The Moralia is a group of manuscripts dating from the 10th-13th centuries. Their author is traditionally believed to be the 1st-century Greek scholar Plutarch of Chaeronea. The collection contains 78 essays and speeches concerning Roman and Greek life, morals, and social laws.

Reprint of the original, first published in 1874.

A groundbreaking and wide-ranging presentation of Plutarch’s ethics based on the cosmological foundation of his ethical thought Plutarch of Chaeronea (c. 45-120 CE) is the most prolific and influential moral philosopher in the Platonic tradition. This book is a fundamental reappraisal of Plutarch’s ethical thought. It shows how Plutarch based his ethics on his particular interpretation of Plato’s cosmology: our quest for the good life should start by considering the good cosmos in which we live. The practical consequences of this cosmological foundation permeate various domains of Greco-Roman life: the musician, the organiser of a drinking party, and the politician should all be guided by cosmology. After exploring these domains, this book offers in-depth interpretations of two works which can only be fully understood by paying attention to cosmological aspects: Dialogue on Love and On Tranquillity of Mind.

The Second Sophistic (c.AD 60-250) was a time of intense competition for honour and status. Like today, this often caused mental as well as physical stress for the elite of the Roman Empire. This book, which transcends the boundaries between literature, social history, and philosophy, studies Plutarch's practical ethics, a group of twenty-odd texts within the Moralia designed to help powerful Greeks and Romans manage their ambitions and society's expectations successfully. Lieve Van Hoof combines a systematic analysis of the general principles underlying Plutarch's practical ethics, including the author's target readership, therapeutical practices, and self-presentation, with five innovative case studies. A picture emerges of philosophy under the Roman Empire not as a set of abstract, theoretical doctrines, but as a kind of symbolic capital engendering power and prestige for author and reader alike.

This volume of collected essays explores the premise that Plutarch’s work, notwithstanding its amazing thematic multifariousness, constantly pivots on certain ideological pillars which secure its unity and coherence. So, unlike other similar books which, more or less, concentrate on either the Lives or the Moralia or on some particular aspect(s) of Plutarch’s œuvre, the articles of the present volume observe Plutarch at work in both Lives and Moralia, thus bringing forward and illustrating the inner unity of his varied literary production. The subject-matter of the volume is uncommonly wide-ranging and the studies collected here inquire into many important issues of Plutarchean scholarship: the conditions under which Plutarch’s writings were separated into two distinct corpora, his methods of work and the various authorial techniques employed, the interplay between Lives and Moralia, Plutarch and politics, Plutarch and philosophy, literary aspects of Plutarch’s œuvre, Plutarch on women, Plutarch in his epistemological and socio-historical context. In sum, this book brings Plutarchean scholarship to date by revisiting and discussing older and recent problematization concerning Plutarch, in an attempt to further illuminate his personality and work.