Volume II of Playing Outside the Lines is the second of a comprehensive four-part Irish flute method book series offering beginning to advanced Irish traditional flute instruction for Boehm and simple system flutists in graduated books, chapters, and exercises. Building on the foundation provided in Volume I and providing the framework for the remaining two volumes of the series, Volume II offers a detailed introduction to Irish traditional flute ornamentation. Volume II contains ornamentation fingering charts, 40 tune versions, 69 accompanying audio tracks, and nearly 200 exercises. Playing Outside the Lines is the first Irish flute method book series of its kind, containing more than 600 technical exercises, rich and nuanced discussions of Irish flute style and cultural context, previously undocumented techniques, side-by-side explanations for Boehm and simple system flutists (as well as information for musicians transitioning between the two instruments), audio excerpts, simple system flute care and purchasing information, and resources for further study. By the end of the four-part series, Boehm and simple system flutists of any background will have the tools necessary to play Irish music with a deep understanding of the tradition as well as with individual creativity. “A fantastic bible of Irish flute playing. Harrison is a very meticulous and thorough author.” —Viviana Guzman, The Flute View Magazine“ An invaluable resource for any flutist.” —Brook Ferguson, Principal Flutist of the Colorado Symphony Orchestra “Leslie Anne Harrison’s Playing Outside the Lines is a marvelous gift to all interested in Irish music. Her clear and detailed writing is a huge boon to those embracing the traditional Irish flute and is truly enlightening to those (like me) who want to delve into this music while playing the Boehm flute. From tiniest detail to largest form, Leslie Anne Harrison is there every step of the way. Playing Outside the Linesis a major contribution to flute pedagogy.” —Robert Dick, Performer and Author of The Other Flute

Volume III of Playing Outside the Lines is the third of a comprehensive four-part Irish flute method book series offering beginning to advanced Irish traditional flute instruction for Boehm and simple system flutists in graduated books, chapters, and exercises. Building on the foundation provided in the first two books of the series, Volume III dives into more complicated Irish traditional flute ornamentation such as rolls, short rolls, crans, and breath-ornament techniques. Volume III contains ornamentation fingering charts; advanced ornamentation options, explanations, and placement guidelines; 62 accompanying audio tracks; and more than 170 exercises. Playing Outside the Lines is the first Irish flute method book series of its kind, containing more than 600 technical exercises, rich and nuanced discussions of Irish flute style and cultural context, previously undocumented techniques, side-by-side explanations for Boehm and simple system flutists (as well as information for musicians transitioning between the two instruments), audio excerpts, simple system flute care and purchasing information, and resources for further study. By the end of the four-part series, Boehm and simple system flutists of any background will have the tools necessary to play Irish music with a deep understanding of the tradition as well as with individual creativity. “A fantastic bible of Irish flute playing. Harrison is a very meticulous and thorough author.” —Viviana Guzman, The Flute View Magazine “An invaluable resource for any flutist.” —Brook Ferguson, Principal Flutist of the Colorado Symphony Orchestra “Leslie Anne Harrison’s Playing Outside the Lines is a marvelous gift to all interested in Irish music. Her clear and detailed writing is a huge boon to those embracing the traditional Irish flute and is truly enlightening to those (like me) who want to delve into this music while playing the Boehm flute. From tiniest detail to largest form, Leslie Anne Harrison is there every step of the way. Playing Outside the Lines is a major contribution to flute pedagogy.” —Robert Dick, Performer and Author of The Other Flute

Many people believe that God speaks to us in our dreams. Understanding the language God uses in dreams will open a whole new world of understanding His plan for each of us. Every Dreamer's Handbook is the latest book from the best-selling author of Understanding the Dreams You Dream.

At the end of the 1883 baseball season, things looked rosy--attendance had skyrocketed and the National League and American Association were at peace. A year later, however, the sport was in total disarray. A third major league, the Union Association, had come on the scene and waged a bitter war that rocked the baseball world. By the dawn of the 1885 season, the UA had dissolved in a sea of red ink, the AA had dropped four teams, and the minor leagues were desperately hoping to make it through the season.Amid the chaos of 1884 were some historic moments. Iron-man pitcher Hoss Radbourn won 59 games and led the Providence Grays to victory over the New York Metropolitans in the first World Series. Fleet Walker broke baseball's first color line. There were a record eight no-hitters and a cast of fascinating figures--some famous, some lost to history--like Radbourn, Hustling Horace Phillips, Dan O'Leary, and Edward (The Only) Nolan. This book tells the story of the momentous yet overshadowed 1884 season.

Jazz Improvisation for Keyboard Players is a straightforward, no-nonsense improvisation series. It deals with creating melodies, using the left hand, pianistic approaches to soloing, scale choices for improvisation and much more.

During the same period in which Derek Walcott was pouring immense physical, emotional, and logistical resources into the foundation of a viable first-rate West Indian theatre company and continuing to write his inimitable poetry, he was also busy writing newspaper reviews, chiefly for the Trinidad Guardian. His prodigious reviewing activity extended far beyond those areas with which one might most readily associate his interests and convictions. As Gordon Rohlehr once presciently observed, “If one wants to see a quotidian workaday Walcott, one should go back to [his] well over five hundred articles, essays and reviews on painting, cinema, calypso, carnival, drama and lite¬rature,” articles which “reveal a rich, various, witty and scrupulous intelligence in which generous humour counterpoints acerbity.” These articles capture the vitality of Caribbean culture and shed additional light on the aesthetic preoccupations expressed in Walcott’s essays published in journals. The editors have examined the corpus of Walcott’s journalistic activity from its beginnings in 1950 to its peak in the early 1970s, and have made a generous selection of material from the Guardian, along with occasional pieces from such sources as Public Opinion (Kingston) and The Voice of St. Lucia (Castries). The articles in Volume 2 are organized as follows: the performing arts; general surveys of anglophone Caribbean drama, theatre, and society; festivals, theatre companies, and productions; British and American drama; dance and music theatre; Carnival and calypso; and cinema screenings in Trinidad. Volume 2 additionally contains an exhaustive annotated and cross-referenced chronological bibliography of Walcott’s journalism up to 1990. The co-editor Christopher Balme has written a searching introductory essay on a central theme – here, a survey of West Indian theatre and Walcott’s engagement with it, particularly the idea of a ‘National Theatre’, coupled with an illustrative discussion of the playwright’s seminal dramatic spectacle Drums and Colours.

Christine Redman-Waldeyer's poems contain questions it is not easy for the reader to answer. She may wish to shy away from them, but it would be at her peril. She observes the natural world, refers to ancient myths, and asks us to judge over lines in the light of their wisdom.--Dr. Laura Winters, Professor of English and Contemporary Poetry, Drew University Open are the doors to a world anew. Let Christine Redman-Waldeyer's latest work, "Rains of Roses," catapult you into levels of consciousness, that until now, few have comprehended. Proposed within these pages are the ideals that one may find a hypothetical "other world" all around in our commonplace lives. With each rune, what was once familiar and wonted is etched to reflect it's rightful more surreal purpose. These symbolic connotations in life can be derived everywhere around us, and lead us as beacons of hope through our own personal tribulations.--Sgt. Robert J. Proft, Saaj "Grigori Dirge"

Neuroscience has made considerable progress in figuring out how the brain works. We know much about the molecular-genetic and biochemical underpinnings of sensory and motor functions. Recent neuroimaging work has opened the door to investigating the neural underpinnings of higher-order cognitive functions, such as memory, attention, and even free will. In these types of investigations, researchers apply specific stimuli to induce neural activity in the brain and look for the function in question. However, there may be more to the brain and its neuronal states than the changes in activity we induce by applying particular external stimuli. In Volume 2 of Unlocking the Brain, Georg Northoff addresses consciousness by hypothesizing about the relationship between particular neuronal mechanisms and the various phenomenal features of consciousness. Northoff puts consciousness in the context of the resting state of the brain thereby delivering a new point of view to the debate that permits very interesting insights into the nature of consciousness. Moreover, he describes and discusses detailed findings from different branches of neuroscience including single cell data, animal data, human imaging data, and psychiatric findings. This yields a unique and novel picture of the brain, and will have a major and lasting impact on neuroscientists working in neuroscience, psychiatry, and related fields.