Confederate States of America Army.-Ordnance and ordnqnce stores.

During the summer of 1800, slaves in and around Richmond conspired to overthrow their masters and abolish slavery. This book uses Gabriel's Conspiracy, and the evidence produced during the repression of the revolt, to expose the processes through which Virginians of African descent built an oppositional culture. Sidbury portrays the rich cultures of eighteenth-century black Virginians, and the multiple, and sometimes conflicting, senses of identity that emerged among enslaved and free people living in and around the rapidly growing state capital. The book also examines the conspirators' vision of themselves as God's chosen people, and the complicated African and European roots of their culture. In so doing, it offers an alternative interpretation of the meaning of the Virginia that was home to so many of the Founding Fathers. This narrative focuses on the history and perspectives of black and enslaved people, in order to develop 'Gabriel's Virginia' as a counterpoint to more common discussions of 'Jeffersonian Virginia'.

“The terrible bow was drawn taut. Men had let their powers be taken captive and had become the stooges of governments, they had become drinkers of the blood that fuelled their rage, they had become angels of evil, devils who spilled blood like water. A raven with shreds of corpses still stuck to its claws was perched on their shoulder and yet they saw nothing and understood nothing. The orders of platoon commanders were their reasoning and a ghastly rough and tumble was their home, each such home perishing piecemeal as bayonets made mincemeat of arms rising to take aim. Death was a day that had no dusk and horrors became the wont of armies.” Ploughshares into Swords is an expressionist anti-war novel in which Vančura tells the story of the denizens of the Ouhrov estate in language as baroque as the manor that ties them all together. The fragmented narrative introduces the reader to such characters as the Baron Danowitz, his sons, his French concubine, the farmhand František Horá, and the half-wit murderer Řeka in the autumn of 1913, before revealing their fates during the First World War. Spanning an area that stretches from the peaceful farmlands of Bohemia to the battlefields of Galicia, taking in the pubs of Budapest and the hospitals of Cracow, the novel constitutes an unsentimental and naturalistic approach to the war that created Czechoslovakia through a conscious subversion of the prophet Isaiah’s injunction that nations should beat their swords into ploughshares. Ploughshares into Swords is a stunning novel by one of Czech literature’s most important writers. This modernist masterpiece, akin to the work of Isaac Babel and William Faulkner, is now available in English for the very first time.

We Are At War The greatest battles fought today never make the news. They are neither fought with boots on the ground nor jets in the sky, yet their casualties far exceed all the combats ever fought with missiles and tanks. These battles happen in cyberspace, the assault weapons are technologies and tools that fit into the pockets of anyone who cares bear them, the ammos are software and apps that can be downloaded in seconds with just a click, and the victims are the very users who own them but are yet to realize that they are fully at war. In the midst of such intense warfare with weapons of mass distraction, majority of Christians have taken the worst battle position possible—naïve, unarmed and online—and as a result we have become one of the most badly hit on the battlefield. This book is an urgent response to the sprawl of casualties within the church who barely realize they’ve been hit, yet are losing their vital signs one click at a time. If you have a smart phone in your pocket, chances are high that you also have your wounds; this book is an urgent attempt to take out the bullets, stitch those wounds and rearm you for a calculated offensive. Your gadgets are about to be remodelled from regular tools to weapons of war.

This book traces Israel's transformation from a pioneering collective into its troubled present state. It examines the effect that the Palestinian problem has had on the Israeli state and its society. The book explores the nature of Zionist radicalism and shows how it was strengthened by the opposition to the Camp David accord, and the polemics that have raged over the territory captured during the Six-Day War. The book also analyzes the relationship between Israel and Diaspora, the effect on this of the Intifada and the Israeli reaction to it, and the possible consequences in this area of Yasser Arafat's support of Saddam Hussein.

This is a fresh look at the American Civil War from the standpoint of the natural resources necessary to keep the armies in the field. This story of the links between minerals, topography, and the war in western Virginia now comes to light in a way that enhances our understanding of America’s greatest trial. Five mineral products – niter, lead, salt, iron, and coal – were absolutely essential to wage war in the 1860s. For the armies of the South, those resources were concentrated in the remote Appalachian highlands of southwestern Virginia. From the beginning of the war, the Union knew that the key to victory was the destruction or occupation of the mines, furnaces, and forges located there, as well as the railroad that moved the resources to where they were desperately needed. To achieve this, Federal forces repeatedly advanced into the treacherous mountainous terrain to fight some of the most savage battles of the War.

This book explores how media and religion combine to play a role in promoting peace and inciting violence. It analyses a wide range of media - from posters, cartoons and stained glass to websites, radio and film - and draws on diverse examples from around the world, including Iran, Rwanda and South Africa. Part One considers how various media forms can contribute to the creation of violent environments: by memorialising past hurts; by instilling fear of the ‘other’; by encouraging audiences to fight, to die or to kill neighbours for an apparently greater good. Part Two explores how film can bear witness to past acts of violence, how film-makers can reveal the search for truth, justice and reconciliation, and how new media can become sites for non-violent responses to terrorism and government oppression. To what extent can popular media arts contribute to imagining and building peace, transforming weapons into art, swords into ploughshares? Jolyon Mitchell skillfully combines personal narrative, practical insight and academic analysis.

In rethinking and reframing the American national narrative in a wider context, the contributors to this volume ask questions about both nationalism and the discipline of history itself. The essays offer fresh ways of thinking about the traditional themes and periods of American history. By locating the study of American history in a transnational context, they examine the history of nation-making and the relation of the United States to other nations and to transnational developments. What is now called globalization is here placed in a historical context. A cast of distinguished historians from the United States and abroad examines the historiographical implications of such a reframing and offers alternative interpretations of large questions of American history ranging from the era of European contact to democracy and reform, from environmental and economic development and migration experiences to issues of nationalism and identity. But the largest issue explored is basic to all histories: How does one understand, teach, and write a national history even as one recognizes that the territorial boundaries do not fully contain that history and that within that bounded territory the society is highly differentiated, marked by multiple solidarities and identities? Rethinking American History in a Global Age advances an emerging but important conversation marked by divergent voices, many of which are represented here. The various essays explore big concepts and offer historical narratives that enrich the content and context of American history. The aim is to provide a history that more accurately reflects the dimensions of American experience and better connects the past with contemporary concerns for American identity, structures of power, and world presence.

From the author of Unlikely Allies and Indivisible comes the remarkable story of John Marshall who, as chief justice, statesman, and diplomat, played a pivotal role in the founding of the United States. No member of America's Founding Generation had a greater impact on the Constitution and the Supreme Court than John Marshall, and no one did more to preserve the delicate unity of the fledgling United States. From the nation's founding in 1776 and for the next forty years, Marshall was at the center of every political battle. As Chief Justice of the United States—the longest-serving in history—he established the independence of the judiciary and the supremacy of the federal Constitution and courts. As the leading Federalist in Virginia, he rivaled his cousin Thomas Jefferson in influence. As a diplomat and secretary of state, he defended American sovereignty against France and Britain, counseled President John Adams, and supervised the construction of the city of Washington. D.C. This is the astonishing true story of how a rough-cut frontiersman⁠—born in Virginia in 1755 and with little formal education—invented himself as one of the nation's preeminent lawyers and politicians who then reinvented the Constitution to forge a stronger nation. Without Precedent is the engrossing account of the life and times of this exceptional man, who with cunning, imagination, and grace shaped America's future as he held together the Supreme Court, the Constitution, and the country itself.