Gottschalk is remembered as one of the great New Orleans musicians and composers, his music a combination of the classical tradition in which he was trained, and the New Orleans tradition into which he was born. His art form took him far outside the boundaries of Louisiana, however. While still a child, he studied piano in Paris and gave a concert at the Salle Pleyel, after which Frédéric Chopin is said to have remarked: "Give me your hand, my child; I predict that you will become the king of pianists." Gottschalk returned to the United States in 1853, and later lived in Cuba, Puerto Rico, Panama, and South America, during which time he kept-sometimes sporadically, sometimes daily--the notebooks that formed the basis of Notes of a Pianist. Published for the first time in 1881, the book continues to resonate with American cultural and musical life. Notes of a Pianist demonstrates Gottschalk's importance not only as a reporter of the musical life and tastes of Americans during the Civil War, but also as a forefather of Louisiana's rich musical culture.