Major compositions from period 1830-39; Papillons, Toccata, Grosse Sonate No. 1, Phantasiestücke, Arabeske, Blümenstuck, and 9 other works. Reprinted from Breitkopf and Härtel edition.

Dover Publications continues its series of playing editions of musical masterpieces with this selection of Robert Schumann's later compositions for solo piano, edited by Clara Schumann. This second volume contains the major compositions from the period 1838 53: "Humoreske," "Novelletten," "Sonate No. 2," Nachtstucke," "Faschingsschwank aus Wien," "42 Clavierstucke fur die Jugend," "4 Fugen," "Waldscenen," "Bunte Blatter," and "3 Clavier-Sonaten fur die Jugend." This book has been especially designed as a playing edition the noteheads are large and easily readable at the piano, and the margins and spaces between staves are adequate for written notes, fingerings, and turnovers. It is also most useful for analysis or as accompaniment to recordings. "

Selected from works originally published by Breitkopf & Härtel, this collection includes 15 pieces: Intermezzi, Op. 4; Impromptus, Op. 5; Supplement to Op. 13; Romances, Op. 28; Four Marches, Op. 76; and more.

Major compositions from period 1838-53: Humoreske, Novelletten, Sonate No. 2, 43 Clavierstücke für die Jugend, and 6 other works. Reprinted from the Breitkopf and Härtel edition.

Popular songs by a Tin Pan Alley composer include -Ho Hum!, - -You Ought a Be in Pictures, - -The Night is Young and You're So Beautiful.- Her piano works include Jazz Nocturne and others.

A great musical tradition flourished in the late 19th- and early-20th–century Russia, nurturing such renowned composers as Mussorgsky, Tchaikovsky, Rachmaninov, and Prokofiev. Unfortunately, many superb compositions by lesser Russian composers have been eclipsed by the works of these giants. In this volume, University of Kentucky musicologist Dmitry Feofanov presents eleven overlooked masterpieces — important Russian piano works of the late 18th to 20th centuries virtually unobtainable elsewhere. Here is Mikhail Glinka's Prayer, a rare program piece by the founder of Russian opera, the first composer whose music was performed in the West; German-born Johann Hässler's Sonata-Fantasie, Op. 4, which anticipates Beethoven in structure; and Sergey Liapunov's Transcendental Etude, Op. 11, No. 10, a stunning tour de force of piano technique. Also included in this impressive collection: Balakirev: Rêverie Glazunov: Prelude and Fugue in D Minor, Op. 62 Griboyedov: Two Waltzes Kalinnikov: Nocturne in F-Sharp Minor Liadov: Prelude, Op. 11, No.1 Medtner: Sonata in G Minor, Op. 22 Schlözer: Etude in A-flat, Op. 1, No. 2 Taneyev: Prelude and Fugue, Op. 29 All scores are authoritative, reprinted from rare Russian texts, many of which are now out of print — with new translations of performance instructions. Short biographies of each composer and background information on each piece round out this fine, modestly priced performance and study edition — sure to appeal to pianists, students, music historians, and music lovers everywhere.

First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

Focusing on the core composers of the 19th century, this text provides an overview of the repertoire & keyboard technique of the era. This new edition includes a chapter on women composers, in particular Fanny Hensel & Clara Schumann.

Second in the Archive Edition incorporating composer's corrections, emphasizing Bartok's lifelong work both with East European folk music, and with music for children and student pianists. 85 short pieces: "For Children, " 2 Elegies, Sonatina, other folk-inspired keyboard work.

Forced by a hand injury to abandon a career as a pianist, Robert Schumann went on to become one of the world's great composers. Among many works, his Spring Symphony (1841), Piano Concerto in A Minor (1841/1845), and the Third, or Rhenish, Symphony (1850) exemplify his infusion of classical forms with intense, personal emotion. His musical influence continues today and has inspired many other famous composers in the century since his death. Indeed Brahms, in a letter of January 1873, wrote: "The remembrance of Schumann is sacred to me. I will always take this noble pure artist as my model." Now, in Robert Schumann: Herald of a "New Poetic Age," John Daverio presents the first comprehensive study of the composer's life and works to appear in nearly a century. Long regarded as a quintessentially romantic figure, Schumann also has been portrayed as a profoundly tragic one: a composer who began his career as a genius and ended it as a mere talent. Daverio takes issue with this Schumann myth, arguing instead that the composer's entire creative life was guided by the desire to imbue music with the intellectual substance of literature. A close analysis of the interdependence among Schumann's activities as reader, diarist, critic, and musician reveals the depth of his literary sensibility. Drawing on documents only recently brought to light, the author also provides a fresh outlook on the relationship between Schumann's mental illness--which brought on an extended sanitarium stay and eventual death in 1856--and his musical creativity. Schumann's character as man and artist thus emerges in all its complexity. The book concludes with an analysis of the late works and a postlude on Schumann's influence on successors from Brahms to Berg. This well-researched study of Schumann interprets the composer's creative legacy in the context of his life and times, combining nineteenth-century cultural and intellectual history with a fascinating analysis of the works themselves.