The author's memoir of his service as an officer on board the destroyer U.S.S. Stewart (DD-224) of the Asiatic Fleet from before the war through its abandonment in a dry dock in Java in February 1942, also serving as a history of the ship's wartime service. The author also provides a history of the Asiatic Fleet during that time period when it was part of the naval forces that stopped the Japanese juggernaut on their southward expansion in the Pacific.

A searing drama of the Holocaust—and the remarkable, moving story of the Auschwitz Women’s Orchestra Paris, 1942. Fania Fénelon, a popular Jewish nightclub singer, is arrested by the occupying Germans. Sent to Auschwitz in a packed freight-car, shorn of her hair, tattooed with an identifying number, starved, and subjected to harsh labor, she loses all traces of her former self. But her life at the camp changes dramatically when she is drafted into the Women’s Orchestra, a desperate little ensemble that marches the prisoners out to work and gives concerts for the German high brass. Led by Alma Rosé, a sternly ambitious German-Jewish conductor who knows that her job is a matter of life and death, Fania and her fellow musicians must confront the horror taking place around them while pushing themselves to create beauty in the midst of despair. Based on Fania Fénelon’s memoir of the same name, Arthur Miller’s Playing for Time was first produced as a CBS television drama starring Vanessa Redgrave before being adapted for the stage.

Playing for time explores connections between theatre time, the historical moment and fictional time. Geraldine Cousin persuasively argues that a crucial characteristic of contemporary British theatre is its preoccupation with instability and danger, and traces images of catastrophe and loss in a wide range of recent plays and productions. The diversity of the texts that are examined is a major strength of the book. In addition to plays by contemporary dramatists, Cousin analyses staged adaptations of novels, and productions of plays by Euripides, Strindberg and Priestley. A key focus is Stephen Daldry's award-winning revival of Priestley's An Inspector Calls, which is discussed in relation both to other Priestley 'time' plays and to Caryl Churchill's apocalyptic Far Away. Lost children are a recurring motif: Bryony Lavery's Frozen, for example, is explored in the context of the Soham murders (which took place while the play was in production at the National Theatre), whilst three virtually simultaneous productions of Euripides' Hecuba are interpreted with regard to the Beslan massacre of schoolchildren.

This groundbreaking handbook is a resource for artists, community activists and anyone wishing to reach beyond the facts and figures of science and technology to harness their creativity to make change in the world. This timely book explores the pivotal role artists play in re-thinking the future; re-inventing and re-imagining our world at a time of systemic change and uncertainty. Playing for Time identifies collaborative arts practices emerging in response to planetary challenges, reclaiming a traditional role for artists in the community as truth-tellers and agents of change. Sixty experienced artists and activists give voice to a new narrative – shifting society’s rules and values away from consumerism and commodity towards community and collaboration with imagination, humour, ingenuity, empathy and skill. Inspired by the grass-roots Transition movement, modelling change in communities worldwide, Playing for Time joins the dots between key drivers of change – in energy, finance, climate change, food and community resilience – and ‘recipes for action’ for readers to take and try. Praise for Playing for Time... ‘This book is full of wings – wings that are ancient practices, that are community, arts, modernity, wings of global learning for local concerns. Lucy Neal’s anthology of possibility offers a salmagundi of thought,knowledge, options and hope. It’s all here. An almanac to dip into and then create – in the kitchen and the window box and the garden, locally, in community, regionally, nationally, globally. The seeds of change are in us. This is a book to help us grow.’ Stella Duffy, author and founder of Fun Palaces ‘It’s so important that the role of artists in making change is being systematically and beautifully addressed. Playing for Time, holds the keys to the possibility of transformative action.’ Bill McKibben, environmentalist and founder of 350.org ‘A remarkable book that pulls no punches. It’s most enduring image is the poignant flock of passenger pigeons, drawn in sand on Llangrannog beach in 2014, the 100th anniversary of their extinction. It’s an image that will not leave my mind: a message of loss, but also of hope, from which we must, and can, learn.’ Dame Fiona Reynolds, Chair of the Green Alliance ‘“Barren art”, Kandinsky wrote, “is the child of its age”. But prophetic, powerful art is the “mother ofthe future”. A better world will be born of such art, and Lucy Neal’s wonderful cornucopia should beat the elbow of everyone helping in its midwifery.’ Tom Crompton, Common Cause Foundation WWF ‘A total delight’ Rob Hopkins, Co-founder Transition Movement ‘A hand-book for life’ Rose Fenton, Director Free Word. ‘A remarkable achievement’ Neil Darlison, Arts Council England ‘Beautiful from the first sentence’ Laura Williams ‘Deeply nourishing’ Mike Grenville ‘A beauty of a book’ James Marriott, Platform

In 1943, Fania Fénelon was a Paris cabaret singer, a secret member of the Resistance, and a Jew. Captured by the Nazis, she was sent to Auschwitz, and later, Bergen-Belsen. With unnerving clarity and an astonishing ability to find humor where only despair should prevail, the author charts her eleven months as one of "the orchestra girls"; writes of the loves, the laughter, hatreds, jealousies, and tensions that racked this privileged group whose only hope of survival was to make music.

The humour of self-deprecation is peculiarly English. Few people do it better than Jeremy Lewis. His first two autobiographical volumes - Playing for Time and Kindred Spirits - are being reissued in Faber Finds to coincide happily with his third volume - Grub Street Irregular - being published by HarperCollins. With a sharp eye for the absurd and a fond sympathy for life's eccentrics, in Playing for Time, Jeremy Lewis treats us to uproarious tales from his time in Dublin in the 1960s, mad escapades in Europe and America, life amidst the snares and delusions involved in growing up in middle-class England in the 1950s, and of his ever unrequited passion for the ever unattainable ffenella. Richard Cobb enjoyed this book so much he managed to review it twice, a quote from one will do.'I like books that make me laugh, and Jeremy Lewis's Playing for Time kept me laughing every night in my local for a week'.

For Joseph Seng and the other death row inmates in the line-up for the Wyoming State Penitentiary All Stars, baseball was literally a game of life or death. Based on primary source documents, some unearthed at the old prison itself, Playing for Time recreates the compelling story of this team of hardened criminals who excelled at a civilized game to become amateur sports heroes, and of the key player who led them to many victories. It is soon to be a major Hollywood motion picture.

TIME MACHINE HASSLESBe happy you have the life you have...Imagine a machine that can transport you anywhere in the world in the blink of an eye, a machine that can also travel effortlessly through time.When four teenagers stumble across such a device, a journey that begins full of adventure and excitement soon turns into a nightmare of danger and fear.MEAGAN, CHLOE, COREY and JACK find a book written 100 years earlier, by murdered inventor STANLEY PATTERSON.Soon, they become the proud owners of the world's only Time Machine.LAURA KOWALSKI, head of the CIA in the UK, learns of the machine and is determined to have it, whatever the cost.Add into the mix an ex-boyfriend who wants his girlfriend back and things are set to turn very ugly.For one of the teenagers, a childhood filled with abuse must be confronted head on or they could all be doomed.Little can prepare you for the rift in time that is about to be put into motion!Never tamper with the natural order of things.

This book explores how the women’s orchestra at Auschwitz-Birkenau has been remembered in both media and popular culture since the end of the Second World War. In particular it focuses on Fania Fenelon’s memoir, Playing for Time (1976), which was subsequently adapted into a film. Since then the publication has become a cornerstone of Holocaust remembrance and scholarship. Susan Eischeid therefore investigates whether it deserves such status, and whether such material can ever be considered reliable source material for historians. Using divergent source material gathered by the author, such as interviews with the other surviving members of the orchestra, this Pivot seeks to shed light on this period of women’s history, and questions how we remember the Holocaust today.

"In America, where mediations have always provided most people with their primary encounter with the Holocaust, television has helped transform watching into the morally charged act of "witnessing" the Holocaust. By tracing the course of Holocaust television over the past half century, While America Watches reveals how Americans have come to embrace this subject as a model for responding to other moral crises, from domestic racial strife to "ethnic cleansing" operations in Bosnia."--BOOK JACKET.