Vol. 1. A-F, Vol. 2. G-O, Vol. 3. P-Z modern period.

2009 Poet's Market will give you all the information necessary to research markets and submit your poetry for publication. In addition to market listings, you'll find guidance for preparing and submitting manuscripts, identifying markets, relating to editors, and more. Plus, the book includes additional listings for conferences, workshops, organizations for poets, print and online resources, and the latest trends in poetry writing and publishing.

The most trusted guide to publishing poetry! Want to get your poetry published? There's no better tool for making it happen than Poet's Market 2019, which includes hundreds of publishing opportunities specifically for poets, including listings for book and chapbook publishers, print and online poetry publications, contests, and more. These listings include contact information, submission preferences, insider tips on what specific editors want, and--when offered--payment information. In addition to the completely updated listings, the 32nd edition of Poet's Market offers all-new articles devoted to the craft and business of poetry, including poets and collaboration, dealing with problem editors, increasing your odds of publication, and more. You will also gain access to: • Lists of conferences, workshops, organizations, and grants • Guidelines to more than 60 poetic forms you can use to diversify your poetic arsenal

The most trusted guide to publishing poetry! Want to get your poetry published? There's no better tool for making it happen than Poet's Market 2017, which includes hundreds of publishing opportunities specifically for poets, including listings for book publishers, publications, contests, and more. These listings include contact information, submission preferences, and--when offered--payment information. In addition to the listings, Poet's Market offers all-new articles devoted to the craft and business of poetry, featuring advice on the art of finishing a poem, the anatomy of a poetry book, ways to get the most out of your writing residency, homegrown promotions, and more! You'll also gain access to: • A one-year subscription to the poetry-related information and listings on WritersMarket.com (print book only) • Lists of conferences, workshops, organizations, and grants. • A free digital download of Writer's Yearbook, featuring the 100 Best Markets Includes exclusive access to the webinar "Creative Ways to Promote Your Poetry" from Robert Lee Brewer, editor of Poet's Market!

The most trusted guide to publishing poetry! Want to get your poetry published? There's no better tool for making it happen than Poet's Market 2018, which features hundreds of publishing opportunities specifically for poets, including listings for book and chapbook publishers, print and online poetry publications, contests, and more. These listings include contact information, submission preferences, insider tips on what specific editors want, and--when offered--payment information. In addition to the completely updated listings, Poet's Market offers brand-new articles devoted to the craft and business of poetry, including how to handle a book launch, delivering poetry in unusual places, starting your own poetry workshop, and more. You will also gain access to: • A one-year subscription to the poetry-related information and listings on WritersMarket.com • Lists of conferences, workshops, organizations, and grants • A free digital download of Writer's Yearbook, featuring the 100 Best Markets: WritersDigest.com/WritersDigest-Yearbook-17 Includes exclusive access to the webinar "PR for Poets: The Secret to Getting Your Poems Read" from Jeannine Hall Gailey, author of Field Guide to the End of the World and The Robot Scientist's Daughter.

Canadian critics and scholars, along with a growing number from around the world, have long recognized the achievements of Canadian short story writers. However, these critics have tended to view the Canadian short story as a historically recent phenomenon. This reappraisal corrects this mistaken view by exploring the literary and cultural antecedents of the Canadian short story.

This study, part of growing interest in the study of nineteenth-century medievalism and Anglo-Saxonism, closely examines the intersections of race, class, and gender in the teaching of Anglo-Saxon in the American women’s colleges before World War I, interrogating the ways that the positioning of Anglo-Saxon as the historical core of the collegiate English curriculum also silently perpetuated mythologies about Manifest Destiny, male superiority, and the primacy of northern European ancestry in United States culture at large. Analysis of college curricula and biographies of female professors demonstrates the ways that women used Anglo-Saxon as a means to professional opportunity and political expression, especially in the suffrage movement, even as that legitimacy and respectability was freighted with largely unarticulated assumptions of racist and sexist privilege. The study concludes by connecting this historical analysis with current charged discussions about the intersections of race, class, and gender on college campuses and throughout US culture.