This edited collection contributes to the study of conspiracy culture by analysing the relationship of literary forms to the formation, reception, and transformation of conspiracy theories. Conspiracy theories are narratives, and their narrative form provides the structure within which their ‘readers’ situate themselves when interpreting the world and its history. At the same time, conspiracist interpretations of the world may then be transmediated into works of literature and import popular discourse into narrative structures. The suppression and disappearance of books themselves may generate conspiracy theories and become co-opted into political dissent. Additionally, literary criticism itself is shown to adopt conspiracist modes of interpretation. By examining conspiracy plots as literary plots, with narrative, rhetorical, and symbolic characteristics, this volume is the first systematic study of how conspiracy culture in American and European history is the consequence of its interactions with literature. This book will be of great interest to researchers of conspiracy theories, literature, and literary criticism.

This volume explores the role played by conspiracy narratives in the contemporary Italian political, cultural, and social context, through a series of case studies. It begins with a historical and genealogical account of the troubled success of Italian conspiracy thinking from the early 1970s to the present day. Among the issues examined are the unclear division between legitimate/illegitimate forms of knowledge, the use of conspiracy as a confrontational discursive device, the emergence of moral panic, and the stabilization of information outlets against dominant official explanations. The analysis covers the case of a well-known national survey, and a digital platform specializing in conspiracy storytelling. The second axis of the book concerns the pervasive use of conspiracy as a theory or narrative that currently circulates in various Italian cultural fields: multiculturalism, immigration, and racism; Catholic traditionalism; football fandom; small business economics; and cooking and food. This volume will be of interest to researchers of conspiracy theories, and Italian politics and history.

Covid Conspiracy Theories in Global Perspective examines how conspiracy theories and related forms of misinformation and disinformation about the Covid-19 pandemic have circulated widely around the world. Covid conspiracy theories have attracted considerable attention from researchers, journalists, and politicians, not least because conspiracy beliefs have the potential to negatively affect adherence to public health measures. While most of this focus has been on the United States and Western Europe, this collection provides a unique global perspective on the emergence and development of conspiracy theories through a series of case studies. The chapters have been commissioned by recognized experts on area studies and conspiracy theories. The chapters present case studies on how Covid conspiracism has played out (some focused on a single country, others on regions), using a range of methods from a variety of disciplinary perspectives, including history, politics, sociology, anthropology, and psychology. Collectively, the authors reveal that, although there are many narratives that have spread virally, they have been adapted for different uses and take on different meanings in local contexts. This volume makes an important contribution to the rapidly expanding field of academic conspiracy theory studies, as well as being of interest to those working in the media, regulatory agencies, and civil society organizations, who seek to better understand the problem of how and why conspiracy theories spread. The Open Access version of this book, available at www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.

This book analyzes the culture wars as those struggles for the monopoly of the legitimate representation of the world in the normative elucidation of controversial issues linked to values. Public culture in this context would consist of a set of complex classificatory systems of symbols and meanings that constitute a semantic field in permanent dynamic tension. In this work we analyze a whole series of lines of cultural conflict such as the social and semantic genesis of the different forms of “culture war” from the thesis of “modern polytheism” pointed out by Max Weber at the beginning of the 20th century to the national culture wars and the current global culture wars; the social production of truth and the clash with the epistemological tribalisms; the struggles between the new warrior gods, daimons and demons that emerge in modern societies; the struggles of fusion and fission on the symbolic battlefield of “Europe”; the struggles between “pioneers” and “gatekeepers” to define the limits of human nature; the struggles between utopias and dystopias that colonize the present future. This book will be of great help to anybody looking for key interpretations on the nature and structure of modern conflicts in contemporary societies.

Conspiracy Theories in the Time of Covid-19 provides a wide-ranging analysis of the emergence and development of conspiracy theories during the Covid-19 pandemic, with a focus on the US and the UK. The book combines digital methods analysis of large datasets assembled from social media with politically and culturally contextualised close readings informed by cultural studies. In contrast to other studies which often have an alarmist take on the "infodemic," it places Covid-19 conspiracy theories in a longer historical perspective. It also argues against the tendency to view conspiracy theories as merely evidence of a fringe or pathological way of thinking. Instead, the starting assumption is that conspiracy theories, including Covid-19 conspiracy theories, often reflect genuine and legitimate concerns, even if their factual claims are wide of the mark. The authors examine the nature and origins of the conspiracy theories that have emerged; the identity and rationale of those drawn to Covid-19 conspiracism; how these conspiracy theories fit within the wider political, economic and technological landscape of the online information environment; and proposed interventions from social media platforms and regulatory agencies. This book will appeal to anyone interested in conspiracy theories, misinformation, culture wars, social media and contemporary society.

Contributions by Carl Abbott, Jacob Babb, Marleen S. Barr, Michael Fuchs, John Glover, Stephen Joyce, Sarah Lahm, James McAdams, Cynthia J. Miller, Fernando Gabriel Pagnoni Berns, Chris Pak, María Isabel Pérez Ramos, Stefan Rabitsch, J. Jesse Ramírez, A. Bowdoin Van Riper, Andrew Wasserman, Jeffrey Andrew Weinstock, and Robert Yeates Metropolis, Gotham City, Mega-City One, Panem’s Capitol, the Sprawl, Caprica City—American (and Americanized) urban environments have always been a part of the fantastic imagination. Fantastic Cities: American Urban Spaces in Science Fiction, Fantasy, and Horror focuses on the American city as a fantastic geography constrained neither by media nor rigid genre boundaries. Fantastic Cities builds on a mix of theoretical and methodological tools that are drawn from criticism of the fantastic, media studies, cultural studies, American studies, and urban studies. Contributors explore cultural media across many platforms such as Christopher Nolan’s Dark Knight Trilogy, the Arkham Asylum video games, the 1935 movie serial The Phantom Empire, Kim Stanley Robinson’s fiction, Colson Whitehead’s novel Zone One, the vampire films Only Lovers Left Alive and A Girl Walks Home Alone at Night, Paolo Bacigalupi’s novel The Water Knife, some of Kenny Scharf’s videos, and Samuel Delany’s classic Dhalgren. Together, the contributions in Fantastic Cities demonstrate that the fantastic is able to “real-ize” that which is normally confined to the abstract, metaphorical, and/or subjective. Consequently, both utopian aspirations for and dystopian anxieties about the American city become literalized in the fantastic city.

Religious Dimensions of Conspiracy Theories contributes to the study of conspiracy culture by analysing the religious and esoteric dimensions of conspiracy theories. The book examines both historical and contemporary examples to explore transnational and transhistorical continuities between religious doctrines, eschatologies, and conspiracy theories. It draws on a broad range of disciplinary insights from historians, sociologists, anthropologists, and religious studies scholars. The book has a global focus and features case studies from North America, Europe, the Middle East, Asia, and Africa. This book will be of great interest to researchers of conspiracy theories, esotericism, extremism, and religion

Thinking Critically About the Kennedy Assassination uses the tools of critical thinking, historical research, and philosophical inquiry to debunk the many myths and conspiracy theories surrounding JFK’s shocking and untimely death. As we approach the 60th anniversary of the violent public assassination of President John F. Kennedy, over half of all Americans surveyed continue to believe that he was killed by a conspiracy involving multiple assassins. Through its reasoned and detailed analysis of the content and evolution of JFK conspiracy narratives, this book also serves as a comprehensive case study of paranoid reasoning and modern mythmaking. The book’s opening chapters lay out the "official" academic consensus concerning the Kennedy assassination (better known as the "Lone Gunman Theory") and discuss the origins of popular interpretations of Kennedy’s life and death, such as the nostalgic myth of "Camelot," the unsympathetic "Irish Mafia" narrative, and the many conspiracy theories critical of both. Subsequent sections scrutinize the alleged motives of leading conspiracy suspects, the ballistic, forensic, and medical evidence related to JFK’s murder, and the most popular "proofs" of an enduring government cover- up. The book concludes that no clear evidence exists to suggest that JFK was the victim of a conspiracy and ends with a discussion of the causes and consequences of paranoid thinking in contemporary public discourse. This volume will appeal to students of history, politics, psychology, and cultural and media studies, and to a broader audience interested in American history, critical thinking, and conspiracy thinking.

Critical Theory and Marital Quarrels: Dynamics of Passionate Speech analyzes the pneumatics of conflict through a discursive archeology of police reports, court proceedings, psychiatric cases, therapy sessions, eighteenth-century relationship advice literature, and the nineteenth-century fiction. Todor Hristov argues that in order to extract knowledge from the noise of the marital fights, preachers, moralists, physicians, alienists, sociologists discarded the words as a slag, and in consequence, they were unable to explain either the recurrence or the power of discord. This study is intended as an analysis of the discursive mechanism of contentious speech based on concepts derived from critical theory, discourse analysis, speech act theory and semiotics. The discursive mechanism of quarreling is summed up in the concept of passionate speech relevant beyond family scenes, to scenes of political or public contention. This book applies the concept to examine critically the language of contemporary couples therapy and to describe the unintended effects of the passions shared by the clients and the therapists.

Conspiracy has been a political phenomenon throughout history, relevant to any form of power from antiquity to the post-modern era. This means of resistance against power was prevalent during the Renaissance, and the Italian fifteenth century, in particular, can be regarded as an 'age of plots'. This book offers the first full-length investigation of Italian Renaissance literature on the topic of conspiracy. This literature covered a range of different genres and it enjoyed widespread diffusion during the second half of the fifteenth century, when the development of this literary production was connected with the affirmation of centralized political thought and princely ideology in Italian states. The centrality of conspiracies also emerges in the sixteenth century in Machiavelli's work, where the topic is closely interlaced with problems of building political consensus and management of power. This volume presents case studies of the most significant humanist texts (representative of different states, literary genres, and of prominent authors—Alberti, Poliziano, Pontano—and minor, yet important, literati), and it also investigates Machiavelli's political and historical works. Through interdisciplinary analysis, this study traces the evolution of literature on plots in early Renaissance Italy. It points out the key function of the classical tradition and the recurring narrative approaches, the historiographical techniques, and the ideological angles that characterize the literary transfiguration of the topic. This volume also offers a reconsideration of the complex facets of humanist political literature that played a crucial role in the development of a new theory of statecraft.