Sam Schoenfeld was a basketball wizard! He was one of the most outstanding basketball players of his generation, and was compared favorably to Nat Holman, who was considered the very best. He became one of the top high school basketball coaches in New York City history, and then went on to become one of the best college basketball officials as well. This book details the unlimited passion that Sam had for the game of basketball and of his impressive contributions and achievements in it. The reader is taken along for an exciting ride through the short but full life of an extraordinary man!

When her husband comes home from work one day to announce he's moving out, Samantha Rutgers thinks it's a joke. She hopes it's a joke. It's not. He packs his suitcase and moves out. For twenty-five years, Sam was a corporate wife, a stay-at-home mom. Now she's divorced, adrift, and alienated from her daughter who blames her for the divorce. Ill equipped to be a single woman in a whole new dating culture, she would have foundered without help from an old friend who challenges her to finish up the art degree she put on hold when she married. Her classes open the door to a job at an advertising agency, where Sam makes several new friends and one enemy. There she meets Frank Reynolds, who invites her to take that first step into new love. Gradually, as she slowly builds a new life for herself, Sam learns how to stand strong in the face of adversity, personal and professional.

This title was originally published in 1998. Play It Again, Sam is a timely investigation of a topic that until now has received almost no critical attention in film and cultural studies: the cinematic remake. As cinema enters its second century, more remakes are appearing than ever before, and these writers consider the full range: Hollywood films that have been recycled by Hollywood, such as The Jazz Singer, Cape Fear, and Robin Hood; foreign films including Breathless; and Three Men and a Baby, which Hollywood has reworked for American audiences; and foreign films based on American works, among them Yugoslav director Emir Kusturica's Time of the Gypsies, which is a "makeover" of Coppola's Godfather films. As these essays demonstrate, films are remade by other films (Alfred Hitchcock went so far as to remake his own The Man Who Knew Too Much) and by other media as well. The editors and contributors draw upon narrative, film, and cultural theories, and consider gender, genre, and psychological issues, presenting the "remake" as a special artistic form of repetition with a difference and as a commercial product aimed at profits in the marketplace. The remake flourishes at the crossroads of the old and the new, the known and the unknown. Play It Again, Sam takes the reader on an eye-opening tour of this hitherto unexplored territory. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1998.

"All new and bigger than ever, The Trouser Press Guide to '90s Rock definitively covers 2,300 of this decade's most innovative and influential artists, reviewing 8,500 records - insanely obscure and familiar alike - from all over the world. Each insightful entry contains pungent critical analysis, biographical information and a complete album discography."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

The closer you get to discovering why Amanda left, the more you realize that nothing about her is what it seems. . . . Hal, Callie, and Nia are more determined than ever to figure out who Amanda really is, especially after the vice principal was attacked and they spotted a note from Amanda in his car. Clues are pouring in to www.theamandaproject.com, but some of them lead to more questions than answers. When the three friends find a locked, carved box they're sure it holds the key to Amanda's secrets. If only they could get it open! As they begin to unravel the tangled web of Amanda's life, Hal discovers a strange list with their names on it, and he suspects it means any one of them could be the next target. One thing's for sure: In the search for Amanda, no one can be trusted.

Theatre critics' reviews brings you the complete reviews from these New York publications and stations whenever covered by the critic: New York daily news, Wall Street journal, Time, New York post, Women's wear daily, WABC-TV, CBS-TV, New York times, Christian Science monitor, Newsweek.

Woody Allen is one of America's most prolific authors, actors, and auteur film directors. His oeuvre, which spans five decades, has always been marked by a postmodern play with conventions, experimental techniques, and explorations of the status quo of modern urban lives. Yet, Woody Allen is also a nostalgic who makes the history of his nation, his people, and his individual subjects the constant theme of his work. Whether cryogenically frozen Miles Monroe wakes up in the future only to misinform scientists about the past; whether stand-up comedian Alvy Singer reminisces his relationship to Annie Hall; or, whether ophtalmologist Judah Rosenthal is tormented by his memory of his Jewish rabbinical father after having had his girlfriend killed; the past, whether personal or communal, is always an integral part of Allen's characterizations and plots. Contrary to the assumption that postmodernity is necessarily linked to the future only and negates all history, the present study argues that postmodern subjects very much depend on an active evaluation of the past and that, through the lens of history, present crises and traumata can be overcome. In this way, nostalgia manages to bring history back into postmodernism.

Containing 27,000 entries and over 6,000 new entries, the online edition of the Encyclopedia of Popular Music includes 50% more material than the Third Edition. Featuring a broad musical scope covering popular music of all genres and periods from 1900 to the present day, including jazz, country, folk, rap, reggae, techno, musicals, and world music, the Encyclopedia also offers thousands of additional entries covering popular music genres, trends, styles, record labels, venues, and music festivals. Key dates, biographies, and further reading are provided for artists covered, along with complete discographies that include record labels, release dates, and a 5-star album rating system.