This book is to encourage dulcimer players at the intermediate-to-advanced level to play the “right” way. If you’re going to play a few Irish tunes, why not play them the way they were intended to be played? Then you can enjoy what other Irish musicians have enjoyed for hundreds of years. This book can teach you several basic, simple techniques that create the feel of traditional Irish music.

The last quarter of the twentieth-century saw a renewed interest in the hammered dulcimer in the United States at the grassroots level as well as from elements of the Folk Revival. This book offers the reader a discussion of the medieval origins of the dulcimer and its subsequent spread under many different names to other parts of the world. Drawing on articles the author has written in English as well as articles by specialists in their own languages, Gifford explains the history and evolution of the instrument. Special attention is paid to the North American tradition from the early 18th-century to the 1970s revival. Drawing from local histories, news clippings, photographs, and interviews, the book examines the playing of the dulcimer and its associated social meanings.

This sizeable collection of hammered dulcimer tunes brings together over 225 old-time and Celtic traditional tunes that are commonly heard at gatherings of old-time musicians. This is music that has been passed down vocally, or learned by ear instrumentally, and derived from countries where many of our ancestors originated. Trying to separate American and Celtic traditional music is an impossible task, as so many of the tunes we consider our own are adapted versions of tunes passed on to us from other countries and would fit into either category. This book therefore features favorite selections from both American and Celtic traditions. These instrumental arrangements are written in standard notation only with chord symbols.

This collection of dances and songs comes from Peggy Carter’s repertoire of hammered dulcimer arrangements, drawing from years of playing live string-band music for contra dancing, Irish dancing and Royal Scottish country dancing. If you like to dance and sing, you’ll LOVE this book. Dances and Songs to Play and Sing for Hammered Dulcimer includes pieces from many parts of the world, arranged for solo performance or dance accompaniment. It includes songs for voice and dulcimer, which can also be played as solo arrangements. In addition, you’ll find marches, jigs, reels, polkas, strathspeys, waltzes and slow dances. The truth is, when playing for dance, a hammered dulcimer is all you’ll need!

Focus: Irish Traditional Music is an introduction to the instrumental and vocal traditions of the Republic of Ireland and Northern Ireland, as well as Irish music in the context of the Irish diaspora. Ireland's size relative to Britain or to the mainland of Europe is small, yet its impact on musical traditions beyond its shores has been significant, from the performance of jigs and reels in pub sessions as far-flung as Japan and Cape Town, to the worldwide phenomenon of Riverdance. Focus: Irish Traditional Music interweaves dance, film, language, history, and other interdisciplinary features of Ireland and its diaspora. The accompanying CD presents both traditional and contemporary sounds of Irish music at home and abroad.

Northern Ireland remains a divided community in which traditional culture is widely understood as a marker of religious affiliation and ethnic identity. David Cooper provides an analysis of the characteristics of traditional music performed in Northern Ireland, as well as an ethnographic and ethnomusicological study of a group of traditional musicians from County Antrim. In particular, he offers a consideration of the cultural dynamics of Northern Ireland with respect to traditional music.

The tunes in this collection were chosen from Peggy Carter’s half-century of performing, teaching, and arranging music for the hammered dulcimer. This anthology contains 60 tunes arranged especially for novice to intermediate-level players of the 12/11 dulcimer, including suggestions for note reading, hammering patterns and embellishments. Playing the dulcimer is not effortless, but it should be fun! The title tune, “Dulcimer Frolic,” is a family heirloom originally written for mandolin by Peggy’s grandfather in the early 1920s; transcribed for hammered dulcimer, the tune really lives up to its name. In fact, every tune in the collection is designed for fun and frolic. Some have lyrics, some are presented as bare-bones melodies, and some are embellished. You’ll find that these arrangements bring out the best in all of them.

Fintan Vallely''s survey of Irish traditional music examines a wide range of topics relating to the histo ry of the genre, the characters, past and present who engage with the music and an analysis of the way the media represe nts it. '

This book provides instruction in both plucking and strumming techniques for 5 and 10-string Finnish kanteles. Explanation of musical notation, rhythm, and other elements of music theory are provided for the novice, yet the exercises are scaffolded to provide motivating material for the more experienced musician. In addition to the instructional materials, a number of traditional Finnish tunes are included as well as many familiar melodies. Plus, over twenty arrangements playable by mixed kantele groupings and detailed appendices of chords and chord transitions make this book a solid foundation for learning to play the kantele. Includes access to online audio.

First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.