Jun Sagami's known as the "ditzy prince" at school and is popular with the girls, but she's actually a female! She's considered more handsome than feminine... One day, she happens to run into Kotaro Matsuda, the student council president. He's also called the "perfect prince." He asks Jun to keep quiet about what she saw him do, but Jun doesn't understand what's going on!! The truth is, Kotaro has a secret hobby... This is the start to a love story full of fun twists between a cross-dressing guy and a handsome and cool girl!!

Jun Sagami's known as the "ditzy prince" at school and is popular with the girls, but she's actually a female! She's considered more handsome than feminine... One day, she happens to run into Kotaro Matsuda, the student council president. He's also called the "perfect prince." He asks Jun to keep quiet about what she saw him do, but Jun doesn't understand what's going on!! The truth is, Kotaro has a secret hobby... This is the start to a love story full of fun twists between a cross-dressing guy and a handsome and cool girl!!

Jun Sagami's known as the "ditzy prince" at school and is popular with the girls, but she's actually a female! She's considered more handsome than feminine... One day, she happens to run into Kotaro Matsuda, the student council president. He's also called the "perfect prince." He asks Jun to keep quiet about what she saw him do, but Jun doesn't understand what's going on!! The truth is, Kotaro has a secret hobby... This is the start to a love story full of fun twists between a cross-dressing guy and a handsome and cool girl!!

Jun Sagami's known as the "ditzy prince" at school and is popular with the girls, but she's actually a female! She's considered more handsome than feminine... One day, she happens to run into Kotaro Matsuda, the student council president. He's also called the "perfect prince." He asks Jun to keep quiet about what she saw him do, but Jun doesn't understand what's going on!! The truth is, Jun has a secret hobby... This is the start to a love story full of fun twists between a cross-dressing guy and a handsome and cool girl!!

This book guides the reader through the process of creating evidence-based therapy groups for children. Introducing an interpersonal theoretical framework that maximizes the interactional and experiential learning and growth components of groups with children, this curriculum offers the child group therapist a theoretical foundation that gives structure to existing techniques and an approach that is multiculturally sensitive and grounded in brain science. A deeper understanding of the mechanisms of change that operate in children’s groups is central to the theme, including an emphasis on play and "learning by doing" through real-life clinical examples which permit readers of all levels to achieve a better understanding of how child groups function. Readers of this book will come away with a deeper understanding of the "power cell" of group therapy: Working interpersonally in the here and now, specifically with children.

The ten plays in this new collection show both the continuity and the changes in comedy over the course of the Restoration and eighteenth century. Each play includes its original prologue and epilogue, as well as an historical introduction and full annotation. The editor’s Introduction provides a rich historical and literary context for the plays’ composition and production. A glossary of frequently used words likely to be unfamiliar to general readers is also included.

This is the first new full-scale anthology of Restoration and eighteenth-century drama in over sixty years. Concentrating on plays from the heyday of 1660-1737, it focuses especially on Restoration drama proper (1660-1688) and Revolution drama (1689-1714), with a smaller selection of plays from the early Georgian period (1715-1737) and a glimpse at the later Georgian period’s “laughing comedy” (1770s and 80s). It includes nine sub-genres (heroic romance, political tragedy, personal tragedy, tragicomic romance, social comedy, subversive comedy, corrective satire, menippean satire, and laughing comedy), with the preponderance of exposure given to the jewel of this theatre, its comedy. The core canonical plays from the era—from Dryden’s All for Love and Behn’s The Rover to Congreve’s The Way of the World and Sheridan’s School for Scandal—are all here, but so are a remarkably wide range of non-canonical works. There are many more plays by women than in any previous general anthology of drama of the period. Also included are a number of works from the neglected 1660s, whose comedies feature delightful, subversive, levelling folk elements. In all there are forty-one plays; each is fully annotated and prefaced with an historical introduction. Also included are a general introduction, head-notes for each genre, and a glossary.

One of the Ten Best Books of The New York Times Book Review Winner of the Los Angeles Times Book Prize Soon to be a miniseries from Hulu starring James Franco This enhanced ebook edition contains a 13-minute film, written and narrated by Stephen King and enhanced with historic footage from CBS News, that will take you back—as King’s novel does—to Kennedy era America. On November 22, 1963, three shots rang out in Dallas, President Kennedy died, and the world changed. What if you could change it back? Stephen King’s heart-stoppingly dramatic new novel is about a man who travels back in time to prevent the JFK assassination—a thousand page tour de force. Following his massively successful novel Under the Dome, King sweeps readers back in time to another moment—a real life moment—when everything went wrong: the JFK assassination. And he introduces readers to a character who has the power to change the course of history. Jake Epping is a thirty-five-year-old high school English teacher in Lisbon Falls, Maine, who makes extra money teaching adults in the GED program. He receives an essay from one of the students—a gruesome, harrowing first person story about the night 50 years ago when Harry Dunning’s father came home and killed his mother, his sister, and his brother with a hammer. Harry escaped with a smashed leg, as evidenced by his crooked walk. Not much later, Jake’s friend Al, who runs the local diner, divulges a secret: his storeroom is a portal to 1958. He enlists Jake on an insane—and insanely possible—mission to try to prevent the Kennedy assassination. So begins Jake’s new life as George Amberson and his new world of Elvis and JFK, of big American cars and sock hops, of a troubled loner named Lee Harvey Oswald and a beautiful high school librarian named Sadie Dunhill, who becomes the love of Jake’s life – a life that transgresses all the normal rules of time. A tribute to a simpler era and a devastating exercise in escalating suspense, 11/22/63 is Stephen King at his epic best.