This book is about the Christ Pantokrator, an imposing monumental complex serving monastic, dynastic, medical and social purposes in Constantinople, founded by Emperor John II Komnenos and Empress Piroska-Eirene in 1118. Now called the Zeyrek Mosque, the second largest Byzantine religious edifice after Hagia Sophia still standing in Istanbul represents the most remarkable architectural and the most ambitious social project of the Komnenian dynasty. This volume approaches the Pantokrator from a special perspective, focusing on its co-founder, Empress Piroska-Eirene, the daughter of the Hungarian king Ladislaus I. This particular vantage point enables its authors to explore not only the architecture, the monastic and medical functions of the complex, but also Hungarian-Byzantine relations, the cultural and religious history of early medieval Hungary, imperial representation, personal faith and dynastic holiness. Piroska's wedding with John Komnenos came to be perceived as a union of East and West. The life of the Empress, a "sainted ruler," and her memory in early Árpádian Hungary and Komnenian Byzantium are discussed in the context of women and power, monastic foundations, architectural innovations, and spiritual models.

Rulers and Rulership in the Arc of Medieval Europe challenges the dominant paradigm of what rulership is and who rulers are by decentering the narrative and providing a broad swath of examples from throughout medieval Europe. Within that territory, the prevalent idea of monarchy and kingship is overturned in favor of a broad definition of rulership. This book will demonstrate to the reader that the way in which medieval Europe has been constructed in both the popular and scholarly imaginations is incorrect. Instead of a king we have multiple rulers, male and female, ruling concurrently. Instead of an independent church or a church striving for supremacy under the Gregorian Reform, we have a pope and ecclesiastical leaders making deals with secular rulers and an in-depth interconnection between the two. Finally, instead of a strong centralizing polity growing into statehood we see weak rulers working hand in glove with weak subordinates to make the polity as a whole function. Medievalists, Byzantinists, and Slavists typically operate in isolation from one another. They do not read each other’s books, or engage with each other’s work. This book requires engagement from all of them to point out that the medieval Europe that they work in is one and the same and demands collaboration to best understand it.

John II Komnenos was born into an empire on the brink of destruction, with his father Alexios barely preserving the empire in the face of civil wars and invasions. A hostage to crusaders as a child, married to a Hungarian princess as a teenager to win his father an alliance, and leading his own campaigns when his father died, it was left to John to try and rebuild the empire all but lost in the eleventh century. This book, the first English language study on John and his era, re-evaluates an emperor traditionally overlooked in favour of his father, hero of the Alexiad written by John's sister Anna, and of his son Manuel, acclaimed for reigning at the height of Komnenian power. John's reign is one of contradictions, as his capital of New Rome/Constantinople was to fall to the armies of the Fourth Crusade just over sixty years after he died, and yet his descendants led vibrant successor states based in the lands that John reconquered. His reign lacks a dominant textual source, and so this history is related as much through personal letters, court literature, archaeology, and foreign accounts as through traditional historical narratives. This study includes extensive study of the landscapes, castles, and cities John built and campaigned through, and provides a guide to the world in which John lived. It covers the empire's neighbours and rivals, the turning points of ecclesiastical history, the shaping of the crusader movement, and the workings of Byzantine government and administration.

Twelfth-century Byzantium is characterized by a striking artistic vitality and profound socio-political changes. The Constantinopolitan elites, led by the Komnenian dynasty initiated by Alexios I, were the driving force behind the renewed intellectual landscape and power dynamics of the century. Despite the wealth of studies devoted to the Komnenians, the sebastokrator Isaac (1093–after 1152) has received limited attention in modern scholarship. Yet, Isaac is a fascinating figure at the crossroads of different worlds. He was an intellectual, the author of the first running commentary on the Iliad ever written in Byzantium. He was a patron, sponsoring magnificent buildings and supporting artists in and outside the capital. He was a would-be usurper, attempting to seize the throne several times. He was a shrewd diplomat, forging alliances with Armenian, Turkish, and Latin rulers. Modern scholars have so far failed to see the interplay between Isaac’s multiple personae. Isaac the scholar is rarely brought into conversation with Isaac the usurper, Isaac the patron, or Isaac the world traveller. Bringing together experts from a range of disciplines, this book fills a significant gap in the literature. As the first comprehensive study of one of the protagonists of the Komnenian era, it is essential reading for students of the Byzantine Empire. In addition, the portrait of Isaac presented here provides scholars of pre-modern civilizations with a relevant case study. By exposing the permeability of the theoretical and geographical ‘borders’ we use to conceptualize the past, Isaac epitomizes the interconnectedness at the heart of the so-called Global Middle Ages.

In 2012, CEU Medieval Radio was launched as an effort not only to bring medieval music to everyone but also to make complex, high-quality scholarship more approachable to the general public. Over seventy interviews were recorded for CEU Medieval Radio's program "Past Perfect!" with the intent of bridging the gap between "ivory tower" academia and the listeners at home. In this volume, sixteen first-rate scholars kindly sat down before the microphone and got the chance to explain their work in a friendly and accessible way. Scholars like Natalie Zemon-Davis and Patrick Geary represent some of the international guests, Janos Bak and Jozsef Laszlovszky discuss amazing new research from Central European University, while Richard Unger and Benedek Lang are part of the CEU Medieval Radio team's personal favorites, talking about topics such as beer, queens, and code-breaking. From Apocalypses to Zooarchaeology, CEU Medieval Radio's long time host, Christopher Mielke, asks the tough questions that have made this program so memorable!

The Emperor John II Komnenos (1118–1143) has been overshadowed by both his father Alexios I and his son Manuel I. Written sources have not left us much evidence regarding his reign, although authors agree that he was an excellent emperor. However, the period witnessed territorial expansion in Asia Minor as well as the construction of the most important monastic complex of twelfth-century Constantinople. What else do we know about John’s rule and its period? This volume opens up new perspectives on John’s reign and clearly demonstrates that many innovations generally attributed to the genius of Manuel Komnenos had already been fostered during the reign of the second great Komnenos. Leading experts on twelfth-century Byzantium (Jeffreys, Magdalino, Ousterhout) are joined by representatives of a new generation of Byzantinists to produce a timely and invaluable study of the unjustly neglected figure of John Komnenos.

This book explores an alternate history of the power and agency of 30 Hungarian queens over 400 years by a rigorous examination of the material culture connected with their lives. By researching the objects, images, and spaces, it demonstrates how these women expressed and displayed their power. Queens used material culture and space not only to demonstrate their own power to a wide, international audience, but also to consolidate their own position when it was weakened by external circumstances. Both the public and private image of the queen factors significantly in understanding in her own role at the strongly centralized Hungarian court, and, moreover, how her position and person strengthened and complemented that of the king.

The Monastery of Pantokrator, founded by John II Komnenos and his wife Piroska-Irene, is not only one of the most important and most impressive monastic complexes of the Komnenian age, it is also one of the few to occupy a key position in the life of Constantinople in the Palaiologan age, given that its mortuary chapel (Heroon) was also the last resting place of many members of the latter dynasty. The first attempt to chronicle its history, based on the texts known at the time, was undertaken by G. Moravscik (1932). Interest was rekindled by P. Gautier’s critical edition of its Typikon (1971), and more recently by restoration work on its buildings. This volume brings together a comprehensive selection of all the texts concerning or connected with the Monastery of Pantokrator, and through them it demonstrates the Monastery’s importance and its role throughout the history of the Byzantine Empire—a role that has received insufficient attention, given that older studies have tended to focus on the 12th century. The texts cover the situation in Constantinople before the Monastery was founded, the historical and cultural context within which it was established, its Typikon (monastic formulary), the descriptions of Slav and Western travellers, the Byzantine texts (homiletic, historical, hagiographic, and poetic) relating to the Monastery and its history from the 12th to the 15th century, the Byzantine officials associated with it, and the celebration of the principal festivals in its churches. It also contains critical editions of and commentaries on the two versions of the Synaxarion of Irene Komnene, a speech referring to the Empress’s associate in the construction of the Monastery, another on the translation of the icon of St. Demetrios from the Church of St. Demetrios in Thessalonica to the Monastery of Pantokrator, an Office of the Translation of the Holy Stone, the verse Synaxarion composed for the consecration of the Monastery, and the known and unpublished poems by Byzantine poets (12th-15th c.) relating to it, as well as an extensive bibliography.

This volume aims to broaden and nuance knowledge about the history, art, culture, and heritage of Eastern Europe relative to Byzantium. From the thirteenth century to the decades after the fall of Constantinople in 1453, the regions of the Danube River stood at the intersection of different traditions, and the river itself has served as a marker of connection and division, as well as a site of cultural contact and negotiation. The Routledge Handbook of Byzantine Visual Culture in the Danube Regions, 1300–1600 brings to light the interconnectedness of this broad geographical area too often either studied in parts or neglected altogether, emphasizing its shared history and heritage of the regions of modern Greece, Croatia, Serbia, Bulgaria, Romania, Hungary, Slovakia, and Czechia. The aim is to challenge established perceptions of what constitutes ideological and historical facets of the past, as well as Byzantine and post-Byzantine cultural and artistic production in a region of the world that has yet to establish a firm footing on the map of art history. The 24 chapters offer a fresh and original approach to the history, literature, and art history of the Danube regions, thus being accessible to students thematically, chronologically, or by case study; each part can be read independently or explored as part of a whole.

Name Unknown: The Life of a Rusian Queen offers an example of an eastern European queen as a corrective to the western European focus of medieval queenship studies. Through a chronological approach, this book looks beyond the popular biographies of royal women such as Eleanor of Aquitaine and Berengaria of Castile and gathers material from sources throughout Europe. It engages with modern queenship studies literature to create a collective biography of a Rusian queen through the various cycles of her life from the marriage of eight-year-old Verkhuslava to the death of the ruler of Minsk whose generosity is recorded, but not her name. For medievalists interested in women and queens, Name Unknown: The Life of a Rusian Queen provides an entry point to an area of Europe rarely studied in that literature. For Slavists, it presents a way of looking at medieval Rusian women that has not yet appeared in this scholarly tradition. Ultimately, this biography integrates Rus, and eastern Europe, into the medieval world and acts as an important reminder that women are essential to our history and thus to our overall understanding of the past. This book is of great use to students and scholars interested in the history of women, queenship, and medieval Europe.