As a member of Poster Children, Rose Marshack took part in entwined revolutions. Marshack and other women seized a much-elevated profile in music during the indie rock breakthrough while the advent of new digital technologies transformed the recording and marketing of music. Touring in a van, meeting your idols, juggling a programming job with music, keeping control and credibility, the perils of an independent record label (and the greater perils of a major)—Marshack chronicles the band’s day-to-day life and punctuates her account with excerpts from her tour reports and hard-learned lessons on how to rock, program, and teach while female. She also details the ways Poster Children applied punk’s DIY ethos to digital tech as a way to connect with fans via then-new media like pkids listservs, internet radio, and enhanced CDs. An inside look at a scene and a career, Play Like a Man is the evocative and humorous tale of one woman’s life in the trenches and online.

An honest and practical handbook that reveals important insights into relationships between men and women and work, Play Like a Man, Win Like a Woman, is a must-read for every woman who wants to leverage her power in the workplace. Women make up almost half of today's labor force, but in corporate America they don't share half of the power. Only four of the Fortune 500 company CEOs are women, and it's only been in the last few years that even half of the Fortune 500 companies have more than one female officer. A major reason for this? Most women were never taught how to play the game of business. Throughout her career in the super-competitive, male-dominated media industry, Gail Evans, one of the country's most powerful executives, has met innumerable women who tell her that they feel lost in the workplace, almost as if they were playing a game without knowing the directions. In this book, she reveals the secrets to the playbook of success and teaches women at all levels of the organization--from assistant to vice president--how to play the game of business to their advantage. Men know the rules because they wrote them, but women often feel shut out of the process because they don't know when to speak up, when to ask for responsibility, what to say at an interview, and a lot of other key moves that can make or break a career. Sharing with humor and candor her years of lessons from corporate life, Gail Evans gives readers practical tools for making the right decisions at work. Among the rules you will learn are: • How to Keep Score at Work • When to Take a Risk • How to Deal with the Imposter Syndrome • Ten Vocabulary Words That Mean Different Things to Men and Women • Why Men Can be Ugly, and You Can't • When to Quit Your Job "I want to let you women in on a secret I've learned through my years in the corporate world: There is a set of unwritten rules in business and, while you may not choose to follow all of them, if you don't know what they are, you might as well be playing the game with both hands tied behind your back." --Gail Evans

Somewhere along the way, our culture lost its definition of manhood, leaving generations of men and men-to-be confused about their roles, responsibilities, relationships, and the reason God made them men. It's into this "no man's land" that New York Times bestselling author Mark Batterson declares his mantra for manhood: play the man. In this inspiring call to something greater, he helps men understand what it means to be a man of God by unveiling seven virtues of manhood. Mark shares inspiring stories of manhood, including the true story of the hero and martyr Polycarp, who first heard the voice from heaven say, "Play the man." Mark couples those stories with practical ideas about how to disciple the next generation of men. This is more than a book; it's a movement of men who will settle for nothing less than fulfilling their highest calling to be the man and the father God has destined them to be. Play the man. Make the man.

A middle-aged widow, commuter of Amsterdam goes to Pakistan and weds a gentleman. Soon as the groom arrives into The Netherlands for a family reunion, he shockingly discovers in her a spoilt woman. The man tries to save his bond of marriage but the wronged woman neither wants to be tamed due to aspects of love, nor does she co-operate. Instead, she rather wants her man to close his eyes and to shut up his mouth if ever he wishes to become a legitimate resident in her country. The egoist man doesnt compromise on self-respect of a saintly husband and thus is thrown out into streets quite empty-handed and undocumented. Then he gets afraid of going back to his homeland predicting a social ridiculous. Years passed in such a dreary and stoned life-style that one day the city police arrests him against his unlawful status and surrenders him to the foreign police who when fails to deport, sets him free like a squeezed lemon after he having served a years custodial sentence. The author describes how a few Asian immigrants and their spoiled descendants who once get settled into the Western states . forget about their past of struggling. . trap and bait to their own continent/ country-fellows by showing on them a false fairyland. . and try to demoralize a Western society by using its culture as a shield or weapon to fulfill their own sensual curiosity which seems difficult to meet in their own sender lands. The author also regrets to inflexibility of the constitution and rejects to the old theory nobody is above law. He urges on the law-makers must to defend on humanitarian grounds to those noble outlanders who become illegal by some accident, or by a misfortune befell on them and not by fraud or cheating like do often the professional invaders or regular tress-passers breaking into some countrys barriers. The whole story convincingly draws a picture of human courage and endurance against all odds mixed in shadow of oppression and optimism by giving an entire message never quit. A compulsively true heart saga with a positive energy_ readable, thought-provoking and enjoyable.

Shakespeare's Big Men examines five Shakespearean tragedies - Julius Caesar, Hamlet, Othello, Macbeth, and Coriolanus - through the lens of generative anthropology and the insights of its founder, Eric Gans. Generative anthropology's theory of the origins of human society explains the social function of tragedy: to defer our resentment against the "big men" who dominate society by letting us first identify with the tragic protagonist and his resentment, then allowing us to repudiate the protagonist's resentful rage and achieve theatrical catharsis. Drawing on this hypothesis, Richard van Oort offers inspired readings of Shakespeare's plays and their representations of desire, resentment, guilt, and evil. His analysis revives the universal spirit in Shakespearean criticism, illustrating how the plays can serve as a way to understand the ethical dilemma of resentment and discover within ourselves the nature of the human experience.

In this book, to which the artist actively contributed right up to his death, every aspect of Man Ray's constantly self-renewing life and work is studied and and documented in depth. The author has used the interpretative tools of mdoern psychology and, in addition, has drawn insight from studies on alchemy, for, as he points out, the artist and the alchemist unconsciously tap the same archaic sources.