Anthea Cane is a successful actress—well, action star. Her films are mostly about how hot she looks silhouetted by fiery explosions. But Anthea is determined to prove she's more than just a body. With the role of a lifetime up for grabs—a serious adaptation of her favorite novel—Anthea sets off to her small hometown in the name of research. Cole Daniel is a blind farmer with no patience for divas, especially one who mercilessly teased him as a young boy. When Anthea shows up using a fake name and pestering him into letting her stay, he can't pass up the opportunity to torment her just a little. But Anthea won't let the stubborn farmer deter her from her goal, even if he is hotter than any man she's ever met. Cole finds his form of payback less than satisfying when Anthea keeps turning the tables on him, proving her mettle and gaining his respect. Will Anthea's research land her a man, as well as the part? 65,000 words

All they wanted was to know how. I could do this, I could invent something . . . It is 1991, and on a trip to the United States to research a new novel, British artist and writer Brinsel Thomas discovers she has more to deal with than just writing. When two police officers show up at her door with questions, her next stop is the police station. One little lie intended to extricate herself from what she is certain is a terrible mistake instead snowballs into a story she cannot get out of, trapped with a secret she cannot risk giving away. Instead of working on her novel, Brinsel finds herself enlisted to help solve a murder, attempting to fabricate an incriminating correspondence, shedding a few copyrights, and dodging insistently prying questions. There is one person who she is convinced might be able to help her: a private detective and sometime-professional musician named Max Thompson. Then again, he might not. Because there is one enormous, indisputable complication . . .

Kaylee Bennett has never felt like she really fit in at The Rosewood Academy for Academic Excellence, but this year she feels even more like an outsider. Life has done a one-eighty for Kaylee and as she returns to the posh school for girls, she can’t bring herself to tell her secret to her friends and definitely not her long term crush, Phillip Carson. Not that Kaylee could ever imagine he would be attracted to a quiet bookworm like her anyway. But then there’s Declan Ryan, the gorgeous exchange student who seems to be interested, until Kaylee finds out his secret and why he might actually be into her, and it has nothing to do with her charm or love of English literature. To complicate matters, Kaylee gets stuck running the school’s production of Romeo and Juliet, directing both Declan and Phillip with the help of Rosewood’s sexy first year teacher, Mr. Stratton—as if the Westwood boys weren’t enough of a distraction! Determined to stay away from Declan and make things work with Phillip, Kaylee isolates herself from her friends and hides out in the house of cards she’s built to protect herself, but how long will it stay standing? Playing The Part is the third book in The Rosewoods, an exciting new Young Adult series for readers who love fun, flirty love stories. Books by Katrina Abbott: The Rosewoods Series: Taking the Reins Masquerade Playing the Part Reading Between the Lines I'll Never Forget (short story) This Point Forward Risking It All (short story) Making Ripples Acting Out Hitting the Target (August 2015) Keywords: contemporary romance, young adult contemporary romance, boarding school, high school, friendship, boys, kissing, first love, humorous romance, romantic humor, funny romance, flirting, teen, teenage, equestrian, Olympics, rich, wealthy, elite, young adult, new adult, coming of age, love triangle, boys, relationships, firsts, new girl, Shakespeare, school play, Hollywood, Celebuspawn, scholarships, royal, celebrity

Focusing on the transformative power of the creative arts process, Christopher Worthman offers readers a new way of thinking about literacy development and, specifically, the teaching of writing and out-of-school literacies. Rich with theoretical and practical insights, this groundbreaking ethnography describes and analyzes the writing development of a group of teenagers involved in a unique community-based teen theater project. Includes detailed descriptions of improvisational activities that can be adapted for use by other classes or ensembles.

The York Mystery Plays are a cycle of originally performed on wagons in the city. They date from the fourteenth century and Biblical narrative from Creation to Last Judgment. After nearly four hundred years without a performance, a revival of the York Mysteries began in 1951 when local amateurs led by professional theatre practitioners staged them during the festival of Britain. Playing a Part in History examines the ways in which the revival of these plays transformed them for twentieth- and twenty-first-century audiences. Considering such topics as the contemporary popularity of the plays, the agendas of the revivalists, and major production differences, Margaret Rogerson provides a fascinating comparison of medieval and modern English drama. Drawing extensively on archival material, and newspaper and academic reviews of the plays in recent years, Playing a Part in History is not only an illuminating account of early English drama, but also of the ways in which theatre allows people to interact with the past.

PUBLICITY TITLE Will appear in 1998 Theatre Craft leaflet and in a New Theatre Quarterly advert Re-issue of hardback published by CUP - this received exceptional review coverage M. Mahood is an all-time old-school Great: well known for Shakespeare's Wordplay and her Penguin editions of Twelfth Night and Merchant of Venice The Pb will include a new appendix aimed at helping directors and actors Will appeal to actors and directors, critics and students The six studies of individual plays offers models for students to follow in studying and writing about the other thirty plays. Includes an index of characters as well as a detailed general index - very user friendly

A heartwarming middle-grade debut with autism representation and a musical flair. Maya lives and breathes musicals. When her chance to finally be a part of the summer musical program at the community theater comes up, Maya is convinced she will get the lead. After all, who knows The Drowsy Chaperone better than she does? However, things don’t turn out exactly the way Maya’s planned, and the summer turns out to be jam-packed with problems: dealing with her best friend’s move, her parents’ busy jobs, and—since her autism diagnosis—the ongoing puzzle of how to be Maya in Public. But perhaps most important of all, Maya has to figure out how to play the part that truly feels like her own.