Two of the final short novels from the literary manuscripts of William Gilmore Simms, unfinished before his death Pirates and Devils, edited by Nicholas G. Meriwether and David W. Newton, presents two of the most significant unfinished works by William Gilmore Simms, a prominent public intellectual of the antebellum South and one of the most prolific literary writers of the nineteenth century. These two incomplete works—the pirate romance, "The Brothers of the Coast," and the folk fable, "Sir Will O' Wisp"—are representative of the some of the last major primary texts of Simms's expansive career. Recent scholarship about Simms, including William Gilmore Simms's Unfinished Civil War, reasserts the significance of Simms's postwar writing and makes this volume's contribution timely. Left unfinished at his death, these two substantial fragments represent the last of the major primary texts from the final phase of Simms's life to be published. Together, the texts provide greater insight into Simms's creative process, but more importantly, they show Simms continuing to wrestle with the issues he faced in the aftermath of the Civil War, and they document the creativity and courage that commitment represented—and required. The publication of these fragments makes possible a complete picture of this last phase of Simms's life, as he struggled with the consequences of a conflict that had become the defining event of his life, career, and region.

This brilliant account of the maritime world of the eighteenth-century reconstructs in detail the social and cultural milieu of Anglo-American seafaring and piracy. Copyright © Libri GmbH. All rights reserved.

This book explores pirate culture as radical social organization: a salty picture of anarchic pirate life, liberated, pleasurable and violent!Rebelling against hierarchical society and choosing the Jolly Roger, pirates entered the political spheres of anarchist organization and festival, with death and violence ever-present. Pirates created an upside-down world full of heroics as well as the deep horrors of life outside authority.Examining piracy as limited social rebellion,The Devil's Anarchy travels from the Hollywood pirate-as-hero to the stories of two great Dutch pirates: Claes Compaen, who terrorized the seas from 1623 to 1627, and Jan Erasmus Reyning, who ruled the seas a half-century later.This unique focus on the politics of piracy in the 17th and 18th centuries, featuring the first english translations of key Dutch texts, makes this a hugely entertaining book that provides insight into the real lives of these legendary bandits of the seas.

'Captivating, a John le Carre-esque yarn' Telegraph 'A thoroughly good read' Michael Portillo, author of Portillo's Hidden History of Britain and presenter of Great British Railway Journeys 'A compelling story of courage, determination and skill' Terry Waite CBE, author of Taken on Trust The true story of a retired British army officer's private Somali-hostage rescue mission During the peak of the Somali piracy crisis, three ships - from Malaysia, Thailand and Taiwan - were hijacked and then abandoned to their fate by their employers, who lacked the money to pay ransoms. All would still be there, were it not for Colonel John Steed, a retired British military attaché, who launched his own private mission to free them. At 65, Colonel Steed was hardly an ideal saviour. With no experience in hostage negotiations and no money behind him, he had to raise the ransom cash from scratch, running the operation from his spare room and ferrying million-dollar ransom payments around in the boot of his car. Drawing on first-hand interviews, former chief foreign correspondent of The Sunday Telegraph, Colin Freeman, who has himself spent time held hostage by Somali pirates, takes readers on an inside track into the world of hostage negotiation and one man's heroic rescue mission.

Francis Farrington is hunted by Toby Heath after the young man discovers his family murdered by the notorious pirate. Filled with revenge, Toby is forced into an early maturity to find and kill the despoiler of his happiness. In this tale of misdeeds and adventure, magic and myth, hardship and love, cannon balls and musket shot, Toby chases the devil, leaving a bloody trail across oceans and seas.

The image of the pirate is at once spectral and ubiquitous. It haunts the imagination of international legal scholars, diplomats and statesmen involved in the war on terror. It returns in the headlines of international newspapers as an untimely ‘security threat’. It materializes on the most provincial cinematic screen and the most acclaimed works of fiction. It casts its shadow over the liquid spatiality of the Net, where cyber-activists, file-sharers and a large part of the global youth are condemned as pirates, often embracing that definition with pride rather than resentment. Today, the pirate remains a powerful political icon, embodying at once the persistent nightmare of an anomic wilderness at the fringe of civilization, and the fantasy of a possible anarchic freedom beyond the rigid norms of the state and of the market. And yet, what are the origins of this persistent ‘pirate myth’ in the Western political imagination? Can we trace the historical trajectory that has charged this ambiguous figure with the emotional, political and imaginary tensions that continue to characterize it? What can we learn from the history of piracy and the ways in which it intertwines with the history of imperialism and international trade? Drawing on international law, political theory, and popular literature, The Pirate Myth offers an authoritative genealogy of this immortal political and cultural icon, showing that the history of piracy – the different ways in which pirates have been used, outlawed and suppressed by the major global powers, but also fantasized, imagined and romanticised by popular culture – can shed unexpected light on the different forms of violence that remain at the basis of our contemporary global order.

Captain Bliven Putnam returns, venturing into the Pacific to fight pirates in Malaya and match wits with the royals in Hawaii, in this next installment of award-winner James L. Haley's gripping naval saga. Following the naval victories of the War of 1812 and the Second Barbary War, the United States is finally expanding its navy to take a place of prominence in world affairs. Bliven Putnam, now Captain of the sloop of war Rappahannock, has come into his own as a leader and is ordered to the Pacific. But with this new tour of duty to last more than two years, his patient wife, Clarity, unwilling to accept such a brief time together, at last puts her foot down. If she can't keep Putnam with her, then she'll just have to go with him. As Putnam sets sail for his new home port in Honolulu, Clarity joins a new missionary effort from Boston to Hawaii. On their respective paths, the Putnams encounter a new breed of pirate and meet an unexpected force of nature: Kahumanu, the formidable queen of the Hawaiian Islands. Inspried by the real-life Olowalu Massacre and the famed Congregationalist missoin of 1819, this third outing will be unlike any adventure the Putnams have faced before.