When the Greek historian PLUTARCH (c. 46 A.D. 120 A.D.) set out to tell the tales of the famous figures from Greek and Roman history, he was more concerned with illuminating their characters than enumerating their deeds, more interested in exploring their moral failings and triumphs than in listing their conquests. The result: Plutarch s Lives. Though Plutarch is known to have taken some liberties with his Lives his comparisons of certain Greek and Roman figures are often more fanciful than strictly accurate his words are, in many instances, the only sources of information that have survived for some personages. And in the aggregate, his radical approach to biography exerted a profound influence on the literature to come, particularly throughout the Renaissance and Enlightenment. Shakespeare lifted some passages verbatim from the Lives, and other writers inspired by Plutarch range from James Boswell to Alexander Hamilton to Cotton Mather. Ralph Waldo Emerson called the Lives a bible for heroes. Across the five volumes, Plutarch explores the stories of such notables as: Romulus Pericles Coriolanus Pyrrhus Lysander Pompey Alexander Caesar Cicero Antony and others. Cosimo is proud to present these handsome new editions, based on the classic 17th-century translations by English poet and playwright JOHN DRYDEN (1631 1700), and revised and edited in the 19th century by Oxford scholar ARTHUR HUGH CLOUGH (1819 1861).

Contrary to the apocalyptic pronouncements of paper media's imminent demise in the digital age, there has been a veritable surge of creative reimaginings of books as bearers of the literary. From typographic experiments (Mark Z. Danielewski's House of Leaves, Steven Hall's The Raw Shark Texts) to accordion books (Anne Carson's Nox), from cut ups (Jonathan Safran Foer's Tree of Codes) to collages (Graham Rawle's Woman's World), from erasures (Mary Ruefle's A Little White Shadow) to mixups (Simon Morris's The Interpretations of Dreams), print literature has gone through anything but a slow, inevitable death. In fact, it has re-invented itself materially. Starting from this idea of media plurality, Book Presence in a Digital Age explores the resilience of print literatures, book art, and zines in the late age of print from a contemporary perspective, while incorporating longer-term views on media archeology and media change. Even as it focuses on the materiality of books and literary writing in the present, Book Presence also takes into consideration earlier 20th-century "moments" of media transition, developing the concepts of presence and materiality as analytical tools to perform literary criticism in a digital age. Bringing together leading scholars, artists, and publishers, Book Presence in a Digital Age offers a variety of perspectives on the past, present, and future of the book as medium, the complex relationship of materiality to virtuality, and of the analog to the digital.