This book builds upon recent theoretical approaches that define queerness as more of a temporal orientation than a sexual one to explore how Edgar Allan Poe's literary works were frequently invested in imagining lives that contemporary readers can understand as queer, as they stray outside of or aggressively reject normative life paths, including heterosexual romance, marriage, and reproduction, and emphasize individuals' present desires over future plans. The book's analysis of many of Poe's best-known works, including "The Raven," "The Fall of the House of Usher," "The Black Cat," "The Masque of the Red Death," and "The Murders in the Rue Morgue," show that his attraction to the liberation of queerness is accompanied by demonstrations of extreme anxiety about the potentially terrifying consequences of non-normative choices. While Poe never resolved the conflicts in his thinking, this book argues that this compelling imaginative tension between queerness and temporal normativity is crucial to understanding his canon.

The May/June 2016 issue of Uncanny Magazine. Featuring new fiction by Seanan McGuire, Kat Howard, JY Yang, Alyssa Wong, and Haralambi Markov, reprinted fiction by Kameron Hurley, essays by Foz Meadows, Tanya DePass, Sarah Monette, and Stephanie Zvan, poetry by Beth Cato, M. Sereno, and Isabel Yap, interviews with Kat Howard and Alyssa Wong by Deborah Stanish, a cover by Galen Dara, and an editoral by Lynne M. Thomas and Michael Damian Thomas.

No American author of the early 19th century enjoys a larger international audience than Edgar Allan Poe. Widely translated, read, and studied, he occupies an iconic place in global culture. Such acclaim would have gratified Poe, who deliberately wrote for "the world at large" and mocked the provincialism of strictly nationalistic themes. Partly for this reason, early literary historians cast Poe as an outsider, regarding his dark fantasies as extraneous to American life and experience. Only in the 20th century did Poe finally gain a prominent place in the national canon. Changing critical approaches have deepened our understanding of Poe's complexity and revealed an author who defies easy classification. New models of interpretation have excited fresh debates about his essential genius, his subversive imagination, his cultural insight, and his ultimate impact, urging an expansive reconsideration of his literary achievement. Edited by leading experts J. Gerald Kennedy and Scott Peeples, this volume presents a sweeping reexamination of Poe's work. Forty-five distinguished scholars address Poe's troubled life and checkered career as a "magazinist," his poetry and prose, and his reviews, essays, opinions, and marginalia. The chapters provide fresh insights into Poe's lasting impact on subsequent literature, music, art, comics, and film and illuminate his radical conception of the universe, science, and the human mind. Wide-ranging and thought-provoking, this Handbook reveals a thoroughly modern Poe, whose timeless fables of peril and loss will continue to attract new generations of readers and scholars.

The book is about the absolute. What would reality be if you had the opportunity to do whatever you wished, with only one stipulation. The prerequisite that you had to accept responsibility for all of your actions, would it really be any different than the reality you experience now? The story relates the effects of massive rationalizations that befall us all, regardless of the circumstances, it flows from the ridiculous, to the demonic, and asks the one unavoidable question, where am I, and how the hell did I get here? All of the players find themselves rolling the proverbial blind dice, and then making a random, disconnected choice based on serendipity, even the given reality is a juxtaposition between oblivion and the unknown. Its all about, The Danger in Being, choices, and the slings and arrows that inevitably follow.

From the beginning, horror has been part of the cinema landscape. Despite some of the earliest genre films with gay directors such as F.W. Murnau (Nosferatu) and James Whale (Frankenstein, The Invisible Man, Bride of Frankenstein), LGBTQIA characters have rarely been portrayed in full view. For decades, filmmakers have included "coded" content in their films with the homosexual experience translated into censor-friendly subtext for consumption by general audiences. Gradually, LGBTQIA characters and themes have moved from the background to the foreground as the horror genre has grown along with its audience's tastes and attitudes. Likewise, more and more LGBTQIA writers and directors have begun to offer their queer-centric takes on scary movies and today, "queer horror" is a thriving film genre. With more than 900 entries, this critical filmography is a comprehensive, critical, yet playful examination of the history of LGBTQIA content in horror films. Eight journalistic contributors dig into every era of scary movies, including the early silents, pre- and post-Hays Code content, grindhouse sleaze, LGBTQIA indies, and megaplex studio releases. From Whale's The Old Dark House (1932) to Don Mancini's Chucky films and everything in between, this collection explores what can be found at the intersection of "LGBTQIA" and "horror" in the film industry.

DigiCat presents to you this unique Sci-Fi collection with carefully picked out stories from out of space, thrilling intergalactic adventures, dystopian novels and the greatest sci-fi classics: H. G. Wells: The Time Machine The War of the Worlds The Island of Doctor Moreau The Invisible Man... Edgar Wallace: Planetoid 127 The Green Rust... Otis Adelbert Kline: The Venus Trilogy The Mars Series Malcolm Jameson: Captain Bullard Series Garrett P. Serviss: Edison's Conquest of Mars A Columbus of Space The Sky Pirate... Arthur Conan Doyle: The Professor Challenger Series Jules Verne: 20.000 Leagues under the Sea The Mysterious Island... Mary Shelley: Frankenstein The Last Man Edwin A. Abbott: Flatland Jack London: Iron Heel The Scarlet Plague The Star Rover... Robert Louis Stevenson: Dr Jekyll and Mr Hyde George MacDonald: Lilith H. Rider Haggard: King Solomon's Mines She William H. Hodgson: The House on the Borderland The Night Land... Edgar Allan Poe: Some Words with a Mummy Mellonta Tauta... H. P. Lovecraft: Beyond the Wall of Sleep The Cats of Ulthar Celephaïs Edward Bellamy: Looking Backward: 2000–1887 Equality... Mark Twain: A Connecticut Yankee in King Arthur's Court Owen Gregory: Meccania the Super-State Margaret Cavendish: The Blazing World Jonathan Swift: Gulliver's Travels William Morris: News from Nowhere Samuel Butler: Erewhon Edward Bulwer-Lytton: The Coming Race James Fenimore Cooper: The Monikins Hugh Benson: Lord of the World Fred M. White: The Doom of London Ignatius Donnelly: Caesar's Column Ernest Bramah: The Secret of the League Arthur D. Vinton: Looking Further Backward Robert Cromie: The Crack of Doom Cleveland Moffett: The Conquest of America Richard Jefferies: After London Francis Stevens: The Heads of Cerberus Percy Greg: Across the Zodiac David Lindsay: A Voyage to Arcturus Stanley G. Weinbaum: Stories from the Solar System Edward Everett Hale: The Brick Moon Abraham Merritt: The Moon Pool The Metal Monster... Francis Bacon: New Atlantis C. J. Cutcliffe Hyne: The Lost Continent Lewis Grassic Gibbon: Three Go Back

DigiCat presents to you this unique collection of pirate tales, sea adventure novels and true stories of the most notorious pirates: True Pirates of the Caribbean: The King of Pirates: Of Captain Avery, And his Crew Captain Martel Captain Teach, alias Blackbeard Edward England Charles Vane Rackam Mary Read Anne Bonny John Bowen... The Trial of the Pirates at Providence The Pirate Gow The Pirates of Panama... Novels & Stories: Treasure Island (Robert Louis Stevenson) The Pirate (Walter Scott) Blackbeard: Buccaneer (Ralph D. Paine) Pieces of Eight (Richard Le Gallienne) The Gold-Bug (Edgar Allan Poe) Jack London: Hearts of Three Tales of the Fish Patrol Daniel Defoe: Robinson Crusoe Captain Singleton Jules Verne: The Mysterious Island Facing the Flag The Dark Frigate (Charles Boardman Hawes) Peter Pan and Wendy (J. M. Barrie) The Dealings of Captain Sharkey (Arthur Conan Doyle) The Pirate (Frederick Marryat) The Madman and the Pirate (R. M. Ballantyne) The Pirate City (R. M. Ballantyne) Gascoyne, the Sandal-Wood Trader (R. M. Ballantyne) Captain Boldheart& the Latin-Grammar Master (Charles Dickens) The Master Key (L. Frank Baum) A Man to His Mate (J. Allan Dunn) The Isle of Pirate's Doom (Robert E. Howard) Queen of the Black Coast (Robert E. Howard) James Fenimore Cooper: Afloat and Ashore Homeward Bound The Red Rover The Rose of Paradise (Howard Pyle) The Count of Monte Cristo (Alexandre Dumas) The Ghost Pirates (William Hope Hodgson) The Offshore Pirate (F. Scott Fitzgerald) Harry Collingwood: A Pirate of the Caribbees The Pirate Island Among Malay Pirates (G. A. Henty) Great Pirate Stories (Joseph L. French) Fanny Campbell, the Female Pirate Captain (Maturin Murray Ballou) The Dark Frigate (Charles B. Hawes) Kidd the Pirate (Washington Irving) The Death Ship (William Clark Russell) The Iron Pirate (Max Pemberton)...