Plato’s Timaeus was his only cosmological dialogue and for almost thirteen hundred years it provided the basis in the West for educated people’s general view of the natural world. The author provides a translation of this important work, together with the Critias – the source of the legendary tale of Atlantis. He has taken particular care to provide an accurate rendering of Plato’s words and to avoid putting his own or any other interpretation on the works.

Plato’s Timaeus was his only cosmological dialogue and for almost thirteen hundred years it provided the basis in the West for educated people’s general view of the natural world. The author provides a translation of this important work, together with the Critias – the source of the legendary tale of Atlantis. He has taken particular care to provide an accurate rendering of Plato’s words and to avoid putting his own or any other interpretation on the works.

New forms of transnational mobility and diasporic belonging have become emblematic of a supposed global condition of uprootedness. Yet much recent theorizing of our so-called postmodern life emphasizes movement and fluidity without interrogating who and what is on the move. This book examines the interdependence of mobility and belonging by considering how homes are formed in relationship to movement. It suggests that movement does not only happen when one leaves home, and that homes are not always fixed in a single location. Home and belonging may involve attachment and movement, fixation and loss, and the transgression and enforcement of boundaries.

These essays examine a crucial premise of traditional readings of Plato's dialogues: that Plato's own philosophical dialogues can be read off the statements made in the dialogues by Socrates and other leading characters. The text argues that no character should be read as Plato's mouthpiece.

Third printing of the classic A+U 1994 special edition covering the work of Holl, Pallasmaa, and, Perez-Gomez, titled Questions of Perception. Their three individual essays presented in the book, are thematically linked; each one tries to explain the role man's perception plays in architecture and also explores phenomenal accounts. In their original introduction, the authors write: "The endless cultural limitations and contradictions inherent in artistic work, revealed with impeccable clarity and logic by the critics' deconstructive theory, are ultimately of limited use for the generation of architecture. The architect must take a position, one that necessarily has ethical consequences, and for which words, a theoretical discourse is nevertheless indispensable."